[Sidenote: Demosthenes.]
But all the orators of Greece—and Greece was the land of orators—gave way to Demosthenes, born B.C. 385. He received a good education, and is said to have been instructed in philosophy by Plato, and in eloquence by Isocrates. But it is more probable that he privately prepared himself for his brilliant career. As soon as he attained his majority, he brought suits against the men whom his father had appointed his guardians for their waste of property, and was, after two years, successful, conducting the prosecution himself. It was not until the age of thirty that he appeared as a speaker in the public assembly on political matters, and he enjoyed universal respect, and became one of the leading statesmen of Athens, and henceforth he took an active part in every question that concerned the state. He especially distinguished himself in his speeches against Macedonian aggrandizements, and his Philippics are, perhaps, the most brilliant of his orations. But the cause which he advocated was unfortunate. The battle of Cheronea, B.C. 338, put an end to the independence of Greece, and Philip of Macedon was all-powerful. For this catastrophe Demosthenes was somewhat responsible, but his motives were pure and his patriotism lofty, and he retained the confidence of his countrymen. Accused by Aeschines, he delivered his famous Oration on the Crown. Afterwards, during the supremacy of Alexander, he was again accused, and suffered exile. Recalled from exile, on the death of Alexander, he roused himself for the deliverance of Greece, without success, and, hunted by his enemies, he took poison in the sixty-third year of his age, having vainly contended for the freedom of his country,—one of the noblest spirits of antiquity, spotless in his public career, and lofty in his private life. As an orator, he has not probably been equaled by any man of any country. By his contemporaries he was regarded as faultless as a public speaker, and when it is remembered that he struggled against physical difficulties which, in the early part of his career, would have utterly discouraged any ordinary man, we feel that he deserves the highest commendation. He never spoke without preparation, and most of his orations were severely elaborated. He never trusted to the impulse of the occasion. And all his orations exhibit him as a pure and noble patriot, and are full of the loftiest sentiments. He was a great artist, and his oratorical successes were greatly owing to the arrangement of his speeches and the application of the strongest arguments in their proper places. Added to this moral and intellectual superiority was the "magic power of his language, majestic and simple at the same time, rich yet not bombastic, strange and yet familiar, solemn without being ornamented, grave and yet pleasing, concise and yet fluent, sweet and yet impressive, which altogether carried away the minds of his hearers." [Footnote: Leonhard Schmitz.] His orations were most highly prized by the ancients, who wrote innumerable commentaries on them, but most of these criticisms are lost. Sixty, however, of these great productions of genius have come down to us, and are contained in the various collections of the Attic orators by Aldus, Stephens, Taylor, Reiske, Dukas, Bekker, Dobson, and Sauppe. Demosthenes, like other orators, first became known as the composer of speeches for litigants; but his great fame was based on the orations he pronounced in great political emergencies. His rival was Aeschines, but he was vastly inferior to Demosthenes, although bold, vigorous, and brilliant. Indeed, the opinions of mankind, for two thousand years, have been unanimous in ascribing to Demosthenes the highest position as an orator of all the men of ancient and modern times. David Hume says of him, "that, could his manner be copied, its success would be infallible over a modern audience." "It is rapid harmony exactly adjusted to the sense. It is vehement reasoning, without any appearance of art. It is disdain, anger, boldness, freedom involved in a continual stream of argument; so that, of all human productions, his orations present to us the models which approach the nearest to perfection." [Footnote: Dissertation of Lord Brougham on the Eloquence of the Ancients.]
[Sidenote: Roman orators.]
It is probable that the Romans were behind the Athenians in all the arts of rhetoric; and yet in the days of the republic celebrated orators arose, called out by the practice of the law and political meetings. It was, in fact, in forensic eloquence that Latin prose first appears as a cultivated language; for the forum was to the Romans what libraries are to us. And the art of public speaking was very early developed. Cato, Laelius, Carbo, and the Gracchi are said to have been majestic and harmonious in speech. Their merits were eclipsed by Antonius, Crassus, Cotta, Sulpitius, and Hortensius. The last had a very brilliant career as an orator, although his orations were too florid to be read. Caesar was also distinguished for his eloquence, the characteristics of which were force and purity. Caelius was noted for lofty sentiment; Brutus for philosophical wisdom; Callidus for a delicate and harmonious style, and Calvus for sententious force.
[Sidenote: Cicero.]
But all the Roman orators yielded to Cicero, as the Greeks did to Demosthenes. These two men are always coupled together when allusion is made to eloquence. They were preeminent in the ancient world, and have never been equaled in the modern.
