And yet, as Mr. Mumford points out, the Chinese rug has come into vogue in the west only within the past fifteen or twenty years. It is true the vogue was anticipated by a few collectors in England and America, but they can be numbered on the fingers of one hand. Mr. H. O. Havemeyer, some twenty-five years ago, took a fancy to Chinese rugs and made quite a collection of them. They had no special market value then, for they were not sought after. Mr. Havemeyer collected them because he was attracted to them as unusual products of the loom, and then because, he found them to be an interesting and profitable subject of study. His collection is no doubt in the possession of his family today, and if a present day value were set upon those rugs they would probably show an appreciation over their original prices of fully a thousand per cent, if not more.

Mr. Mumford calls attention to the fact that the Chinese rug was made popular in this country by the late Mr. Stanford White. Mr. White was a very strong and original figure in art. He did not look to others for suggestions. He led the way and others followed. So when he picked out a number of old Chinese rugs that he found in a New York shop and placed them in Mr. William C. Whitney’s house, connoisseurs and collectors took notice and very soon the Chinese rug became the vogue. All that were to be had in America were soon bought up and the prices rose sensationally. Some time ago a New York collector bought a Chinese rug for $30. This was in the days before the vogue. Two years later he found a mate to this rug in the same shop, ordered it without hesitation—and it was delivered to him with a bill for $3,600. This shows the increase of value that can be effected by a quick growth in demand. And today few genuine old Chinese rugs can be had at any price.

W. D. Moffat
Editor

The Mentor Association

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