Sixteen paces distant from the propylon is the entrance to the pronaos, between two columns, united to the wall, which is half their height; they have the same capitals as the columns of the open temple at Philæ, which are seen no where else in Egypt, and which are represented in the travels of Denon, who says that they approach the Grecian style by the elegance of their forms. Upon the columns of the temple of Dakke are various figures, among which, I particularly noticed one of a harper. The pronaos is ten paces in length, and seven in breadth: its roof is formed of enormous blocks of stone, at least fifteen feet long. A door leads from the pronaos into a narrow apartment, only four paces in breadth,i[54] which communicates with the adytum, by another door richly ornamented. On one side of the adytum is a small dark chamber, in which is a deep sepulchre, with a large lion sculptured in the wall immediately over it; and, on the other side, behind the wall, is a passage, communicating with the pronaos, and containing a staircase which leads up to the top of the building. The adytum is about six paces square; beyond it is another apartment, somewhat larger, communicating, by a small gate, with a narrow passage inclosed between the wall of the temple, and a thick stone wall which inclosed the building on three sides, but of which the foundations only are now remaining. A large block of granite lying on the floor of this apartment, is one of the few instances wherein granite is found in the temples of Nubia. Along the bottom of the walls are represented lotus plants in flower, to which offerings are presented.
There are no historical sculptures in any part of this temple, but the exterior walls, as well as all the apartments within, are thickly covered with figures representing religious subjects: on the former some of the figures are four feet in height; those on the latter are all beautifully executed, and equal, to the best specimens of the kind which travellers admire at Hermonthis and Philæ; indeed, I prefer the figures in the chamber behind the adytum, to any that are in the temples at those places: in no temple of Egypt have I seen such correctness of design or gracefulness of outline: some of the figures might have adorned a Grecian building. On each side of the narrow apartment behind the pronaos is a small gate, opening into the passage above mentioned; opposite to one of these gates is an avenue leading down to the river, and on the outside of the other are two long inscriptions; one of which is in hieroglyphics, and the other, immediately below it, and, apparently, by the same hand, in the common Egyptian character, like that on the rolls of papyrus. I conjecture the latter to be a translation of the former, and if so, it may prove to be of some interest. The propylon and the whole of the temple seem to have been encompassed by a brick inclosure, parts of which still remain, and traces of the rest may be discerned under the mounds of sand. The Greek Christians had appropriated this temple to their worship, several paintings of saints yet remaining on the walls. In the gateway, and on the wall of the propylon, are numerous Greek and Egyptian inscriptions, by curious visitors; of the former I copied the following:
I conjecture the temple of Dakke to have been built after the plan of Philæ; although upon a smaller scale, its execution appeared to me to be still more careful than that of Philæ: and it is extremely interesting from the high preservation of all its details. Dakke is probably the ancient Pselcis, and the small chapel at Kobban, on the eastern side of the river, Contra-Pselcis. The temple at Korty has retained its ancient name, Corti; and the portico of Meharraka must therefore stand upon the site of Hierosycaminon: the temples of Seboua, Hassaya, and Ebsambal, with their cities, are consequently unknown to the itinerary of Antoninus.
To the north of the temple are the remains of an Arab town, where I saw some tombstones with Cufic inscriptions similar to those among the sepulchres of Assouan. The plain is covered with large heaps of rubbish. From Dakke to Benbaan, a village opposite Darau, twenty-five miles north of Assouan, there is a route of three easy days across the western mountain; there is a spring in the way, called Kurkur (قُرقُر), with date trees growing near it.
