I WHERE THE ORCHARDS SMELLED
Once there were two old ladies who lived alone, in an old house with blue china and straight-backed chairs. And the key-note of that house (as every house has its key-note) was peace. I, who lived in a city, went there, now and then, to rest for a brief while in its peace and grow strong. For it was in the country, and all about it was the smell of orchards.
One of the beautiful old ladies was blind. The other was so frail that it seemed a marvel how she kept going. Yet they never rested,—in the fashion which I should have called rest,—but were always as sentinels on duty. I was sluggard enough to sigh, occasionally, for a reclining chair or a couch. There was no such thing in the house. There never had been. It was sufficient for them that their ancestors had had nothing of the kind. For this was the doctrine of their simple lives—to be no more than (and as much as possible what) their mother and their father had been; to hold all good which they had held good, and to call evil what they had called evil; then to lie beside them at the end.
There was a curious correlation between their several infirmities. They believed that God designed it so. The frail one was eyes, the blind one was strength—to both.
Now, you are not to suppose that they were moody and melancholy and sour. On the contrary, they loved laughter, and constantly laughed at the queer straits into which their limitations so often brought them; at the equally queer contrivances by which they were overcome. They laughed—yes—at themselves—gently—as they did all things.
And they believed every one of those curious things which no one believes nowadays—which are only gibed at. (And I am not sure that they who gibe are more wise than they who believe—are you?) There were certain signs of the zodiac, movements of the constellations, phases of the moon, and meteorological conditions for the doing of everything—from the medication of mortal illness to the planting of beets in their little garden. And they knew, and scrupulously propitiated, every influence for good or evil luck.
Nevertheless they were curiously modern in thought and attitude—fresh—young—interested.
They liked my glittering automobile with its snorting terrors, and recalled Mother Shipton’s prophecy concerning it. But they would not ride in it. Not because they did not trust it and me, but because they instinctively knew that they would create an unpicturesque anachronism. They understood that they belonged to the world of 1850.
Yet they adored children—and the more modern their dress and manners the more they loved them. When the youngsters came (they were always being invited—inveigled, in fact), the shutters were flung wide as if the sisters said: “Yes, the shadows are for us. But the sunshine is for you!”
Still nothing in that house was of a childish sort—except those children’s clothes packed away in the garret. It was here that they would spend their holidays. Sitting on the floor they would open the chests which were before trunks, and the fragile one would put the tiny garments into the hands of the blind one—piece after piece—and chatter softly: