"Yes," said the Idiot, "and these persons have changed it from flat talk to sharp talk."
"Well, anyhow," put in Mr. Brief, "I lived in a flat once, and it was anything but pleasant. I lost a case once for the simple and only reason that I lived in a flat. It was a case that required a great deal of strategy on my part, and I invited my client to my home to unfold my plan of action. I got interested in the scheme as I unfolded it, and spoke in my usual impassioned manner, as though addressing a jury, and, would you believe it, the opposing counsel happened to be visiting a friend on the next floor, and my eloquence floated up through the air-shaft, and gave our whole plan of action away. We were routed on the point we had supposed would pierce the enemy's armor and lay him at our feet, for the wholly simple reason that that abominable air-shaft had made my strategic move a matter of public knowledge."
"MY ELOQUENCE FLOATED UP THE AIR-SHAFT"
"That's a good idea for a play," said the Idiot. "A roaring farce could be built up on that basis. Villain and accomplice on one floor, innocent victim on floor above. Plot floats up air-shaft. Innocent victim overhears; villain and accomplice say 'ha ha' for three acts and take a back seat in the fourth, with a grand transformation showing the conspirators in the county jail as a finale. Write it up with lots of live-stock wandering in and out, bring in janitors and elevator-boys and butchers, show up some of the humors of flat life, if there be any such, call it A Hole in the Flat, and put it on the stage. Nine hundred nights is the very shortest run it could have, which at fifty dollars a night for the author is $45,000 in good hard dollars. Mr. Poet, the idea is yours for a fiver. Say the word."
"Thanks," said the Poet, with a smile; "I'm not a dramatist."
"Then I'll have to do it myself," said the Idiot. "And if I do, good-bye Shakespeare."