Macaulay was not a vain man, nor even egotistical; but he had a tremendous self-consciousness, which annoyed his equals in literary fame, and repelled such a giant as Brougham, who had no idea of sharing his throne with any one,--being more overbearing even than Macaulay, but more human. This new rival in the Edinburgh Review, of which for a long time Brougham had been dictator, was, much to Jeffrey's annoyance, not convivial. He did not drink two bottles at a sitting, but guarded his health and preserved his simple habits. Though he speaks with gusto of Lord Holland's turtle and turbot and venison and grouse, he was content when alone with a mutton-chop and a few glasses of sherry, or the October ale of Cambridge, which was a part of his perquisites as Fellow. He was very exclusive, in view of the fact that he was a poor man, without aristocratic antecedents or many powerful friends. Outside the class of rank and fashion, his friends seem to have been leading politicians of the Liberal school, the stanch Whigs who passed the Reform Bill, to whom he was true. To his credit, his happiest hours were spent with his sisters in the quiet seclusion of his father's modest home. All his best letters were to them; and in these he detailed his intercourse with the great, and the splendor of their banquets and balls.

Macaulay's rise, after he had written his famous article on Milton, was rapid. The article itself, striking as it is, must be confessed to be disappointing in so far as it attempted to criticise the "Paradise Lost" and Milton's other poems. Macaulay's genius was historical, not critical; and the essay is notable rather for its review of the times of Charles I. and Archbishop Laud, of the Puritans and the Royalists, than for its literary flavor, except as a brilliant piece of composition. It was, however, the picturesque style of the new writer which was the chief attraction, and the fact that the essay came from so young a man. Macaulay followed the Milton essay with others on Macchiavelli, Dryden, Hallam's "Constitutional History," and on history in general, which displayed to great advantage his unusual learning, his keen historic instinct, and his splendor of style. He became the most popular contributor to the Edinburgh Review, which was beginning to be dull and heavy; and this kept him before the eyes of politicians and professional men.

Macaulay's ambition was now divided between literature and politics. His first appearance as a public speaker was at an annual anti-slavery convention in London, in 1826, when he made a marked impression. He eagerly embraced the offer of a seat in the House of Commons, which was secured to him in 1830; and as soon as he entered Parliament he began to make speeches, which were carefully composed and probably committed to memory. At a single bound he became one of the leading orators of that renowned assembly. Some of his orations were masterpieces of argument and rhetoric in favor of reform, and of all liberal movements in philanthropy and education. In the opinion of eminent statesmen he was the most "rising" member of the House, and sure to become a leader among the Whigs. But he was poor, having only about £500 a year--the proceeds of his fellowship and his literary productions--to support his dignity as a legislator and meet the calls of society; so that in 1833 he was rewarded with an office in the Board of Control, which regulated the affairs of India; this doubled his income, and made him independent. But he wanted an office in which he could lay up money for future contingencies. Therefore, in 1834, he gladly resigned his seat in Parliament and accepted the situation of a member of the Supreme Council of India, on a salary of £10,000 a year, £7000 of which he continued to save yearly; so that at the end of four years, when he returned to England, he had become a rich man, or at least independent, with leisure to do whatever he pleased.

In India, as chairman of the Board of Education, as legal adviser of the Council, and in drafting a code of penal laws for that part of the Empire, he was very useful,--although as a matter of fact the new code was too theoretically fine to be practical, and was never put in force. His personal good sense was equal to his industry and his talents, and he preserved his health by strict habits of temperance. Even in that tropical country he presented a strong contrast to the sallow, bilious officials with whom he was surrounded, and in due time returned to England in perfect health, one of the most robust of men, capable of indefinite work, which never seemed to weary him.

