In early boyhood Morton amused himself and astonished those about him by enacting plays for a puppet theatre. This was at six years old, and at twelve we find him acting in a play with other boys, just as Motley's playmates have already described him. The hero may now speak for himself, but we shall all perceive that we are listening to the writer's own story.

"I was always a huge reader; my mind was essentially craving and insatiable. Its appetite was enormous, and it devoured too greedily for health. I rejected all guidance in my studies. I already fancied myself a misanthrope. I had taken a step very common for boys of my age, and strove with all my might to be a cynic."

He goes on to describe, under the perfectly transparent mask of his hero, the course of his studies. "To poetry, like most infants, I devoted most of my time." From modern poetry he went back to the earlier sources, first with the idea of systematic reading and at last through Chaucer and Gower and early ballads, until he lost himself "in a dismal swamp of barbarous romances and lying Latin chronicles. I got hold of the Bibliotheca Monastica, containing a copious account of Anglo-Norman authors, with notices of their works, and set seriously to reading every one of them." One profit of his antiquarianism, however, was, as he says, his attention to foreign languages,—French, Spanish, German, especially in their earliest and rudest forms of literature. From these he ascended to the ancient poets, and from Latin to Greek. He would have taken up the study of the Oriental languages, but for the advice of a relative, who begged him seriously to turn his attention to history. The paragraph which follows must speak for itself as a true record under a feigned heading.

"The groundwork of my early character was plasticity and fickleness. I was mortified by this exposure of my ignorance, and disgusted with my former course of reading. I now set myself violently to the study of history. With my turn of mind, and with the preposterous habits which I had been daily acquiring, I could not fail to make as gross mistakes in the pursuit of this as of other branches of knowledge. I imagined, on setting out, a system of strict and impartial investigation of the sources of history. I was inspired with the absurd ambition, not uncommon to youthful students, of knowing as much as their masters. I imagined it necessary for me, stripling as I was, to study the authorities; and, imbued with the strict necessity of judging for myself, I turned from the limpid pages of the modern historians to the notes and authorities at the bottom of the page. These, of course, sent me back to my monastic acquaintances, and I again found myself in such congenial company to a youthful and ardent mind as Florence of Worcester and Simeon of Durham, the Venerable Bede and Matthew Paris; and so on to Gregory and Fredegarius, down to the more modern and elegant pages of Froissart, Hollinshed, Hooker, and Stowe. Infant as I was, I presumed to grapple with masses of learning almost beyond the strength of the giants of history. A spendthrift of my time and labor, I went out of my way to collect materials, and to build for myself, when I should have known that older and abler architects had already appropriated all that was worth preserving; that the edifice was built, the quarry exhausted, and that I was, consequently, only delving amidst rubbish.

"This course of study was not absolutely without its advantages. The mind gained a certain proportion of vigor even by this exercise of its faculties, just as my bodily health would have been improved by transporting the refuse ore of a mine from one pit to another, instead of coining the ingots which lay heaped before my eyes. Still, however, my time was squandered. There was a constant want of fitness and concentration of my energies. My dreams of education were boundless, brilliant, indefinite; but alas! they were only dreams. There was nothing accurate and defined in my future course of life. I was ambitious and conceited, but my aspirations were vague and shapeless. I had crowded together the most gorgeous and even some of the most useful and durable materials for my woof, but I had no pattern, and consequently never began to weave.

"I had not made the discovery that an individual cannot learn, nor be, everything; that the world is a factory in which each individual must perform his portion of work:—happy enough if he can choose it according to his taste and talent, but must renounce the desire of observing or superintending the whole operation. . . .

"From studying and investigating the sources of history with my own
eyes, I went a step further; I refused the guidance of modern
writers; and proceeding from one point of presumption to another, I
came to the magnanimous conviction that I could not know history as
I ought to know it unless I wrote it for myself. . . .

"It would be tedious and useless to enlarge upon my various attempts and various failures. I forbear to comment upon mistakes which I was in time wise enough to retrieve. Pushing out as I did, without compass and without experience, on the boundless ocean of learning, what could I expect but an utter and a hopeless shipwreck?

"Thus I went on, becoming more learned, and therefore more ignorant, more confused in my brain, and more awkward in my habits, from day to day. I was ever at my studies, and could hardly be prevailed upon to allot a moment to exercise or recreation. I breakfasted with a pen behind my ear, and dined in company with a folio bigger than the table. I became solitary and morose, the necessary consequence of reckless study; talked impatiently of the value of my time, and the immensity of my labors; spoke contemptuously of the learning and acquirements of the whole world, and threw out mysterious hints of the magnitude and importance of my own project.

"In the midst of all this study and this infant authorship the perusal of such masses of poetry could not fail to produce their effect. Of a youth whose mind, like mine at that period, possessed some general capability, without perhaps a single prominent and marked talent, a proneness to imitation is sure to be the besetting sin. I consequently, for a large portion of my earlier life, never read a work which struck my fancy, without planning a better one upon its model; for my ambition, like my vanity, knew no bounds. It was a matter of course that I should be attacked by the poetic mania. I took the infection at the usual time, went through its various stages, and recovered as soon as could be expected. I discovered soon enough that emulation is not capability, and he is fortunate to whom is soonest revealed the relative extent of his ambition and his powers.