A colossal and magnificent group of the Saviour crucified between two thieves adorned the principal altar. The statue of Christ was wrenched from its place with ropes and pulleys, while the malefactors, with bitter and blasphemous irony, were left on high, the only representatives of the marble crowd which had been destroyed. A very beautiful piece of architecture decorated the choir,—the "repository," as it was called, in which the body of Christ was figuratively enshrined. This much-admired work rested upon a single column, but rose, arch upon arch, pillar upon pillar, to the height of three hundred feet, till quite lost in the vault above. "It was now shattered into a million pieces." The statues, images, pictures, ornaments, as they lay upon the ground, were broken with sledge-hammers, hewn with axes, trampled, torn; and beaten into shreds. A troop of harlots, snatching waxen tapers from the altars, stood around the destroyers and lighted them at their work. Nothing escaped their omnivorous rage. They desecrated seventy chapels, forced open all the chests of treasure, covered their own squalid attire with the gorgeous robes of the ecclesiastics, broke the sacred bread, poured out the sacramental wine into golden chalices, quaffing huge draughts to the beggars' health; burned all the splendid missals and manuscripts, and smeared their shoes with the sacred oil, with which kings and prelates had been anointed. It seemed that each of these malicious creatures must have been endowed with the strength of a hundred giants. How else, in the few brief hours of a midsummer night, could such a monstrous desecration have been accomplished by a troop which, according to all accounts, was not more than one hundred in number. There was a multitude of spectators, as upon all such occasions, but the actual spoilers were very few.
The noblest and richest temple of the Netherlands was a wreck, but the fury of the spoilers was excited, not appeased. Each seizing a burning torch, the whole herd rushed from the cathedral, and swept howling through the streets. "Long live the beggars!" resounded through the sultry midnight air, as the ravenous pack flew to and fro, smiting every image of the Virgin, every crucifix, every sculptured saint, every Catholic symbol which they met with upon their path. All night long, they roamed from one sacred edifice to another, thoroughly destroying as they went. Before morning they had sacked thirty churches within the city walls. They entered the monasteries, burned their invaluable libraries, destroyed their altars, statues, pictures, and descending into the cellars, broached every cask which they found there, pouring out in one great flood all the ancient wine and ale with which those holy men had been wont to solace their retirement from generation to generation. They invaded the nunneries, whence the occupants, panic-stricken, fled for refuge to the houses of their friends and kindred. The streets were filled with monks and nuns, running this way and that, shrieking and fluttering, to escape the claws of these fiendish Calvinists. The terror was imaginary, for not the least remarkable feature in these transactions was, that neither insult nor injury was offered to man or woman, and that not a farthing's value of the immense amount of property destroyed, was appropriated. It was a war not against the living, but against graven images, nor was the sentiment which prompted the onslaught in the least commingled with a desire of plunder. The principal citizens of Antwerp, expecting every instant that the storm would be diverted from the ecclesiastical edifices to private dwellings, and that robbery, rape, and murder would follow sacrilege, remained all night expecting the attack, and prepared to defend their hearths, even if the altars were profaned. The precaution was needless. It was asserted by the Catholics that the confederates and other opulent Protestants had organized this company of profligates for the meagre pittance of ten stivers day. On the other hand, it was believed by many that the Catholics had themselves plotted the whole outrage in order to bring odium upon the Reformers. Both statements were equally unfounded. The task was most thoroughly performed, but it was prompted: by a furious fanaticism, not by baser motives.
Two days and nights longer the havoc raged unchecked through all the churches of Antwerp and the neighboring villages. Hardly a statue or picture escaped destruction. Fortunately, the illustrious artist, whose labors were destined in the next generation to enrich and ennoble the city, Rubens, most profound of colorists, most dramatic—of artists; whose profuse tropical genius seemed to flower the more luxuriantly, as if the destruction wrought by brutal hands were to be compensated by the creative energy of one, divine spirit, had not yet been born. Of the treasures which existed the destruction was complete. Yet the rage was directed exclusively against stocks and stones. Not a man was wounded nor a woman outraged. Prisoners, indeed, who had been languishing hopelessly in dungeons were liberated. A monk, who had been in the prison of the Barefoot Monastery, for twelve years, recovered his freedom. Art was trampled in the dust, but humanity deplored no victims.
These leading features characterized the movement every where. The process was simultaneous and almost universal. It was difficult to say where it began and where it ended. A few days in the midst of August sufficed for the whole work. The number of churches desecrated has never been counted. In the single province of Flanders, four hundred were sacked. In Limburg, Luxemburg, and Namur, there was no image-breaking. In Mechlin, seventy or eighty persons accomplished the work thoroughly, in the very teeth of the grand council, and of an astonished magistracy.
