She went accompanied only by her own servant. She would accept no other escort. When she debouched from the Charlesbourg road into the broad highway leading from Quebec through Beauport to Montmorenci and onwards, she heard the sullen roar of cannon and the muffled roll of musketry in front of the town. She stopped a moment to listen, remarking to her companion that the firing was brisker than usual. But she was not further impressed, and soon drove on. The directions she had received were so precise that no difficulty was experienced in finding the route to the cabin. The little path leading to it from the main road was unbeaten either by trace of cariole or web of snow-shoe, but her horse broke through it easily enough, and pulled up in front of the hut almost before it was seen. It was nearly indistinguishable, being white as the element by which it was surrounded, and silent as the solitude amid which it stood. The faintest thread of white smoke rose from the chimney. Not a sound in the environs could be heard save the dull moan of the waterfall. Zulma stepped lightly out of the sleigh, tripped up to the door and rapped gently. No answer. She rapped a little louder. Still no answer. She applied her ear to the small aperture of the latch. Not a breath was audible. Getting just a little excited, not through fear, but through the mystery of adventure, she drew off her glove and knocked vigorously. The door opened wide and noiselessly on its hinges, and across it stood a mite of a girl, dressed in white woollen. For a moment Zulma did not stir. She could not. The strangeness of that child's face, its weird beauty, the singular light in the wide-open eyes arrested her footsteps and almost the beating of her heart. And near the child was a huge black cat, with stiff tail, bristling fur and glaring green eye, not hostile exactly, but sharply observant and expectant.
"Blanche," said Zulma at length in a voice whose musical softness was as that of a mother's appeal. "Bon jour, Blanche. You do not know me. My name is Zulma Sarpy."
There was no fear in the child's face from the first. Now all doubt and hesitation disappeared from it. She did not smile, but a beautiful serenity spread over it. She joined her two little thin hands together, open palm to palm, and instead of approaching, retreated a step or two as if to make way for her visitor. Zulma entered and closed the door.
"I have come to see you, Blanche. Your grandfather has spoken to me of you, and I want to do something for you."
The child answered brightly that her grandfather had indeed mentioned mademoiselle Sarpy's name and told her how good she had been to him and how she had promised to be her friend. Both Zulma and Blanche being now perfectly at ease, our old acquaintance Velours testified her satisfaction at this issue of affairs by curving her long back and rubbing herself against the hem of Zulma's cloak. Blanche gave her visitor a seat, helped her to take off her furs, and soon the two were engaged in earnest discourse. Zulma looked around the room and moved about to examine the many articles of its quaint furniture. This afforded her the opportunity of asking many questions, to all of which Blanche returned the most intelligent answers. Indeed, the child gave proofs of very remarkable intelligence. There was patent in her a wisdom far beyond her years. It was something different from the usual precocity, because the range of her information was limited enough, and there was sufficient simplicity in her discourse to eliminate that feeling of anxiety and pain which we always experience in the presence of abnormally developed children. Zulma made her tell all about her grandfather, and thus learned curious details concerning a character which she intensely admired, notwithstanding the mystery which was set like a seal upon it—a mystery which Blanche's unconscious revelations rendered only deeper and more provokingly interesting. She spoke to the child, too, of her godmother, Pauline, and it was a delight to learn from those truthful lips how much more loveable her dear friend was than she had ever suspected. Zulma felt that her visit was more than repaid by the insight she thus gained into the characters of Pauline and Batoche.
Then she broached higher things. She spoke of God and religion. The untutored child of the forest rose with the occasion. There was nothing conventional in her mind or words on these topics—as how could there be under the wayward teaching of Batoche? But her intuitions were crystal clear. There were no breaks, no obscurations in her spiritual vision. It was evident that she had studied and communed direct with nature, and that her soul had grown in literal contact with the winds and the flowers, the trees and the water courses, and the pure untrammelled elements of God.
She knelt before the lap of Zulma and recited all the prayers she knew—the formulas which the priest and Pauline had taught her, and the ejaculations which she had taught herself to say, in the bright morning, in the dark evening, in the silent days of peace, in the crash of the tempest, or when her little heart ached from whatever cause as she passed from infancy to adolescence. The contrast between the styles of these prayers impressed Zulma very strongly. The former were such as she herself knew, complete, appropriate and pathetic in their very phraseology. The latter were fragmentary, rude, and sometimes incongruous in syntax, but they spoke the poetry of the heart, and their yearning fervour and indubiety made Zulma understand, as she listened to them through her tears, how it is that wayside statues of stone, and wooden figures of the Madonna in lofty niches, are said to hear and answer by visible tokens the prayers of the illiterate, the unfortunate, and the poor.
"Are you not lonely here my dear?" asked Zulma raising the child from her knees and stroking back her hair as she stood leaning against her arm.
"I am used to be alone, mademoiselle," was the reply. "I have never had any company but my grandfather, who is often absent. He seeks food for both of us. He kills birds and animals in the woods. He catches fish in the river. Nobody ever came to see us except of late when my grandfather has been called away by strange men and has remained absent longer than usual. When he is here he speaks to me, he tells me stories, he teaches me to understand the pictures in some of his old books, he plays the violin for me. When he is gone I take more time to do my work, washing clothes, cleaning the dishes, sweeping the room, mending my dresses. When this is done, if the weather is fine, I gather flowers and fruits, I sit at the Falls making wreaths for our pictures and my grandfather's crucifix. If it is dark or stormy outside, I sing canticles, repeat my catechism, and when I am tired I play with Velours. She never leaves me."
Blanche did not say all these things consecutively, but in reply to repeated questions from Zulma, who led her on step by step. And not the answers themselves, but the manner in which they were made, the tone of voice, the expression of the eye and the ready gesture, all increased her interest in this strange charming little being.