In history, both Guizot and Thiers had already become distinguished before they were engrossed in politics. Augustin Thierry described, with romantic fascination, the exploits of the Normans; Michaud brought out his Crusades, Barante his Chronicles, Sismondi his Italian Republics, Michelet his lively conception of France in the Middle Ages, Capefigue the Life of Louis XIV., and Lamartine his poetical paintings of the Girondists. All these masterpieces gave a new interest to historical studies, infusing into history life and originality,--not as a barren collection of annals and names, in which pedantry passes for learning, and uninteresting details for accuracy and scholarship. In that inglorious period more first-class histories were produced in France than have appeared in England during the long reign of Queen Victoria, where only three or four historians have reached the level of any one of those I have mentioned, in genius or eloquence.
Another set of men created journalism as the expression of public opinion, and as a lever to overturn an obstinate despotism built up on the superstitions and dogmas of the Middle Ages. A few young men, almost unknown to fame, with remorseless logic and fiery eloquence overturned a throne, and established the Press as a power that proved irresistible, driving the priests of absolutism back into the shadows of eternal night, and making reason the guide and glory of mankind. Among these were the disappointed and embittered Chateaubriand, who almost redeemed his devotion to the royal cause by those elegant essays which recalled the eloquence of his early life. Villemain wrote for the "Moniteur," Royer--Collard and Guizot for the "Courier," with all the haughtiness and disdain which marked the Doctrinaire or Constitutional school; Etienne and Pagès for the "Constitutionel," ridiculing the excesses of the ultra-royalists, the pretensions of the clergy, and the follies of the court; De Genoude for the "Gazette de France," and Thiers for the "National."
In the realm of science Arago explored the wonders of the heavens, and Cuvier penetrated the secrets of the earth. In poetry only two names are prominent,--Delille and Béranger; but the French are not a poetical nation. Most of the great writers of France wrote in prose, and for style they have never been surpassed. If the poets were few after the Restoration, the novelists were many, with transcendent excellences and transcendent faults, reaching the heart by their pathos, insulting the reason by their exaggerations, captivating the imagination while shocking the moral sense; painting manners and dissecting passions with powerful, acute, and vivid touch. Such were Victor Hugo, Eugene Sue, and Alexandre Dumas, whose creations interested all classes alike, not merely in France, but throughout the world.
The dignity of intellect amid political degradation was never more strikingly displayed than by those orators who arose during the reign of the Bourbons. The intrepid Manuel uttering his protests against royal encroachments, in a chamber of Royalists all heated by passions and prejudices; Lainé and De Serres, pathetic and patriotic; Guizot, De Broglie, and De St. Aulaire, learned and profound; Royer-Collard, religious, disdainful, majestic; General Foy, disinterested and incorruptible; Lafitte, the banker; Benjamin Constant, the philosopher; Berryer, the lawyer; Chateaubriand, the poet, most eloquent of all,--these and a host of others (some liberal, some conservative, all able) showed that genius was not extinguished amid all the attempts of absolutism to suppress it. It is true that none of these orators arose to supreme power, and that they were not equal to Mirabeau and other great lights in the Revolutionary period. They were comparatively inexperienced in parliamentary business, and were watched and fettered by a hostile government, and could not give full scope to their indignant eloquence without personal peril. Nor did momentous questions of reform come before them for debate, as was the case in England during the agitation on the Reform Bill. They did little more than show the spirit that was in them, which under more favorable circumstances would arouse the nation.
There was one more power which should be mentioned in connection with that period of torpor and reaction, and that was the influence of the salons. To these all the bright intellects of Paris resorted, and gave full vent to their opinions,--artists, scholars, statesmen, journalists, men of science, and brilliant women, in short, whoever was distinguished in any particular sphere; and these composed what is called society, a tremendous lever in fashionable life. In the salons of Madame de Staël, of the Duchesse de Duras, of the Duchesse de Broglie, of Madame de St. Aulaire, and of Madame de Montcalm, all parties were represented, and all subjects were freely discussed. Here Sainte-Beuve discoursed with those whom he was afterward to criticise; here Talleyrand uttered his concise and emphatic sentences; here Lafayette won hearts by his courteous manners and amiable disposition; here Guizot prepared himself for the tribune and the Press; here Villemain, with proud indifference, broached his careless scepticism; here Montlosier blended aristocratical paradoxes with democratic theories. All these great men, and a host of others,--Béranger, Constant, Etienne, Lamartine, Pasquier, Mounier, Molé, De Neuville, Lainé, Barante, Cousin, Sismondi,--freely exchanged opinions, and rested from their labors; a group of geniuses worth more than armies in the great contests between Liberty and Absolutism.
And here it may be said that these kings and queens of society represented not material interests,--not commerce, not manufactures, not stocks, not capital, not railways, not trade, not industrial exhibitions, not armies and navies, but ideas, those invisible agencies which shake thrones and make revolutions, and lift the soul above that which is transient to that which is permanent,--to religion, to philosophy, to art, to poetry, to the glories of home, to the certitudes of friendship, to the benedictions of heaven; which may exist in all their benign beauty and power whatever be the form of government or the inequality of condition, in cottage or palace, in plenty or in want, among foes or friends,--creating that sublime rest where men may prepare themselves for a future and imperishable existence.
Such was the other side of France during the reign of the Bourbons,--the lights which burst through the gloomy shades of tyranny and superstition, to alleviate sorrows and disappointed hopes,--the resurrection of intellect from the grave of despair.
AUTHORITIES.
The History of the Restoration by Lamartine is the most interesting work I have read on the subject; but he is not regarded as a high authority. Talleyrand's Memoirs, Mémoires de Chateaubriand; Lacretelle, Capefigue, Alison; Biographie Universelle, Mémoires de Louis XVIII., Fyffe, Mackenzie's History of the Nineteenth Century,--all are interesting, and worthy of perusal.