We cannot pass by, in this enumeration of the different classes of Roman society, the number and condition of slaves. A large part of the population belonged to this servile class. Originally introduced by foreign conquest, it was increased by those who could not pay their debts. The single campaign of Regulus introduced as many as a fifth part of the whole population. Four hundred were maintained in a single palace, at a comparatively early period. A freedman in the time of Augustus left behind him four thousand one hundred and sixteen. Horace regarded two hundred as the suitable establishment for a gentleman. Some senators owned twenty thousand. Gibbon estimates the number at about sixty millions, one half of the whole population. One hundred thousand captives were taken in the Jewish war, who were sold as slaves, and sold as cheap as horses. [Footnote: Wm. Blair, On Roman Slavery, Edinburgh, 1833; Robertson, On the State of the World at the Introduction of Christ.] Blair supposes that there were three slaves to one freeman, from the conquest of Greece to the reign of Alexander Severus. Slaves often cost two hundred thousand sesterces. [Footnote: Martial, xii. 62.] Every body was eager to possess a slave. At one time his life was at the absolute control of his master. He could be treated at all times with brutal severity. Fettered and branded he toiled to cultivate the lands of an imperious master, and at night he was shut up in subterranean cells. The laws did not recognize his claim to be considered scarcely as a moral agent. He was secundum hominum genus. He could acquire no rights, social or political. He was incapable of inheriting property, or making a will, or contracting a legal marriage. His value was estimated like that of a brute. He was a thing and not a person—"a piece of furniture possessed of life." He was his master's property, to be scourged, or tortured, or crucified. If a wealthy proprietor died, under circumstances which excited suspicion of foul play, his whole household was put to the torture. It is recorded, that, on the murder of a man of consular dignity by a slave, every slave in his possession was condemned to death. Slaves swelled the useless rabbles of the cities, and devoured the revenues of the state. All manual labor was done by slaves, in towns as well as the country. Even the mechanical arts were cultivated by the slaves. And more, slaves were schoolmasters, secretaries, actors, musicians, and physicians. In intelligence, they were on an equality with their masters. They came from Greece and Asia Minor and Syria, as well as from Gaul and the African deserts. They were white as well as black. All captives in war were made slaves, and unfortunate debtors. Sometimes they could regain their freedom; but, generally, their condition became more and more deplorable. What a state of society when a refined and cultivated Greek could be made to obey the most offensive orders of a capricious and sensual Roman, without remuneration, without thanks, without favor, without redress. [Footnote: Says Juvenal, Sat. vi., "Crucify that slave. What is the charge to call for such a punishment? What witness can you present? Who gave the information? Listen! Idiot! So a slave is a man then! Granted he has done nothing. I will it. I insist upon it. Let my will stand instead of reason." Read Martial, Juvenal, and Plautus.] What was to be expected of a class who had no object to live for. They became the most degraded of mortals, ready for pillage, and justly to be feared in the hour of danger. Slavery undoubtedly proved the most destructive canker of the Roman state. It destroyed its vitality. It was this social evil, more than political misrule, which undermined the empire. Slavery proved at Rome a monstrous curse, destroying all manliness of character, creating contempt of honest labor, making men timorous yet cruel, idle, frivolous, weak, dependent, powerless. The empire might have lasted centuries longer but for this incubus, the standing disgrace of the pagan world. Paganism never recognized what is most noble and glorious in man; never recognized his equality, his common brotherhood, his natural rights. There was no compunction, no remorse in depriving human beings of their highest privileges. Its whole tendency was to degrade the soul, and cause forgetfulness of immortality. Slavery thrives best, when the generous instincts are suppressed, and egotism and sensuality and pride are the dominant springs of human action.
[Sidenote: Degradation of woman.]
