Descending again to the ground, at the end of the wing stands what is called the Eglesia, or Church, a corner of which was comprehended in a previous view, and the front of which is represented in the plate opposite. It is twenty-six feet long, fourteen deep, and thirty-one high, its comparatively great height adding very much to the effect of its appearance. It has three cornices, and the spaces between are richly ornamented. The sculpture is rude but grand. The principal ornament is over the doorway, and on each side are two human figures in a sitting posture, but, unfortunately, much mutilated. The portion of the façade above the second cornice is merely an ornamented wall, like those before mentioned at Zayi and Labnà.

The whole of this building is in a good state of preservation. The interior consists of a single apartment, once covered with plaster, and along the top of the wall under the arch are seen the traces of a line of medallions or cartouches in plaster, which once contained hieroglyphics. The Indians have no superstitious feelings about these ruins, except in regard to this building; and in this they say that on Good Friday of every year music is heard sounding; but this illusion, brought with us from Santa Cruz del Quiché, was here destined to be broken. In this chamber we opened our Daguerreotype apparatus, and on Good Friday were at work all day, but heard no music. This chamber, by-the-way, was the best we had found for our Daguerreotype operations. Having but one door, it was easily darkened; we were not obliged to pack up and carry away; the only danger was of cattle getting in and breaking; and there was no difficulty in getting an Indian to pass the night in the room and guard against this peril.

South of the end of the Monjas, and twenty-two feet distant, is another building, measuring thirty eight feet by thirteen, having the exterior above the cornice decorated in the usual manner, but which I do not think it worth while to present.

Leaving this pile of buildings, and passing on northward from the Monjas, at the distance of four hundred feet we reach the edifice represented in the opposite engraving, conspicuous among the ruins of Chichen for its picturesque appearance, and unlike any other we had seen, except one at Mayapan much ruined. It is circular in form, and is known by the name of the Caracol, or winding staircase, on account of its interior arrangements. It stands on the upper of two terraces. The lower one measures in front from north to south two hundred and twenty-three feet, and in depth from east to west one hundred and fifty feet, and is still in good preservation. A grand staircase forty-five feet wide, and containing twenty steps, rises to the platform of this terrace. On each side of this staircase, forming a sort of balustrade, were the entwined bodies of two gigantic serpents, three feet wide, portions of which are still in place; and among the ruins of the staircase we saw a gigantic head, which had terminated at one side the foot of the steps.

The platform of the second terrace measures eighty feet in front and fifty-five in depth, and is reached by another staircase forty-two feet wide, and having sixteen steps. In the centre of the steps, and against the wall of the terrace, are the remains of a pedestal six feet high, on which probably once stood an idol. On the platform, fifteen feet from the last step, stands the building. It is twenty-two feet in diameter, and has four small doorways facing the cardinal points. A great portion of the upper part and one of the sides have fallen. Above the cornice the roof sloped so as almost to form an apex. The height, including the terraces, is little short of sixty feet, and, when entire, even among the great buildings around, this structure must have presented a striking appearance. The doorways give entrance to a circular corridor five feet wide. The inner wall has also four doorways, smaller than the others, and standing at intermediate points of the compass, facing northeast, northwest, southwest, and southeast. These doors give entrance to a second circular corridor, four feet wide; and in the centre is a circular mass, apparently of solid stone, seven feet six inches in diameter; but in one place, at the height of eight feet from the ground, was a small square opening choked up with stones which I endeavoured to clear out; but the stones falling into the narrow corridor made it dangerous to continue. The roof was so tottering that I could not discover to what this opening led. It was about large enough to admit the figure of a man in a standing position, to look out from the top. The walls of both corridors were plastered and ornamented with paintings, and both were covered with the triangular arch. The plan of the building was new, but, instead of unfolding secrets, it drew closer the curtain that already shrouded, with almost impenetrable folds, these mysterious structures.

At the distance of four hundred and twenty feet northwest from the Caracol stands the building represented in the following engraving. It is called by the Indians Chichanchob, meaning in Spanish, Casa Colorada, and in English, Red House. The terrace is sixty-two feet long and fifty-five wide, and is still in good preservation; the staircase is twenty feet wide, and as we approached it on our first visit, a cow was coming quietly down the steps.

The building measure forty-three feet front and twenty-three feet deep, and is still strong and substantial. Above the cornice it was richly ornamented, but the ornaments are now much decayed. It has three doorways, which open into a corridor running the whole width of the building; and along the top of the back wall was a stone tablet, with a row of hieroglyphics extending all along the wall. Many of them were defaced, and, from their height, in an awkward position to copy; but we had a scaffold erected, and obtained copies of the whole. The plate opposite represents these hieroglyphics, so far as they could be made out. When not distinct, to avoid misleading they are not given at all. Under the hieroglyphics, in the plate, is given a plan of the building, with its terrace and staircase. It has a back corridor, consisting of three chambers, all of which retain the marks of painting; and, from the convenience of its arrangements, with the platform of the terrace for a promenade, and the view of a fine open country in front, but for the greater convenience of being near the hacienda we should have been tempted to take up our abode in it.