"I am afraid you are sarcastic," rejoined the Idiot. "But you needn't be; if you'd only reason it out you'd see at once that my view is correct. Anybody can talk about Wagner. Any person who knows a picture from a cable-car can talk with seeming intelligence on art, and even a member of Congress can talk about international complications off-hand for hours; but how many of these people know about clothes-pins?"
"Very few," said Mrs. Idiot, meekly.
"Very few, indeed," observed the Idiot. "And the same way with egg-beaters. I'll bet you a laundry-stove that if I should write to the Recorder to-morrow morning, and ask a question about Wagner, the musical editor would give me an answer within twenty-four hours; but with reference to egg-beaters it would take 'em a week to find out. And that's just the trouble. The newspapers are filled up with stuff that everybody knows about, but they don't know a thing about other things on the subject of which the public is ignorant."
"I think," said Mrs. Idiot, reflectively, "that that is probably due to the fact that they consider Wagner more important than an egg-beater."
"'AND SOME PEOPLE SAY WAGNER IS MORE IMPORTANT THAN THAT'"
"Well, then, they don't know, that's all," rejoined the Idiot, rising and walking out into the kitchen and taking the fascinating object over which he was waxing so enthusiastic from the dresser drawer. "Just look at that!" he cried, turning the cog-wheel which set the three intersecting metal loops whizzing like a squirrel in its wheel-cage. "Just look at that! It's beautiful, and some people say Wagner is more important than that."
"Well, I must say, my dear," said Mrs. Idiot, "that I have a leaning that way myself. Of course, I admit the charm of the egg-beater, but—"
"Tell me one thing," demanded the Idiot. "Can you get along without Wagner?"