The same influences which tended to rob man of the rights which God has given him, and produce cruelty and heartlessness in the general intercourse of life, also tended to degrade the female sex. In the earlier age of the republic, when the people were poor, and life was simple and primitive, and heroism and patriotism were characteristic, woman was comparatively virtuous and respected. She asserted her natural equality, and led a life of domestic tranquillity, employed upon the training of her children, and inspiring her husband to noble deeds. But, under the emperors, these virtues had fled. Woman was miserably educated, being taught by a slave, or some Greek chambermaid, accustomed to ribald conversation, and fed with idle tales and silly superstitions. She was regarded as more vicious in natural inclination than man, and was chiefly valued for household labors. She was reduced to dependence; she saw but little of her brothers or relatives; she was confined to her home as if it were a prison; she was guarded by eunuchs and female slaves; she was given in marriage without her consent; she could be easily divorced; she was valued only as a domestic servant, or as an animal to prevent the extinction of families; she was regarded as the inferior of her husband, to whom she was a victim, a toy, or a slave. Love after marriage was not frequent, since she did not shine in the virtues by which love is kept alive. She became timorous, or frivolous, without dignity or public esteem. Her happiness was in extravagant attire, in elaborate hair-dressings, in rings and bracelets, in a retinue of servants, in gilded apartments, in luxurious couches, in voluptuous dances, in exciting banquets, in demoralizing spectacles, in frivolous gossip, in inglorious idleness. If virtuous, it was not so much from principle as from fear. Hence she resorted to all sorts of arts to deceive her husband. Her genius was sharpened by perpetual devices, and cunning was her great resource. She cultivated no lofty friendships; she engaged in no philanthropic mission; she cherished no ennobling sentiments; she kindled no chivalrous admiration. Her amusements were frivolous, her taste vitiated, her education neglected, her rights violated, her sympathy despised, her aspirations scorned. And here I do not allude to great and infamous examples which history has handed down in the sober pages of Suetonius and Tacitus, or that unblushing depravity which stands out in the bitter satires of the times. I speak not of the adultery, the poisoning, the infanticide, the debauchery, the cruelty of which history accuses the Messalinas and Agrippinas of imperial Rome. I allude not to the orgies of the Palatine Hill, or the abominations which are inferred from the paintings of Pompeii. But there was a general frivolity and extravagance among women which rendered marriage inexpedient, unless large dowries were brought to the husband. Numerous were the efforts of emperors to promote honorable marriages, but the relation was shunned. Courtesans usurped the privilege of wives, and with unblushing effrontery. A man was derided who contemplated matrimony, for there was but little confidence in female virtue or capacity. And woman lost all her fascination when age had destroyed her beauty. Even her very virtues were distasteful to her self-indulgent husband. And whenever she gained the ascendency by her charms, she was tyrannical. Her relations incited her to despoil her husband. She lived amid incessant broils. She had no care for the future, and exceeded men in prodigality. "The government of her house is no more merciful," says Juvenal, "than the court of a Sicilian tyrant." In order to render herself attractive, she exhausted all the arts of cosmetics and elaborate hair-dressing. She delighted in magical incantations and love-potions. In the bitter satire of Juvenal, we get an impression most melancholy and loathsome:—
"'T were long to tell what philters they provide,
What drugs to set a son-in-law aside.
Women, in judgment weak, in feeling strong,
By every gust of passion borne along.
To a fond spouse a wife no mercy shows;
Though warmed with equal fires, she mocks his woes,
And triumphs in his spoils; her wayward will
Defeats his bliss and turns his good to ill.
Women support the bar; they love the law,
And raise litigious questions for a straw;
Nay, more, they fence! who has not marked their oil,
Their purple rigs, for this preposterous toil!
A woman stops at nothing, when she wears
Rich emeralds round her neck, and in her ears
Pearls of enormous size; these justify
Her faults, and make all lawful in her eye.
More shame to Rome! in every street are found
The essenced Lypanti, with roses crowned,
The gay Miletan, and the Tarentine,
Lewd, petulant, and reeling ripe with wine!"
[Sidenote: Condition of woman.]
