At last the officers of the papal commission arrive. The tortures are renewed, and also the examinations, with the same result. No fault could be found with his doctrines. "But a dead enemy," said they, "fights no more." He is condemned to execution. The messengers of death arrive at his cell, and find him on his knees. He is overpowered by his sufferings and vigils, and can with difficulty be kept from sleep. But he arouses himself, and passes the night in prayer, and administers the elements of redemption to his doomed companions, and closes with this prayer: "Lord, I know thou art that perfect Trinity,—Father, Son, and Holy Ghost; I know that thou art the eternal Word; that thou didst descend from heaven into the bosom of Mary; that thou didst ascend upon the cross to shed thy blood for our sins. I pray thee that by that blood I may have remission for my sins." The simple faith of Paul, of Augustine, of Pascal! He then partook of the communion, and descended to the public square, while the crowd gazed silently and with trepidation, and was led with his companions to the first tribunal, where he was disrobed of his ecclesiastical dress. Then they were led to another tribunal, and delivered to the secular arm; then to another, where sentence of death was read; and then to the place of execution,—not a burning funeral pyre, but a scaffold, which mounting, composed, calm, absorbed, Savonarola submitted his neck to the hangman, in the forty-fifth year of his life: a martyr to the cause of Christ, not for an attack on the Church, or its doctrines, or its institutions, but for having denounced the corruption and vices of those who ruled it,—for having preached against sin.
Thus died one of the greatest and best men of his age, one of the truest and purest whom the Catholic Church has produced in any age. He was stern, uncompromising, austere, but a reformer and a saint; a man who was merciful and generous in the possession of power; an enlightened statesman, a sound theologian, and a fearless preacher of that righteousness which exalteth a nation. He had no vices, no striking defects. He lived according to the rules of the convent he governed with the same wisdom that he governed a city, and he died in the faith of the primitive apostles. His piety was monastic, but his spirit was progressive, sympathizing with liberty, advocating public morality. He was unselfish, disinterested, and true to his Church, his conscience, and his cause,—a noble specimen both of a man and Christian, whose deeds and example form part of the inheritance of an admiring posterity. We pity his closing days, after such a career of power and influence; but we may as well compassionate Socrates or Paul. The greatest lights of the world have gone out in martyrdom, to be extinguished, however, only for a time, and then to loom up again in another age, and burn with inextinguishable brightness to remotest generations; as examples of the power of faith and truth in this wicked and rebellious world,—a world to be finally redeemed by the labors and religion of just such men, whose days are days of sadness, protest, and suffering, and whose hours of triumph and exaltation are not like those of conquerors, nor like those whose eyes stand out with fatness, but few and far between. "I have loved righteousness, I have hated iniquity," said the great champion of the Mediaeval Church, "and therefore I die in exile."
In ten years after this ignominious execution, Raphael painted the martyr among the sainted doctors of the Church in the halls of the Vatican, and future popes did justice to his memory, for he inaugurated that reform movement in the Catholic Church itself which took place within fifty years after his death. In one sense he was the precursor of Loyola, of Xavier, and of Aquaviva,—those illustrious men who headed the counter-reformation; Jesuits indeed, but ardent in piety, and enlightened by the spirit of a progressive age. "He was the first," says Villari, "in the fifteenth century, to make men feel that a new light had awakened the human race; and thus he was a prophet of a new civilization,—the forerunner of Luther, of Bacon, of Descartes. Hence the drama of his life became, after his death, the drama of Europe. In the course of a single generation after Luther had declared his mission, the spirit of the Church of Rome underwent a change. From the halls of the Vatican to the secluded hermitages of the Apennines this revival was felt. Instead of a Borgia there reigned a Caraffa." And it is remarkable that from the day that the counter-reformation in the Catholic Church was headed by the early Jesuits, Protestantism gained no new victories, and in two centuries so far declined in piety and zeal that the cities which witnessed the noblest triumphs of Luther and Calvin were disgraced by a boasting rationalism, to be succeeded again in our times by an arrogance of scepticism which has had no parallel since the days of Democritus and Lucretius. "It was the desire of Savonarola that reason, religion, and liberty might meet in harmonious union, but he did not think a new system of religious doctrines was necessary."
The influence of such a man cannot pass away, and has not passed away, for it cannot be doubted that his views have been embraced by enlightened Catholics from his day to ours,—by such men as Pascal, Fenelon, and Lacordaire, and thousands like them, who prefer ritualism and auricular confession, and penance, monasticism, and an ecclesiastical monarch, and all the machinery of a complicated hierarchy, with all the evils growing out of papal domination, to rationalism, sectarian dissensions, irreverence, license, want of unity, want of government, and even dispensation from the marriage vow. Which is worse, the physical arm of the beast, or the maniac soul of a lying prophet? Which is worse, the superstition and narrowness which darken the mind and the spirit, or that unbounded toleration which smiles on those audacious infidels who cloak their cruel attacks on the faith of Christians with the name of a progressive civilization?—and so far advanced that one of these new lights, ignorant, perhaps, of everything except of the fossils and shells and bugs and gases of the hole he has bored in, assumes to know more of the mysteries of creation and the laws of the universe than Moses and David and Paul, and all the Bacons and Newtons that ever lived? Names are nothing; it is the spirit, the animus, which is everything. It is the soul which permeates a system, that I look at. It is the Devil from which I would flee, whatever be his name, and though he assume the form of an angel of light, or cunningly try to persuade me, and ingeniously argue, that there is no God. True and good Catholics and true and good Protestants have ever been united in one thing,—IN THIS BELIEF, that there is a God who made the heaven and the earth, and that there is a Christ who made atonement for the sins of the world. It is good morals, faith, and love to which both Catholics and Protestants are exhorted by the Apostles. When either Catholics or Protestants accept the one faith and the one Lord which Christianity alone reveals, then they equally belong to the grand army of spiritual warriors under the banner of the Cross, though they may march under different generals and in different divisions and they will receive the same consolations in this world, and the same rewards in the world to come.
AUTHORITIES.
Villari's Life of Savonarola; Biographie Universelle; Ranke's
History of the Popes. There is much in "Romola," by George Eliot.
Life of Savonarola, by the Prince of Mirandola.
MICHAEL ANGELO.
A.D. 1475-1564.
THE REVIVAL OF ART.
Michael Angelo Buonarroti—one of the Great Lights of the new civilization—may stand as the most fitting representative of reviving art in Europe; also as an illustrious example of those virtues which dignify intellectual pre-eminence. He was superior, in all that is sterling and grand in character, to any man of his age,—certainly in Italy; exhibiting a rugged, stern greatness which reminds us of Dante, and of other great benefactors; nurtured in the school of sorrow and disappointment, leading a checkered life, doomed to envy, ingratitude, and neglect; rarely understood, and never fully appreciated even by those who employed and honored him. He was an isolated man; grave, abstracted, lonely, yet not unhappy, since his world was that of glorious and exalting ideas, even those of grace, beauty, majesty, and harmony,—the world which Plato lived in, and in which all great men live who seek to rise above the transient, the false, and puerile in common life. He was also an original genius, remarkable in everything he attempted, whether as sculptor, painter, or architect, and even as poet. He saw the archetypes of everything beautiful and grand, which are invisible except to those who are almost divinely gifted; and he had the practical skill to embody them in permanent forms, so that all ages may study those forms, and rise through them to the realms in which his soul lived.