PHOTO-ENGRAVING.

GENERAL FEATURES

The term "photo-engraving" is applied to processes by which a black and white line drawing, photograph, or like original is reproduced in relief on a metal plate from which prints may be made on an ordinary printing press, in distinction from processes that print from flat or relatively flat surfaces, such as the lithographic and photogelatin processes. The photo-engraving processes that are most generally used are those called "zinc etching" and "half-tone engraving." These processes depend on the discovery that gelatin or similar organic material, if treated with potassium or ammonium bichromate and exposed to the action of light, is made insoluble in water. If a metal plate coated with bichromatized gelatin or albumen is exposed to light under a negative the parts acted upon by light become insoluble and those not acted upon remain unchanged and may be washed away so as to expose the metal, which is then etched with acid in order to give relief to the unexposed parts and make of them a printing surface.

ZINC ETCHING.

Zinc etching is adapted to the direct reproduction of a pen and ink drawing composed of lines, dots, or solid black areas. On the finished metal plate these lines, dots, and solid areas form the printing surface, and the spaces between them, which have been etched away, represent the white or blank parts of the picture. The process is cheap and is almost universally used for reproducing small drawings designed for text illustrations. It is also well adapted to the reproduction of maps and diagrams measuring in print not more than about 10 by 14 inches. One of the chief advantages of this and of all other direct (photographic) processes of engraving is that they reproduce a drawing in facsimile, whereas the "personal equation" must enter into all engravings made by an indirect method—that is, by hand—such as wood engraving, wax engraving, and engraving on stone or copper, which make it necessary to compare every detail of the proof with every detail of the drawing before the engraving can be approved. The pen drawing to be reproduced, which should preferably be considerably larger than the completed engraving, is first photographed to the proper size or scale on an ordinary negative film. The film is then stripped from the negative and reversed in order that the etched plate may print the design as in the original and that the film may be grouped with other films on one large glass and all printed at the same time. The negative (whether a single film or several) is then placed in a specially constructed printing frame in contact under pressure with a sensitized zinc plate and exposed to light.

After the zinc plate has been removed from the printing frame (in the dark room) the plate is rolled with printer's transfer ink, which resists acid, and placed in a shallow tray containing water, in which it is rocked for several minutes, and then taken out and rubbed gently with cotton. The parts of the coating of the plate that were acted on by light have become insoluble and will therefore be unaffected by the water, but the parts of the coating not acted on by light and therefore not hardened will be removed by the washing, which will expose the metal and leave the parts acted on by light—the picture—in black lines, dots, etc. The plate is then dusted with "topping powder," a resinous substance which adheres only to the parts carrying the ink. The plate is then heated so that the resin and the ink that remain fuse together and form, when cooled, a resistant surface which will not be affected by the acid to be used later in etching the unprotected parts of the plate.

The plate is now ready for a preliminary etching in a fluid consisting of water and a few drops of nitric acid. It is placed in a tray, rocked gently for a short time, and then removed, washed well in running water, drained, and dried with gentle heat. "Dragon's blood," a resinous powder that resists the action of acid, is next applied to the plate, in order to protect the sides of the lines and the dots from the acid, and the plate is then heated just sufficiently to melt the powder and units it with the ink. A small quantity of nitric acid is now added to the etching bath, and the plate is subjected to its first thorough biting or etching. It is then removed from the bath, washed under a tap, carefully wiped with a damp rag, and dried with gentle heat.

The plate is thus treated three or more times until it is etched deep enough to insure satisfactory printing, and it is then ready for finishing, which consists of deepening the larger open spaces between the lines with a routing machine and of cutting away with hand gravers lines that are improperly connected or that are so close together that they will not print separately. The routing machine is provided with a cutting tool mounted on a revolving spindle that projects downward into the engraved plate, which is securely fastened. The movement of the arm that holds the cutter is universal and can be controlled with great precision. The plate is then "proved" that is, a proof is taken from it on paper and if the proof is satisfactory the plate is nailed to a block of wood on which it will be "type high" (0.918 inch), for printing.

Most drawings for zinc etching are made with a pen in black ink and consist of lines, dots, or masses of black, but drawings may also be prepared by using some medium that will produce a fine stipple, such as a black crayon on rough paper or Ross's stipple paper. (See [p. 24].) The drawing should be one and one-half to two or three times as large as the printed illustration, for it is impossible to obtain a satisfactory reproduction of a pen and ink drawing without some reduction. If the drawing has not been reduced the lines appear heavier in the reproduction than in the drawing, and imperfections thus become more noticeable; if it has been properly reduced, imperfections are diminished and the lines and dots become thinner and finer than those in the drawing. In making a drawing that is to be reduced the draftsman can also space his lines farther apart and work out his details more easily.