Pamphos, a Greek poet, supposed to have lived before Hesiod’s age.
Pamphy̆la, a Greek woman who wrote a general history in 33 books, in Nero’s reign. This history, so much commended by the ancients, is lost.
Pamphy̆lia, a province of Asia Minor, anciently called Mopsopia, and bounded on the south by a part of the Mediterranean, called the Pamphylian sea, west by Lycia, north by Pisidia, and east by Cilicia. It abounded with pastures, vines, and olives, and was peopled by a Grecian colony. Strabo, bk. 14.—Mela, bk. 1.—Pausanias, bk. 7, ch. 3.—Pliny, bk. 5, ch. 26.—Livy, bk. 37, chs. 23 & 40.
Pan was the god of shepherds, of huntsmen, and of all the inhabitants of the country. He was the son of Mercury by Dryope, according to Homer. Some give him Jupiter and Callisto for parents, others Jupiter and Ybis or Oneis. Lucian, Hyginus, &c., support that he was the son of Mercury and Penelope the daughter of Icarius, and that the god gained the affections of the princess under the form of a goat, as she tended her father’s flocks on mount Taygetus, before her marriage with the king of Ithaca. Some authors maintain that Penelope became mother of Pan during the absence of Ulysses in the Trojan war, and that he was the offspring of all the suitors that frequented the palace of Penelope, whence he received the name of Pan, which signifies all or everything. Pan was a monster in appearance; he had two small horns on his head, his complexion was ruddy, his nose flat, and his legs, thighs, tail, and feet were those of a goat. The education of Pan was entrusted to a nymph of Arcadia, called Sinoe, but the nurse, according to Homer, terrified at the sight of such a monster, fled away and left him. He was wrapped up in the skin of beasts by his father, and carried to heaven, where Jupiter and the gods long entertained themselves with the oddity of his appearance. Bacchus was greatly pleased with him, and gave him the name of Pan. The god of shepherds chiefly resided in Arcadia, where the woods and the most rugged mountains were his habitation. He invented the flute with seven reeds, which he called Syrinx, in honour of a beautiful nymph of the same name, to whom he attempted to offer violence, and who was changed into a reed. He was continually employed in deceiving the neighbouring nymphs, and often with success. Though deformed in his shape and features, yet he had the good fortune to captivate Diana, and of gaining her favour, by transforming himself into a beautiful white goat. He was also enamoured of a nymph of the mountains called Echo, by whom he had a son called Lynx. He also paid his addresses to Omphale queen of Lydia, and it is well known in what manner he was received. See: [Omphale]. The worship of Pan was well established, particularly in Arcadia, where he gave oracles on mount Lycæus. His festivals, called by the Greeks Lycæa, were brought to Italy by Evander, and they were well known at Rome by the name of the Lupercalia. See: [Lupercalia]. The worship, and the different functions of Pan, are derived from the mythology of the ancient Egyptians. This god was one of the eight great gods of the Egyptians, who ranked before the other 12 gods, whom the Romans called Consentes. He was worshipped with the greatest solemnity over all Egypt. His statues represented him as a goat, not because he was really such, but this was done for mysterious reasons. He was the emblem of fecundity, and they looked upon him as the principle of all things. His horns, as some observe, represented the rays of the sun, and the brightness of the heavens was expressed by the vivacity and the ruddiness of his complexion. The star which he wore on his breast was the symbol of the firmament, and his hairy legs and feet denoted the inferior parts of the earth, such as the woods and plants. Some suppose that he appeared as a goat because, when the gods fled into Egypt, in their war against the giants, Pan transformed himself into a goat, an example which was immediately followed by all the deities. Pan, according to some, is the same as Faunus, and he is the chief of all the Satyrs. Plutarch mentions that, in the reign of Tiberius, an extraordinary voice was heard near the Echinades, in the Ionian sea, which exclaimed that the great Pan was dead. This was readily believed by the emperor, and the astrologers were consulted; but they were unable to explain the meaning of so supernatural a voice, which probably proceeded from the imposition of one of the courtiers who attempted to terrify Tiberius. In Egypt, in the town of Mendes, which word also signifies a goat, there was a sacred goat kept with the most ceremonious sanctity. The death of this animal was always attended with the greatest solemnities, and, like that of another Apis, became the cause of a universal mourning. As Pan usually terrified the inhabitants of the neighbouring country, that kind of fear which often seizes men, and which is only ideal and imaginary, has received from him the name of panic fear. This kind of terror has been exemplified not only in individuals, but in numerous armies, such as that of Brennus, which was thrown into the greatest consternation at Rome, without any cause or plausible reason. Ovid, Fasti, bk. 1, li. 396; bk. 2, li. 277; Metamorphoses, bk. 1, li. 689.