In Tournay, a city distinguished for its ecclesiastical splendor, the reform had been making great progress during the summer. At the same time the hatred between the two religions had been growing more and more intense. Trifles and serious matters alike fed the mutual animosity.
A tremendous outbreak had been nearly occasioned by an insignificant incident. A Jesuit of some notoriety had been preaching a glowing discourse in the pulpit of Notre Dane. He earnestly avowed his wish that he were good enough to die for all his hearers. He proved to demonstration that no man should shrink from torture or martyrdom in order to sustain the ancient faith. As he was thus expatiating, his fervid discourse was suddenly interrupted by three sharp, sudden blows, of a very peculiar character, struck upon the great portal of the Church. The priest, forgetting his love for martyrdom, turned pale and dropped under the pulpit. Hurrying down the steps, he took refuge in the vestry, locking and barring the door. The congregation shared in his panic: "The beggars are coming," was the general cry. There was a horrible tumult, which extended through the city as the congregation poured precipitately out of the Cathedral, to escape a band of destroying and furious Calvinists. Yet when the shock had a little subsided, it was discovered that a small urchin was the cause of the whole tumult. Having been bathing in the Scheldt, he had returned by way of the church with a couple of bladders under his arm. He had struck these against the door of the Cathedral, partly to dry them, partly from a love of mischief. Thus a great uproar, in the course of which it had been feared that Toumay was to be sacked and drenched in blood, had been caused by a little wanton boy who had been swimming on bladders.
This comedy preceded by a few days only the actual disaster. On the 22d of August the news reached Tournay that the churches in Antwerp, Ghent, and many other places, had been sacked. There was an instantaneous movement towards imitating the example on the same evening. Pasquier de la Barre, procureur-general of the city, succeeded by much entreaty in tranquillizing the people for the night. The "guard of terror" was set, and hopes were entertained that the storm might blow over. The expectation, was vain. At daybreak next day, the mob swept upon the churches and stripped them to the very walls. Pictures, statues; organs, ornaments, chalices of silver and gold, reliquaries, albs, chasubles, copes, ciboriea, crosses, chandeliers, lamps; censers, all of richest material, glittering with pearls, rubies, and other precious stones, were scattered in heaps of ruin upon the ground.
As the Spoilers burrowed among the ancient tombs, they performed, in one or two instances, acts of startling posthumous justice. The embalmed body of Duke Adolphus of Gueldres, last of the Egmonts, who had reigned in that province, was dragged from its sepulchre and recognized. Although it had been there for ninety years, it was as uncorrupted, "Owing to the excellent spices which had preserved it from decay," as upon the day of burial. Thrown upon the marble floor of the church, it lay several days exposed to the execrations of the multitude. The Duke had committed a crime against his father, in consequence of which the province which had been ruled by native races, had passed under the dominion of Charles the Bold. Weary of waiting for the old Duke's inheritance, he had risen against him in open rebellion. Dragging him from his bed at midnight in the depth of winter, he had compelled the old man, with no covering but his night gear, to walk with naked feet twenty-five miles over ice and snow from Grave to Buren, while he himself performed the same journey in his company on horseback. He had then thrown him into a dungeon beneath the tower of Buren castle, and kept him a close prisoner for six months.
[Memoires de Philippe de Comines (Loud. et Paris, 1747), liv. iv. 194-196. In the Royal Gallery at Berlin is a startling picture by Rembrandt, in which the old Duke is represented looking out of the bars of his dungeon at his son, who is threatening him with uplifted hand and savage face. No subject could be imagined better adapted to the gloomy and sarcastic genius of that painter.]
At last, the Duke of Burgundy summoned the two before his council, and proposed that Adolphus should allow his father 6000 florins annually, with the title of Duke till his death. "He told us," said Comines, "that he would sooner throw the old man head-foremost down a well and jump in himself afterwards. His father had been Duke forty-four years, and it was time for him to retire." Adolphus being thus intractable, had been kept in prison till after the death of Charles the Bold. To the memorable insurrection of Ghent, in the time of the Lady Mary, he owed his liberty. The insurgent citizens took him from prison, and caused him to lead them in their foray against Tournay. Beneath the walls of that city he was slain, and buried under its cathedral. And now as if his offence had not been sufficiently atoned for by the loss of his ancestral honors, his captivity, and his death, the earth, after the lapse of nearly a century, had cast him forth from her bosom. There, once more beneath the sunlight, amid a ribald crew of a later generation which had still preserved the memory of his sin, lay the body of the more than parricide, whom "excellent spices" had thus preserved from corruption, only to be the mark of scorn and demoniac laughter.