The "Standard Cantatas" forms the third volume in the uniform series which already includes the now well known "Standard Operas" and the "Standard Oratorios." This latest work deals with a class of musical compositions, midway between the opera and the oratorio, which is growing rapidly in favor both with composers and audiences.
As in the two former works, the subject is treated, so far as possible, in an untechnical manner, so that it may satisfy the needs of musically uneducated music lovers, and add to their enjoyment by a plain statement of the story of the cantata and a popular analysis of its music, with brief pertinent selections from its poetical text.
The book includes a comprehensive essay on the origin of the cantata, and its development from rude beginnings; biographical sketches of the composers; carefully prepared descriptions of the plots and the music; and an appendix containing the names and dates of composition of all the best known cantatas from the earliest times.
This series of works on popular music has steadily grown in favor since the appearance of the first volume on the Operas. When the series is completed, as it will be next year by a volume on the Standard Symphonies, it will be, as the New York "Nation" has said, indispensable to every musical library.
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THE STANDARD SYMPHONIES. Their History, their Music, and their Composers. A Handbook. By George P. Upton. 12mo, 321 pages, yellow edges, price $1.50; extra gilt, gilt edges, $2.00.
In half calf, gilt top $3.25
In half morocco, gilt edges 3.75
The usefulness of this handbook cannot be doubted. Its pages are packed full of these fascinating renderings. The accounts of each composer are succinct and yet sufficient. The author has done a genuine service to the world of music lovers. The comprehension of orchestral work of the highest character is aided efficiently by this volume. The mechanical execution of the volume is in harmony with its subject. No worthier volume can be found to put into the hands of an amateur or a friend of music.—Public Opinion, Washington.
None who have seen the previous books of Mr. Upton will need assurance that this is as indispensable as the others to one who would listen intelligently to that better class of music which musicians congratulate themselves Americans are learning to appreciatively enjoy.—Home Journal, New York.
There has never been, in this country at least, so thorough an attempt to collate the facts of programme music.... As a definite helper in some cases and as a refresher in others we believe Mr. Upton's book to have a lasting value.... The book, in brief, shows enthusiastic and honorable educational purpose, good taste, and sound scholarship.—The American, Philadelphia.
Upton's books should be read and studied by all who desire to acquaint themselves with the facts and accomplishments in these interesting forms of musical composition.—The Voice, New York.
It is written in a style that cannot fail to stimulate the reader, if also a student of music, to strive to find for himself the underlying meanings of the compositions of the great composers. It contains, besides, a vast amount of information about the symphony, its evolution and structure, with sketches of the composers, and a detailed technical description of a few symphonic models. It meets a recognized want of all concert goers.—The Chautauquan.
Sold by all booksellers, or mailed, on receipt of price, by
A. C. McCLURG & CO., Publishers,