In the sixth satire of Juvenal is found the most severe delineation of woman that ever mortal penned. Doubtless he is libellous and extravagant, for only infamous women can stoop to such arts and degradations, which would seem to be common in his time. But, with all his exaggeration, we are forced to feel that but few women, even in the highest class, except those converted to Christianity, showed the virtues of a Lucretia, a Volumnia, a Cornelia, or an Octavia. There was but a universal corruption. The great virtues of a Perpetua, a Felicitas, an Agnes, a Paula, a Blessilla, a Fabiola, would have adorned any civilization. But the great mass were, what they were in Greece, even in the days of Pericles, what they have ever been under the influence of Paganism, what they ever will be without Christianity to guide them, victims or slaves of man, revenging themselves by squandering his wealth, stealing his secrets, betraying his interests, and deserting his home.
[Sidenote: Games and festivals.]
Another essential but demoralizing feature of Roman society, were the games and festivals and gladiatorial shows, which accustomed the people to unnatural excitements, and familiarity with cruelty and suffering. They made all ordinary pleasures insipid. They ended in making homicide an institution. The butcheries of the amphitheatre exerted a fascination which diverted the mind from literature, art, and the enjoyments of domestic life. Very early it was the favorite sport of the Romans. Marcus and Decimus Brutus employed gladiators in celebrating the obsequies of their fathers, nearly three centuries before Christ. "The wealth and ingenuity of the aristocracy were taxed to the utmost, to content the populace and provide food for the indiscriminate slaughter of the circus, where brute fought with brute, and man again with man, or where the skill and weapons of the latter were matched against the strength and ferocity of the first." Pompey let loose six hundred lions in the arena in one day. Augustus delighted the people with four hundred and twenty panthers. The games of Trajan lasted one hundred and twenty days, when ten thousand gladiators fought, and ten thousand beasts were slain. Titus slaughtered five thousand animals at a time. Twenty elephants contended, according, to Pliny, against a band of six hundred captives. Probus reserved six hundred gladiators for one of his festivals, and massacred, on another, two hundred lions, twenty leopards, and three hundred bears. Gordian let loose three hundred African hyenas and ten Indian tigers in the arena. Every corner of the earth was ransacked for these wild animals, which were so highly valued that, in the time of Theodosius, it was forbidden by law to destroy a Getulian lion. No one can contemplate the statue of the Dying Gladiator which now ornaments the capitol at Rome, without emotions of pity and admiration. If a marble statue can thus move us, what was it to see the Christian gladiators contending with the fierce lions of Africa. The "Christians to the lions," was the watchword of the brutal populace. What a sight was the old amphitheatre of Titus, five hundred and sixty feet long, and four hundred and seventy feet wide, built on eighty arches, and rising one hundred and forty feet into the air, with its four successive orders of architecture, and inclosing its eighty thousand seated spectators, arranged according to rank, from the emperor to the lowest of the populace, all seated on marble benches, covered with cushions, and protected from the sun and rain by ample canopies! What an excitement when men strove not with wild beasts alone, but with one another, and when all that human skill and strength, increased by elaborate treatment, and taxed to the uttermost, were put forth in the needless homicide, and until the thirsty soil was wet and matted with human gore! Familiarity with such sights must have hardened the heart and rendered the mind insensible to refined pleasures. What theatres are to the French, what bull-fights are to the Spaniards, what horse-races are to the English, these gladiatorial shows were to the ancient Romans. The ruins of hundreds of amphitheatres attest the universality of the custom, not in Rome alone, but in the provinces.
[Sidenote: The circus.]
The sports of the circus took place from the earliest periods. The Circus Maximus was capable of containing two hundred and sixty thousand, as estimated by Pliny. It was appropriated for horse and chariot races. The enthusiasm of the Romans for races exceeded all bounds. Lists of the horses, with their names and colors, and those of drivers, were handed about, and heavy bets made on each faction. The games commenced with a grand procession, in which all persons of distinction, and those who were to exhibit, took part. The statues of the gods formed a conspicuous feature in the show, and were carried on the shoulders as saints are carried in modern processions. The chariots were often drawn by eight horses, and four generally started in the race.