—Virgil, Georgics, bk. 1, li. 17; Æneid, bk. 8, li. 343; Georgics, ch. 3, li. 392.—Juvenal, satire 2, li. 142.—Pausanias, bk. 8, ch. 30.—Silius Italicus, bk. 13, li. 327.—Varro, de Lingua Latina, bk. 5, ch. 3.—Livy, bk. 1, ch. 5.—Dionysius of Halicarnassus, bk. 1.—Herodotus, bk. 2, chs. 46 & 145, &c.—Diodorus, bk. 1.—Orpheus, Hymns, poem 10.—Homer, Hymn to Pan.—Lucian, Dialogi Deorum, Dialogue of Pan and Hermes (Mercury).—Apollodorus, bk. 1, ch. 4.
Pănăcēa, a goddess, daughter of Æsculapius, who presided over health. Lucan, bk. 9, li. 918.—Pliny, bk. 35, ch. 11, &c.
Panætius, a stoic philosopher of Rhodes, 138 B.C. He studied at Athens for some time, of which he refused to become a citizen, observing, that a good and modest man ought to be satisfied with one country. He came to Rome, where he reckoned among his pupils Lælius and Scipio the second Africanus. To the latter he was attached by the closest ties of friendship and partiality; he attended him in his expeditions, and partook of all his pleasures and amusements. To the interest of their countryman at Rome, the Rhodians were greatly indebted for their prosperity and the immunities which they for some time enjoyed. Panætius wrote a treatise on the duties of man, whose merit can be ascertained from the encomiums which Cicero bestows upon it. Cicero, de Officiis; de Divinatione, bk. 1; Academica, bk. 2, ch. 2; De Natura Deorum, bk. 2, ch. 46.——A tyrant of Leontini in Sicily, B.C. 613. Polyænus, bk. 5.
Panætolium, a general assembly of the Ætolians. Livy, bk. 31, ch. 29; bk. 35, ch. 32.
Panares, a general of Crete, defeated by Metellus, &c.
Panariste, one of the waiting-women of Berenice the wife of king Antiochus. Polyænus, bk. 8.
Panathenæa, festivals in honour of Minerva the patroness of Athens. They were first instituted by Erechtheus or Orpheus, and called Athenæa, but Theseus afterwards renewed them, and caused them to be celebrated and observed by all the tribes of Athens, which he had united into one, and from this reason the festivals received their name. Some suppose that they are the same as the Roman Quinquatria, as they are often called by that name among the Latins. In the first years of the institution, they were observed only during one day, but afterwards the time was prolonged, and the celebration was attended with greater pomp and solemnity. The festivals were two; the great Panathenæa (μεγαλα), which were observed every fifth year, beginning on the 22nd of the month called Hecatombæon, or the 7th of July; and the lesser Panathenæa (μικρα), which were kept every third year, or rather annually, beginning on the 20th or 21st of the month called Thargelion, corresponding to the 5th or 6th day of the month of May. In the lesser festivals there were three games conducted by 10 presidents chosen from the 10 tribes of Athens, who continued four years in office. On the evening of the first day there was a race with torches, in which men on foot, and afterwards on horseback, contended. The same was also exhibited in the greater festivals. The second combat was gymnical, and exhibited a trial of strength and bodily dexterity. The last was a musical contention, first instituted by Pericles. In the songs they celebrated the generous undertaking of Harmodius and Aristogiton, who opposed the Pisistratidæ, and of Thrasybulus, who delivered Athens from its 30 tyrants. Phrynis of Mitylene was the first who obtained the victory by playing upon the harp. There were, besides, other musical instruments, on which they played in concert, such as flutes, &c. The poets contended in four plays, called from their number τετραλογια. The last of these was a satire. There was also at Sunium an imitation of a naval fight. Whoever obtained the victory in any of these games was rewarded with a vessel of oil, which he was permitted to dispose of in whatever manner he pleased, and it was unlawful for any other person to transport that commodity. The conqueror also received a crown of the olives which grew in the groves of Academus, and were sacred