But in Calcutta, as in London, he employed his leisure hours in writing for the Edinburgh Review, and gave an immense impulse to its sale, for which he was amply rewarded. Brougham complained to Jeffrey that his essays took up too much space in the Review, but the politic editor knew what was for its interest and popularity. Macaulay's long articles of sometimes over a hundred pages were received without a murmur; and every article he wrote added to his fame, since he always did his best. His essays in 1830 on Southey and Montgomery, and one in 1831 on Croker's edition of Boswell's Life of Johnson, were fierce, scathing onslaughts, even cruel and crushing,--revealing Macaulay's tremendous powers of invective and remorseless criticism, but reflecting little credit on his disposition or his judgment. His Hampden (1831) and his Burleigh (1832) remain among his finest and most inspiring historical paintings. His first essay on Lord Chatham (1834) is a notable piece of characterization; the one on Sir James Mackintosh (1835) is a most acute and brilliant historical criticism; the one on Lord Bacon (1837) is striking and has become famous, but shows Macaulay's deficiency in philosophic thought, besides being sophistical in spirit; and the article on Sir William Temple (1837)--really a history of England during the reign of William III.--is thoroughly fine.

Macaulay's residence in India, so far as political ambition was concerned, may have been a mistake. It withdrew him from an arena in which he could have risen to great distinction and influence as a parliamentary orator. He might have been a second Fox, whom he resembled in the impetuosity of his rhetoric, if he had also possessed Fox's talents as a debater. Yet he was not a born leader of men. As a parliamentary orator he was simply a speech-maker, like the Unitarian minister Fox, or that still abler man the Quaker Bright, both of whom were great rhetoricians. It is probable that he himself understood his true sphere, which was that of a literary man,--an historical critic, appealing to intelligent people rather than to learned pedants in the universities. His service in India enabled him to write for the remainder of his life with an untrammelled pen, and to live in comfort and ease, enjoying the otium cum dignitate, to which he attached supreme importance,--so different from Carlyle, who toiled in poverty at Chelsea to declare truth for truth's sake, grumbling, yet lofty in his meditations, the depth of which Macaulay was incapable of appreciating.

It is, then, as a man of letters rather than as a politician that our author merits his exalted fame. Respectable as a member of the House of Commons, or as a jurist in India in compiling a code of laws, yet neither as a statesman nor as a jurist was he in his right place. The leaders of his party may have admired and praised his oratory, but they wanted something more practical than orations,--they wanted the control of men; and so, too, the government demanded a code which would exact the esteem of lawyers and meet the wants of India rather than a composition which would read well. But as an historical critic and a luminous writer, Macaulay had no superior,--a fact which no one knew better than himself.

In 1838, on his return from India,--where he had regarded himself as in honorable exile,--Macaulay had accumulated a fortune of £30,000, to him more than a competency. This, added to the legacy of £10,000 which he had received from his uncle, General Macaulay, secured to him independence and leisure to pursue his literary work, which was paramount to every other consideration. If both from pleasure and ambition there ever was a man devoted heart and soul and body to a literary career, it was Macaulay. Nor would he now accept any political office which seriously interfered with the passion of his life. Still less would he waste his time at the dinner parties of the great, no longer to him a novelty. He was eminently social by nature, and fond of talk and controversy, with a superb physique capable of digesting the richest dishes, and of enduring the fatigues and ceremonies of fashionable life; but even the pleasures of the banquet and of cultivated society, to many a mere relaxation, were sacrificed to his fondness for books,--to him the greatest and truest companionship, especially when they introduced him to the life and manners of by-gone ages, and to communion with the master-minds of the world.

For relaxation, Macaulay preferred to take long walks; lounge around the book-stalls; visit the sights of London with his nieces; invite his intimate friends to simple dinners at The Albany; amuse himself with trifles, especially in company with those he loved best, in the domestic circle of his relatives, whom he treated ever with the most familiar and affectionate sympathy,--so that while they loved and revered him, they had no idea that "Uncle Tom" was a great man. His most interesting letters were to his sisters and nieces, whose amusement and welfare he had constantly in view, and who were more to him than all the world besides. Indeed, he did not write many letters except to his relatives, his publishers, and his intimate friends, who were few, considering the number of persons he was obliged to meet. He was a thoroughly domestic man, although he never married or wished to marry.

It surprises me that Macaulay's intercourse with eminent authors was so constrained. He saw very little of them; but while he did not avoid talking with them when thrown among them, and keeping up the courtesies of life even with those he thoroughly disliked, I cannot see any evidence that he sought the society of those who were regarded as his equals in genius. He liked Milman and Mackintosh and Napier and Jeffrey and Rogers, and a few others; but his intimate intercourse was confined chiefly to these and to his family.