Who these races were, whence they came, or who were their progenitors, I did not undertake to say, nor do I now.
[CHAPTER V.]
Daguerreotype Apparatus.—Set up as Ladies' Daguerreotype Portrait Takers.—Preparations.—A pretty young Lady to begin with.—Preliminaries.—A Chapter of Contingencies.—Success of the first Experiment.—Other successful Experiments.—A Change of Fortune.—Give up this Business.—An Incident.—Take up the Practice of Surgery.—Operation for Strabismus.—Details.—First Subject.—A great Gathering of Squint Eyes.—A troublesome Patient.—A little Hero.—Extraordinary Instance of Fortitude.—A Military Patient.—A Female Patient.—Practice of Surgery abandoned.—Instability of Fame.
But the reader must not suppose that our only business in Merida was the investigation of antiquities; we had other operations in hand which gave us plenty of employment. We had taken with us a Daguerreotype apparatus, of which but one specimen had ever before appeared in Yucatan. Great improvements had been since made in the instrument, and we had reason to believe that ours was one of the best; and having received assurances that we might do a large business in that line, we were induced to set up as ladies' Daguerreotype portrait takers. It was a new line for us, and rather venturesome, but not worse than for the editor of a newspaper to turn captain of a steamboat; and, besides, it was not like banking—we could not injure any one by a failure.
Having made trials upon ourselves until we were tired of the subjects, and with satisfactory results, we considered ourselves sufficiently advanced to begin; and as we intended to practice for the love of the art, and not for lucre, we held that we had a right to select our subjects. Accordingly, we had but to signify our wishes, and the next morning put our house in order for the reception of our fair visiters. We cleared everything out of the hammock, took the washhand basin off the chair, and threw odds and ends into one corner; and as the sun was pouring its rays warmly and brightly into our door, it was farther lighted up by the entry of three young ladies, with their respective papas and mammas. We had great difficulty in finding them all seats, and were obliged to put the two mammas into the hammock together. The young ladies were dressed in their prettiest costume, with earrings and chains, and their hair adorned with flowers. All were pretty, and one was much more than pretty; not in the style of Spanish beauty, with dark eyes and hair, but a delicate and dangerous blonde, simple, natural, and unaffected, beautiful without knowing it, and really because she could not help it. Her name, too, was poetry itself. I am bound to single her out, for, late on the evening of our departure from Merida, she sent us a large cake, measuring about three feet in circumference by six inches deep, which, by-the-way, everything being packed up, I smothered into a pair of saddle-bags, and spoiled some of my scanty stock of wearing apparel.
The ceremonies of the reception over, we made immediate preparations to begin. Much form and circumstance were necessary in settling preliminaries; and as we were in no hurry to get rid of our subjects, we had more formalities than usual to go through with.
Our first subject was the lady of the poetical name. It was necessary to hold a consultation upon her costume, whether the colours were pretty and such as would be brought out well or not; whether a scarf around the neck was advisable; whether the hair was well arranged, the rose becoming, and in the best position; then to change it, and consider the effect of the change, and to say and do many other things which may suggest themselves to the reader's imagination, and all which gave rise to many profound remarks in regard to artistical effect, and occupied much time.
The lady being arrayed to the best advantage, it was necessary to seat her with reference to a right adjustment of light and shade; to examine carefully the falling of the light upon her face; then to consult whether it was better to take a front or a side view; to look at the face carefully in both positions; and, finally, it was necessary to secure the head in the right position; that it should be neither too high nor too low; too much on one side nor on the other; and as this required great nicety, it was sometimes actually indispensable to turn the beautiful little head with our own hands, which, however, was a very innocent way of turning a young lady's head.
Next it was necessary to get the young lady into focus—that is, to get her into the box, which, in short; means, to get a reflection of her face on the glass in the camera obscura at that one particular point of view which presented it better than any other; and when this was obtained, the miniatured likeness of the object was so faithfully reflected, that, as artists carried away by enthusiasm, we were obliged to call in the papas and mammas, who pronounced it beautiful—to which dictum we were in courtesy obliged to respond.
The plate was now cleaned, put into the box, and the light shut off. Now came a trying time for the young lady. She must neither open her lips nor roll her eyes for one minute and thirty seconds by the watch. This eternity at length ended, and the plate was taken out.