At the end of three hours travelling from our setting out in the morning, we reached Wady Kostamne, situated on both sides of the river. In five hours, Wady Gyrshe; at the northern extremity of this village is a temple, cut out of the rock, which presents a fine contrast to its neighbour at Dakke, having been executed in the infancy of architectural art, when the artist produced an imposing effect not by the gracefulness, but the magnitude of his figures. This temple stands upon the top of a hill, the broad declivity of which is covered with rubbish and some fragments of colossal statues. In front, is a portico, consisting of five square columns on each side, cut out of the rock, with a row of circular columns in front, constructed of several blocks, and
which originally supported an entablature. Of these columns only two remain. Before each of the square side columns stands a colossal statue of sand-stone, about eighteen feet high, holding a flail in one hand, the other hanging down; they all represent male figures, with the narrow beard under the chin, and the high sphinx cap upon the head: their shoulders are covered with hieroglyphic inscriptions. On both sides of the portico is an open alley, hewn in the rock, from whence, perhaps, the materials of the front colonnade were taken. The pronaos, which is entered from the portico by a large gate, is eighteen paces square, and contains two rows, three in each, of immense columns, or rather props, (for they are without capitals,) measuring five feet by seven in the plan. In front of each of these columns is a colossal figure, more than twenty feet in height, representing the usual juvenile character, with the corn-measure or bonnet on the head, the hands crossed upon the breast, and holding the flail and crosier. Although these statues are rudely executed, the outlines of their bodies being less correct even than those of the statues at Seboua, and their legs mere round blocks, yet they have a striking effect in this comparatively small apartment; indeed, accustomed as I had been to the grandeur of Egyptian temples, of which I had examined so many incomparable specimens, I was nevertheless struck with admiration on entering this gloomy pronaos, and beholding these immense figures standing in silence before me. They immediately recalled to my memory the drawings I had seen of the caves near Surat, and other Indian excavated temples, which, in many respects, bear a strong resemblance to those of Nubia. On the side walls of the pronaos are four recesses, or niches, in each of which are three statues of the natural size, representing the different symbolical male and female figures which are seen on the walls of the temples of Egypt. The centre figures are generally clothed in a long dress, while the others are naked. All these figures, as well as the colossi, are covered with a thick coat of stucco, and had once been painted; they must then have had a splendid appearance. A door leads from the pronaos into the cella; in the centre of the cella are two massy pillars, and on either side a small apartment, which was probably a place of sepulture; in the floor of each are high stone benches, which may have served for supporting mummies, or perhaps as tables for embalming the bodies deposited in the temple; the floors have been broken up in search of treasure, and are now covered with rubbish. Behind the cella, and communicating with it by a door, is the adytum, on each side of which is a small chamber, also opening into the cella, exactly like those in the temple at Derr. In the posterior wall of the adytum are four statues, above the human size, seated; and in the centre of the floor is a large cubical stone, the use of which I cannot determine; its sides are quite smooth, and without any kind of sculpture. It may, perhaps, have served as the pedestal of a statue; or is it an inverted sarcophagus? Of the sculptures and hieroglyphics with which the walls of this temple were covered, very little is now discernible, the sand-stone being of a very friable nature, and soon falling to decay; added to this, the walls are quite black with smoke from the fires kindled by the neighbouring shepherds, who often pass the night in the temple with their cattle; enough, however, still remains to shew that the sculptures are rudely executed. The colossal figures are in good preservation, particularly those of the pronaos; those in the portico have been mutilated.
While inspecting the interior apartments of this temple with a lighted candle, for they receive no light but what is communicated through the outer gate, I was joined in the adytum by the Shikh of Gyrshe, who had hurried after me, on seeing us take the road to the building. He begged me to give him half the treasure I had found, or at least, a handful; but he was obliged to be contented with a piece of wax candle. He shewed me the place where the Englishmen (Messrs. Legh and Smelt), who had been here before me, found, as he asserted, an immense treasure, with which they loaded their vessel; one of the peasants had seen the gold! Similar tales are often spread abroad; every peasant swears to their truth; and singular as it may appear, all the inhabitants of Egypt, notwithstanding the long residence of the French in that country, and the continual passage of travellers, are still persuaded that the ancient temples are visited for no other purpose than to search for treasure.