to Minerva, and called μορειαι, from μορος, death, in remembrance of the tragical end of Hallirhotius the son of Neptune, who cut his own legs when he attempted to cut down the olive which had given the victory to Minerva in preference to his father, when these two deities contended about giving a name to Athens. Some suppose that the word is derived from μερος, a part, because these olives were given by contribution by all such as attended at the festivals. There was also a dance called Pyrrhichia, performed by young boys in armour, in imitation of Minerva, who thus expressed her triumph over the vanquished Titans. Gladiators were also introduced when Athens became tributary to the Romans. During the celebration no person was permitted to appear in dyed garments, and if any one transgressed he was punished according to the discretion of the president of the games. After these things, a sumptuous sacrifice was offered, in which every one of the Athenian boroughs contributed an ox, and the whole was concluded by an entertainment for all the company with the flesh that remained from the sacrifice. In the greater festivals, the same rites and ceremonies were usually observed, but with more solemnity and magnificence. Others were also added, particularly the procession, in which Minerva’s sacred πεπλος, or garment, was carried. This garment was woven by a select number of virgins, called ἐργαστικαι, from ἐργον, work. They were superintended by two of the ἀρρηφοροι, or young virgins, not above 17 years of age nor under 11, whose garments were white and set off with ornaments of gold. Minerva’s peplus was of a white colour, without sleeves, and embroidered with gold. Upon it were described the achievements of the goddess, particularly her victories over the giants. The exploits of Jupiter and the other gods were also represented there, and from that circumstance men of courage and bravery are said to be ἀξιοι πεπλου, worthy to be portrayed on Minerva’s sacred garment. In the procession of the peplus, the following ceremonies were observed. In the ceramicus, without the city, there was an engine built in the form of a ship, upon which Minerva’s garment was hung as a sail, and the whole was conducted, not by beasts, as some have supposed, but by subterraneous machines, to the temple of Ceres Eleusinia, and from thence to the citadel, where the peplus was placed upon Minerva’s statue, which was laid upon a bed woven or strewed with flowers, which was called πλακις. Persons of all ages, of every sex and quality, attended the procession, which was led by old men and women carrying olive branches in their hands, from which reason they were called θαλλοφοροι, bearers of green boughs. Next followed men of full age with shields and spears. They were attended by the μετοικοι, or foreigners, who carried small boats as a token of their foreign origin, and from that account they were called σκαφηφοροι, boat-bearers. After them came the women, attended by the wives of the foreigners, called ὑδριαφοροι, because they carried water-pots. Next to these came young men crowned with millet and singing hymns to the goddess, and after them followed select virgins of the noblest families, called κανηφοροι, basket-bearers, because they carried baskets, in which were certain things necessary for the celebration, with whatever utensils were also requisite. These several necessaries were generally in the possession of the chief manager of the festival called ἀρχιθεωρος, who distributed them when occasion offered. The virgins were attended by the daughters of the foreigners, who carried umbrellas and little seats, from which they were named διφρηφοροι, seat-carriers. The boys, called παιδαμικοι, as it may be supposed, led the rear, clothed in coats generally worn at processions. The necessaries for this and every other festival were prepared in a public hall erected for that purpose, between the Piræan gate and the temple of Ceres. The management and the care of the whole was entrusted to the ὑομοφυλακες, or people employed in seeing the rites and ceremonies properly observed. It was also usual to set all prisoners at liberty, and to present golden crowns to such as had deserved well of their country. Some persons were also chosen to sing some of Homer’s poems, a custom which was first introduced by Hipparchus the son of Pisistratus. It was also customary in this festival, and every other quinquennial festival, to pray for the prosperity of the Platæans, whose services had been so conspicuous at the battle of Marathon. Plutarch, Theseus.—Pausanias, Arcadia, ch. 2.—Ælian, Varia Historia, bk. 8, ch. 2.—Apollodorus, bk. 3, ch. 14.