Cicero was not probably equal to his great Grecian rival in vehemence, in force, in fiery argument, which swept every thing away before him; and he was not probably equal to him in original genius; but he was his superior in learning, in culture, and in breadth. [Footnote: Born B.C. 106.] He distinguished himself very early as an advocate; but his first great public effort was in the prosecution of Verres for corruption. Although defended by Hortensius, and the whole influence of the Metelli and other powerful families, Cicero gained his cause,—more fortunate than Burke in his prosecution of Warren Hastings, who was also sustained by powerful interests and families. Burke also resembled Cicero in his peculiarities and in his fortunes more than any modern orator. His speech on the Manilian law, when he appeared as a political orator, greatly contributed to his popularity. I need not describe his memorable career; his successive election to all the highest offices of state, his detection of Catiline's conspiracy, his opposition to turbulent and ambitious partisans, his alienations and friendships, his brilliant career as a statesman, his misfortunes and sorrows, his exile and recall, his splendid services to the state, his greatness and his defects, his virtues and weaknesses, his triumphs and martyrdom. These are foreign to my purpose. No man of heathen antiquity is better known to us, and no man, by pure genius, ever won more glorious laurels. His life and labors are immortal. His virtues and services are embalmed in the heart of the world. Few men ever performed greater literary labors, and in most of its departments. Next to Aristotle, he was the most learned man of antiquity, but performed more varied labors than he, since he was not only great as a writer and speaker, but as a statesman, and was the most conspicuous man in Rome after Pompey and Caesar. He may not have had the moral greatness of Socrates, nor the philosophical genius of Plato, nor the overpowering eloquence of Demosthenes, but he was a master of all the wisdom of antiquity. Even civil law, the great science of the Romans, became interesting in his hands, and is divested of its dryness and technicality. He popularized history, and paid honor to all art, even to the stage. He made the Romans conversant with the philosophy of Greece, and systematized the various speculations. He may not have added to the science, but no Roman, after him, understood so well the practical bearing of all the various systems. His glory is purely intellectual, and it was by pure genius that he rose to his exalted position and influence.
But it was in forensic eloquence that he was preeminent, and in which he had but one equal in ancient times. Roman eloquence culminated in him. He composed about eighty orations, of which fifty-nine are preserved. Some were delivered from the rostrum to the people, and some in the Senate. Some were mere philippics, as savage in denunciation as those of Demosthenes. Some were laudatory; some were judicial; but all were severely logical, full of historical allusion, profound in philosophical wisdom, and pervaded with the spirit of patriotism. "He goes round and round his object, surveys it in every light, examines it in all its parts, retires and then advances, compares and contrasts it, illustrates, confirms, and enforces it, till the hearer feels ashamed of doubting a position which seems built on a foundation so strictly argumentative. And having established his case, he opens upon his opponent a discharge of raillery so delicate and good natured that it is impossible for the latter to maintain his ground against it; or, when the subject is too grave, he colors his exaggerations with all the bitterness of irony and vehemence of passion. But the appeal to the gentler emotions is reserved for the close of the oration, as in the defense of Cluentius, Caelius, Milo, and Flaccus; the most striking instances of which are the poetical bursts of feeling with which he addresses his client, Plaucius, and his picture of the desolate condition of the vestal Fonteia, should her brother be condemned. At other times his peroration contains more heroic and elevated sentiments, as in the invocation of the Alban Altars, and in his defense of Sextius, and that on liberty at the close of the third Philippic." [Footnote: Newman, Hist. Rom. Lit., p. 305.]
Critics have uniformly admired his style as peculiarly suited to the Latin language, which, being scanty and unmusical, requires more redundancy than the Greek. The simplicity of the Attic writers would make Latin composition bold and tame. To be perspicuous, the Latin must be full. Thus Arnold thinks that what Tacitus gained in energy he lost in elegance and perspicuity. But Cicero, dealing with a barren and unphilosophical language, enriched it with circumlocutions and metaphors, while he formed it of harsh and uncouth expressions, and thus became the greatest master of composition the world has seen. He was a great artist, making use of his scanty materials to the best effect; and since he could not attain the elegance of the Greeks, he sought to excel them in vigor. He had absolute control over the resources of his vernacular tongue, and not only unrivaled skill in composition, but tact and judgment. Thus he was generally successful, in spite of the venality and corruption of the times. The courts of justice were the scene of his earliest triumphs; nor did he speak from the rostra until he was praetor on mere political questions, as in reference to the Manilian and Agrarian laws. It is in his political discourses that he rises to the highest ranks. In his speeches against Verres, Catiline, and Antony, he kindles in his countrymen lofty feelings for the honor of his country, and abhorrence of tyranny and corruption. Indeed, he hated bloodshed, injustice, and strife, and beheld the downfall of liberty with indescribable sorrow.
Cicero held a very exalted position as a philosophical writer and critic; but we defer what we have to say on this point until we speak of the philosophy of the ancients. Upon eloquence his main efforts were, however, directed, and eloquence was the most perfect fruit of his talents. Nor can we here speak of Cicero as a man. He has his admirers and detractors. He had great faults and weaknesses as well as virtues. He was egotistical, vain, and vacillating. But he was industrious, amiable, witty, and public spirited. In his official position he was incorruptible. He was no soldier, but he had a greater than a warrior's excellence. In spite of his faults, his name is one of the brightest of the ancients. His integrity was never impeached, even in an age of unparalleled corruption, and he was pure in morals. He was free from rancor and jealousy, was true in his friendships, and indulgent to his dependents. [Footnote: Professor Ramsay, of Glasgow, has written a most admirable article on Cicero in Smith's Dictionary. It is very full and impartial. Cicero's own writings are the best commentary on his life. Plutarch has afforded much anecdote. Forsythe is the last work of erudition. The critics sneer at Middleton's Life of Cicero; but it has lasted one hundred years. It is, perhaps, too eulogistic. Drumann is said to have most completely exhausted his subject in his Geschichte Roms.]