[SIR HENRY IRVING]

The impression left upon my mind by my curious and intensely dramatic encounter with Zola was of so theatric a nature that I resolved to get back to conventional ground once more through the medium of the stage. I was keyed up to a high pitch of nervous excitement by my unexpected meeting with an unsuspected step-mother, and the easiest return to my norm of equanimity, it seemed to me, lay through the doors of the greenroom. Hence I sought out London's only actor, Sir Henry Irving.

I found him a most agreeable gentleman. He received me cordially on the stage of his famous theatre. There was no setting of any kind. All about us were the bare cold walls of the empty stage and it was difficult to believe that this very same spot, the night before, had been the scene of brilliant revels.

"How do you do, Miss Witherup?" said Sir Henry, as I arrived, advancing with his peculiar stride, which reminds me of dear old Dobbin on my father's farm. "It is a great pleasure to welcome to England so fair a representative of so fine a press."

"I wished to see you, 'at home,' Sir Henry," I replied, not desiring to let him see how completely his cordiality had won me, and so affecting a coldness I was far from feeling.

"That is why I have you here, madam," he replied. "The stage is my home. The boards for me; the flare of the lime-lights; the pit; the sweet family circle; the auditorium in the dim distance; the foot-lights—ah, these are the inspiring influences of my life! The old song 'Home Is Where the Heart Is' must, in my case, be revised to favor the box-office, and instead of the 'Old Oaken Bucket,' the song I sing is the song of the 'Old Trap Door.' Did you ever hear that beautiful poem, 'The Song of the Old Trap Door'?"

"No, Sir Henry, I never did," said I. "I hope to, however."

"I will do it now for you," he said; and assisting me over the foot-lights into a box, he took the centre of the stage, ordered the calcium turned upon him, and began:

"How dear to my heart are the scenes of my triumphs,
In Hamlet, Othello, and Shylock as well!
Completely confounding the critics who cry 'Humphs!'
And casting o'er others a magical spell!
How dear to my soul are the fond recollections
Of thunderous clappings and stampings and roars
As, bowing and scraping in many directions,
I sink out of sight through the old trap doors!
The old trap doors, the bold trap doors,
That creaking and squeaking sink down thro' the floors!"