Thus, with minute and artistic treachery, did Philip provide for the disgrace and ruin of the man who was his near blood relation, and who had served him most faithfully from earliest youth. It was not possible to carry out the project immediately, for, as it has already been narrated, Farnese, after achieving, in spite of great obstacles due to the dulness of the king alone, an extraordinary triumph, had been dangerously wounded, and was unable for a brief interval to attend to public affairs.
On the conclusion of his Rouen campaign he had returned to the Netherlands, almost immediately betaking himself to the waters of Spa. The Marquis de Cerralbo meanwhile had been superseded in his important secret mission by the Count of Fuentes, who received the same instructions as had been provided for the marquis.
But ere long it seemed to become unnecessary to push matters to extremities. Farnese, although nominally the governor, felt himself unequal to take the field against the vigorous young commander who was carrying everything before him in the north and east. Upon the Mansfelds was the responsibility for saving Steenwyk and Coeworden, and to the Mansfelds did Verdugo send piteously, but in vain, for efficient help. For the Mansfelds and other leading personages in the obedient Netherlands were mainly occupied at that time in annoying Farnese, calumniating his actions, laying obstacles in the way of his administration, military and civil, and bringing him into contempt with the populace. When the weary soldier—broken in health, wounded and harassed with obtaining triumphs for his master such as no other living man could have gained with the means placed at his disposal—returned to drink the waters, previously to setting forth anew upon the task of achieving the impossible, he was made the mark of petty insults on the part of both the Mansfelds. Neither of them paid their respects to him; ill as he was, until four days after his arrival. When the duke subsequently called a council; Count Peter refused to attend it on account of having slept ill the night before. Champagny; who was one of, the chief mischief-makers, had been banished by Parma to his house in Burgundy. He became very much alarmed, and was afraid of losing his head. He tried to conciliate the duke, but finding it difficult he resolved to turn monk, and so went to the convent of Capuchins, and begged hard to be admitted a member. They refused him on account of his age and infirmities. He tried a Franciscan monastery with not much better success, and then obeyed orders and went to his Burgundy mansion; having been assured by Farnese that he was not to lose his head. Alexander was satisfied with that arrangement, feeling sure, he said, that so soon as his back was turned Champagny would come out of his convent before the term of probation had expired, and begin to make mischief again. A once valiant soldier, like Champagny, whose conduct in the famous "fury of Antwerp" was so memorable; and whose services both in field and-cabinet had, been so distinguished, fallen so low as to, be used as a tool by the Mansfelds against a man like Farnese; and to be rejected as unfit company by Flemish friars, is not a cheerful spectacle to contemplate.
The walls of the Mansfeld house and gardens, too, were decorated by Count Charles with caricatures, intending to illustrate the indignities put upon his father: and himself.
Among others, one picture represented Count Peter lying tied hand and foot, while people were throwing filth upon him; Count Charles being pourtrayed as meantime being kicked away from the command of a battery of cannon by, De la Motte. It seemed strange that the Mansfelds should, make themselves thus elaborately ridiculous, in order to irritate Farnese; but thus it was. There was so much stir, about these works of art that Alexander transmitted copies of them to the king, whereupon Charles Mansfeld, being somewhat alarmed, endeavoured to prove that they had been entirely misunderstood. The venerable personage lying on the ground, he explained, was not his father, but Socrates. He found it difficult however to account for the appearance of La Motte, with his one arm wanting and with artillery by his side, because, as Farnese justly remarked, artillery had not been invented in the time of Socrates, nor was it recorded that the sage had lost an arm.
Thus passed the autumn of 1592, and Alexander, having as he supposed somewhat recruited his failing strength, prepared, according to his master's orders for a new campaign in France. For with almost preterhuman malice Philip was employing the man whom he had doomed to disgrace, perhaps to death, and whom he kept under constant secret supervision, in those laborious efforts to conquer without an army and to purchase a kingdom with an empty purse, in which, as it was destined, the very last sands of Parma's life were to run away.
Suffering from a badly healed wound, from water on the chest, degeneration of the heart, and gout in the limbs, dropsical, enfeebled, broken down into an old man before his time, Alexander still confronted disease and death with as heroic a front as he had ever manifested in the field to embattled Hollanders and Englishmen, or to the still more formidable array of learned pedants and diplomatists in the hall of negotiation. This wreck of a man was still fitter to lead armies and guide councils than any soldier or statesman that Philip could call into his service, yet the king's cruel hand was ready to stab the dying man in the dark.
Nothing could surpass the spirit with which the soldier was ready to do battle with his best friend, coming in the guise of an enemy. To the last moment, lifted into the saddle, he attended personally as usual to the details of his new campaign, and was dead before he would confess himself mortal. On the 3rd of December, 1592, in the city of Arran, he fainted after retiring at his usual hour to bed, and thus breathed his last.
According to the instructions in his last will, he was laid out barefoot in the robe and cowl of a Capuchin monk. Subsequently his remains were taken to Parma, and buried under the pavement of the little Franciscan church. A pompous funeral, in which the Italians and Spaniards quarrelled and came to blows for precedence, was celebrated in Brussels, and a statue of the hero was erected in the capitol at Rome.
The first soldier and most unscrupulous diplomatist of his age, he died when scarcely past his prime, a wearied; broken-hearted old man. His triumphs, military and civil, have been recorded in these pages, and his character has been elaborately pourtrayed. Were it possible to conceive of an Italian or Spaniard of illustrious birth in the sixteenth century, educated in the school of Machiavelli, at the feet of Philip, as anything but the supple slave of a master and the blind instrument of a Church, one might for a moment regret that so many gifts of genius and valour had been thrown away or at least lost to mankind. Could the light of truth ever pierce the atmosphere in which such men have their being; could the sad music of humanity ever penetrate to their ears; could visions of a world—on this earth or beyond it—not exclusively the property of kings and high-priests be revealed to them, one might lament that one so eminent among the sons of women had not been a great man. But it is a weakness to hanker for any possible connection between truth and Italian or Spanish statecraft of that day. The truth was not in it nor in him, and high above his heroic achievements, his fortitude, his sagacity, his chivalrous self-sacrifice, shines forth the baleful light of his perpetual falsehood.