Religion among the lively and imaginative Greeks took a different form from that of the Aryan race in India or Persia. However the ideas of their divinities originated in their relations to the thought and life of the people, their gods were neither abstractions nor symbols. They were simply men and women, immortal, yet having a beginning, with passions and appetites like ordinary mortals. They love, they hate, they eat, they drink, they have adventures and misfortunes like men,--only differing from men in the superiority of their gifts, in their miraculous endowments, in their stupendous feats, in their more than gigantic size, in their supernal beauty, in their intensified pleasures. It was not their aim "to raise mortals to the skies," but to enjoy themselves in feasting and love-making; not even to govern the world, but to protect their particular worshippers,--taking part and interest in human quarrels, without reference to justice or right, and without communicating any great truths for the guidance of mankind.
The religion of Greece consisted of a series of myths,--creations for the most part of the poets,--and therefore properly called a mythology. Yet in some respects the gods of Greece resembled those of Phoenicia and Egypt, being the powers of Nature, and named after the sun, moon, and planets. Their priests did not form a sacerdotal caste, as in India and Egypt; they were more like officers of the state, to perform certain functions or duties pertaining to rites, ceremonies, and sacrifices. They taught no moral or spiritual truths to the people, nor were they held in extraordinary reverence. They were not ascetics or enthusiasts; among them were no great reformers or prophets, as among the sacerdotal class of the Jews or the Hindus. They had even no sacred books, and claimed no esoteric knowledge. Nor was their office hereditary. They were appointed by the rulers of the state, or elected by the people themselves; they imposed no restraints on the conscience, and apparently cared little for morals, leaving the people to an unbounded freedom to act and think for themselves, so far as they did not interfere with prescribed usages and laws. The real objects of Greek worship were beauty, grace, and heroic strength. The people worshipped no supreme creator, no providential governor, no ultimate judge of human actions. They had no aspirations for heaven and no fear of hell. They did not feel accountable for their deeds or thoughts or words to an irresistible Power working for righteousness or truth. They had no religious sense, apart from wonder or admiration of the glories of Nature, or the good or evil which might result from the favor or hatred of the divinities they accepted.
These divinities, moreover, were not manifestations of supreme power and intelligence, but were creations of the fancy, as they came from popular legends, or the brains of poets, or the hands of artists, or the speculations of philosophers. And as everything in Greece was beautiful and radiant,--the sea, the sky, the mountains, and the valleys,--so was religion cheerful, seen in all the festivals which took the place of the Sabbaths and holy-days of more spiritually minded peoples. The worshippers of the gods danced and played and sported to the sounds of musical instruments, and revelled in joyous libations, in feasts and imposing processions,--in whatever would amuse the mind or intoxicate the senses. The gods were rather unseen companions in pleasures, in sports, in athletic contests and warlike enterprises, than beings to be adored for moral excellence or supernal knowledge. "Heaven was so near at hand that their own heroes climbed to it and became demigods." Every grove, every fountain, every river, every beautiful spot, had its presiding deity; while every wonder of Nature,--the sun, the moon, the stars, the tempest, the thunder, the lightning,--was impersonated as an awful power for good or evil. To them temples were erected, within which were their shrines and images in human shape, glistening with gold and gems, and wrought in every form of grace or strength or beauty, and by artists of marvellous excellence.
This polytheism of Greece was exceedingly complicated, but was not so degrading as that of Egypt, since the gods were not represented by the forms of hideous animals, and the worship of them was not attended by revolting ceremonies; and yet it was divested of all spiritual aspirations, and had but little effect on personal struggles for truth or holiness. It was human and worldly, not lofty nor even reverential, except among the few who had deep religious wants. One of its characteristic features was the acknowledged impotence of the gods to secure future happiness. In fact, the future was generally ignored, and even immortality was but a dream of philosophers. Men lived not in view of future rewards and punishments, or future existence at all, but for the enjoyment of the present; and the gods themselves set the example of an immoral life. Even Zeus, "the Father of gods and men," to whom absolute supremacy was ascribed, the work of creation, and all majesty and serenity, took but little interest in human affairs, and lived on Olympian heights like a sovereign surrounded with the instruments of his will, freely indulging in those pleasures which all lofty moral codes have forbidden, and taking part in the quarrels, jealousies, and enmities of his divine associates.
