"I have not," said the Bibliomaniac, shortly.
"Well, I'm sorry for you then," sighed the Idiot, putting a fried potato in his mouth. "Very sorry. I wouldn't give a cent for another man's ideals. I want my own ideals, and I have my own ideal of Shakespeare. In fancy, Shakespeare and I have roamed over the fields of Warwickshire together, and I've had more fun imagining the kind of things he and I would have said to each other than I ever got out of his published plays, few of which have escaped the ungentle hands of the devastators."
"You mean commentators, I imagine," said Mr. Pedagog.
"I do," said the Idiot. "It's all the same, whether you call them commentors or devastators. The result is the same. New editions of Shakespeare are issued every year, and people buy them to see not what Shakespeare has written, but what new quip some opinionated devastator has tried to fasten on his memory. In a hundred years from now the works of Shakespeare will differ as much from what they are to-day as to-day's versions differ from what they were when Shakespeare wrote them. It's mighty discouraging to one like myself who would like to write works."
"You are convicted out of your own mouth," said the Bibliomaniac. "A moment since you wasted your pity on me because I didn't mutilate Shakespeare so as to make him my own, and now you attack the commentators for doing precisely the same thing. They're as much entitled to their opinions as you are to yours."
"Did you ever learn to draw parallels when you were in school?" asked the Idiot.
"I did, and I think I've made a perfect parallel in this case. You attack people in one breath for what you commiserate me for not doing in another," said the Bibliomaniac.
"Not exactly," said the Idiot. "I don't object to the commentators for commentating, but I do object to their putting out their versions of Shakespeare as Shakespeare. I might as well have my edition published. It certainly would be popular, especially where, in 'Julius Cæsar,' I introduce five Cassiuses and have them all fall on their swords together with military precision, like a 'Florodora' sextette, for instance."
"Well, I hope you'll never print such an atrocity as that," cried the Bibliomaniac, hotly. "If there's one thing in literature without excuse and utterly contemptible it is the comic version, the parody of a masterpiece."
"You need have no fear on that score," returned the Idiot. "I haven't time to rewrite Shakespeare, and, since I try never to stop short of absolute completeness, I shall not embark on the enterprise. If I do, however, I shall not do as the commentators do, and put on my title-page 'Shakespeare. Edited by Willie Wilkins,' but 'Shakespeare As He Might Have Been, Had His Plays Been Written By An Idiot.'"