CORNER OF THE CATHEDRAL.
The work of beautifying this old church was carried on enthusiastically for five hundred years. Each generation tried to outdo all that had preceded it. Again and again Venetian fleets swept proudly up the Adriatic, laden with spoils destined for this glorious shrine. Viva San Marco! was the watchword alike of her armies and her navies; and when the captains of Venetian fleets came homeward from the Orient, the first inquiry put to them was this: "What new and splendid offering bring you for San Marco?" The dust of ages, therefore, may have gathered on this building, but it is, at least, the dust of gold. Its domes and spires glisten with the yellow lustre. It even gilds the four bronze horses which surmount its portal. These are among the most interesting statues in the world. We know not who the sculptor was that gave them their apparent life; but it is certain that they were carried to Rome and there attached to Nero's golden chariot. In the fourth century after Christ the emperor Constantine, when he transferred the seat of empire from the Tiber to the Bosphorus, took them to Constantinople, where for nine hundred years they proudly stood beside the Golden Horn. Then, when that capital was plundered by the Venetians, they were brought hither, and for five hundred years they adorned the entrance to St. Mark's. Even here their travels had not ended; for, a century ago, Napoleon, when conqueror of Italy, caused them to be conveyed to Paris, where, in the shadow of the Tuileries, they watched the triumph of the modern Cæsar. But after Waterloo, Venice once more claimed them for her own.
A VENETIAN LANE.
It is an impressive moment when one passes beneath these gilded steeds and enters the interior of the cathedral. A twilight gloom pervades it, well suited to its age and the mysterious origin of all it contains. The walls and roof are so profusely covered with mosaics and precious marbles that it is easy to understand why St. Mark's has been called the "Church of Gold," and likened to a cavern hung with stalactites of precious stones. Some of these ornaments are of pagan origin; others have come from Christian shrines. All, however, have had to pay their contribution to St. Mark's. Thus Santa Sophia at Constantinople, though still a Christian church and dedicated to the Saviour, was plundered to embellish the Venetian shrine named after His apostle. Hence, it is the literal truth that, overflowing with the spoils of other cities and sanctuaries, St. Mark's is a magnificent repository of booty—a veritable den of thieves. In the most prominent position in the church is the receptacle guarded by the statues of the twelve apostles, where is kept, as the most precious of its treasures, the body of St. Mark. On one side is the pulpit from which the old Doge, Dandolo, when ninety-three years of age, urged his people to undertake the fourth crusade.
A VIEW ON THE GRAND CANAL.