Greek mythology had its source in the legends of a remote antiquity,--probably among the Pelasgians, the early inhabitants of Greece, which they brought with them in their migration from their original settlement, or perhaps from Egypt and Phoenicia. Herodotus--and he is not often wrong--ascribes a great part of the mythology which the Greek poets elaborated to a Phoenician or Egyptian source. The legends have also some similarity to the poetic creations of the ancient Persians, who delighted in fairies and genii and extravagant exploits, like the labors of Hercules The faults and foibles of deified mortals were transmitted to posterity and incorporated with the attributes of the supreme divinity, and hence the mixture of the mighty and the mean which marks the characters of the Iliad and Odyssey. The Greeks adopted Oriental fables, and accommodated them to those heroes who figured in their own country in the earliest times. "The labors of Hercules originated in Egypt, and relate to the annual progress of the sun in the zodiac. The rape of Proserpine, the wanderings of Ceres, the Eleusinian mysteries, and the orgies of Bacchus were all imported from Egypt or Phoenicia, while the wars between the gods and the giants were celebrated in the romantic annals of Persia. The oracle of Dodona was copied from that of Ammon in Thebes, and the oracle of Apollo at Delphos has a similar source."
Behind the Oriental legends which form the basis of Grecian mythology there was, in all probability, in those ancient times before the Pelasgians were known as Ionians and the Hellenes as Dorians, a mystical and indefinite idea of supreme power,--as among the Persians, the Hindus, and the esoteric priests of Egypt. In all the ancient religions the farther back we go the purer and loftier do we find the popular religion. Belief in supreme deity underlies all the Eastern theogonies, which belief, however, was soon perverted or lost sight of. There is great difference of opinion among philosophers as to the origin of myths,--whether they began in fable and came to be regarded as history, or began as human history and were poetized into fable. My belief is that in the earliest ages of the world there were no mythologies. Fables were the creations of those who sought to amuse or control the people, who have ever delighted in the marvellous. As the magnificent, the vast, the sublime, which was seen in Nature, impressed itself on the imagination of the Orientals and ended in legends, so did allegory in process of time multiply fictions and fables to an indefinite extent; and what were symbols among Eastern nations became impersonations in the poetry of Greece. Grecian mythology was a vast system of impersonated forces, beginning with the legends of heroes and ending with the personification of the faculties of the mind and the manifestations of Nature, in deities who presided over festivals, cities, groves, and mountains, with all the infirmities of human nature, and without calling out exalted sentiments of love or reverence. They are all creations of the imagination, invested with human traits and adapted to the genius of the people, who were far from being religious in the sense that the Hindus and Egyptians were. It was the natural and not the supernatural that filled their souls. It was art they worshipped, and not the God who created the heavens and the earth, and who exacts of his creatures obedience and faith.
In regard to the gods and goddesses of the Grecian Pantheon, we observe that most of them were immoral; at least they had the usual infirmities of men. They are thus represented by the poets, probably to please the people, who like all other peoples had to make their own conceptions of God; for even a miraculous revelation of deity must be interpreted by those who receive it, according to their own understanding of the qualities revealed. The ancient Romans, themselves stern, earnest, practical, had an almost Oriental reverence for their gods, so that their Jupiter (Father of Heaven) was a majestic, powerful, all-seeing, severely just national deity, regarded by them much as the Jehovah of the Hebrews was by that nation. When in later times the conquest of Eastern countries and of Macedon and Greece brought in luxury, works of art, foreign literature, and all the delightful but enervating influences of aestheticism, the Romans became corrupted, and gradually began to identify their own more noble deities with the beautiful but unprincipled, self-indulgent, and tricky set of gods and goddesses of the Greek mythology.
The Greek Zeus, with whom were associated majesty and dominion, and who reigned supreme in the celestial hierarchy,--who as the chief god of the skies, the god of storms, ruler of the atmosphere, was the favorite deity of the Aryan race, the Indra of the Hindus, the Jupiter of the Romans,--was in his Grecian presentment a rebellious son, a faithless husband, and sometimes an unkind father. His character was a combination of weakness and strength,--anything but a pattern to be imitated, or even to be reverenced. He was the impersonation of power and dignity, represented by the poets as having such immense strength that if he had hold of one end of a chain, and all the gods held the other, with the earth fastened to it, he would be able to move them all.
Poseidon (Roman Neptune), the brother of Zeus, was represented as the god of the ocean, and was worshipped chiefly in maritime States. His morality was no higher than that of Zeus; moreover, he was rough, boisterous, and vindictive. He was hostile to Troy, and yet persecuted Ulysses.
Apollo, the next great personage of the Olympian divinities, was more respectable morally than his father. He was the sun-god of the Greeks, and was the embodiment of divine prescience, of healing skill, of musical and poetical productiveness, and hence the favorite of the poets. He had a form of ideal beauty, grace, and vigor, inspired by unerring wisdom and insight into futurity. He was obedient to the will of Zeus, to whom he was not much inferior in power. Temples were erected to this favorite deity in every part of Greece, and he was supposed to deliver oracular responses in several cities, especially at Delphos.