During the visit of the Wild West to Paris, General Cody, by invitation, called on Rosa Bonheur, the famous painter of horses. Three years prior to this time Miss Bonheur had received from America three fine mustang ponies, two of which had, despite all effort, remained uncontrollable and therefore, of course, useless to her. These latter she generously tendered to General Cody as a present. Her surprise when Cody calmly accepted the offer, and assured her that “his boys” would have but little trouble in catching and controlling these animals, can hardly be described. True to his assurance, Cody soon had two of his “boys” on hand, and in a short time the apparently uncontrollable “Appach” and “Clair de Lune” were lassoed by the “boys,” saddled and mounted. This scene was witnessed not only by the great artist herself but by numbers of marveling neighbors, who, by peeping through their window-shutters, saw for the first time a lasso hunt. The quick, accurate, and successful work of the American cowboy astonished and interested all these witnesses to a wonderful degree.
To the cowboy’s dexterous horsemanship, added to his courage and endurance, has been largely due the protection of the lives and property of the early emigrants to the great West. For years the dissemination of news was entirely dependent upon these heroic riders. Now the success and preservation of the vast cattle interests are made possible only by the watchful care of the cowboy and his pony—the one practically helpless without the other.
The “view halloo” of the English hunting gentleman may be inspiriting to those accustomed to it, but how it lacks in vigor, in earnestness, in actual music, the famous cowboy yell as he and his pony dash upon game or hostile Indians. This latter carries with its sound the conviction of heartiness, determination, and enthusiasm with which he begins a sport, faces a danger, or encounters a foe. To those who have seen Gen. W. F. Cody (“Buffalo Bill”) give exhibitions of this method of riding, it will readily be understood how difficult it is in words to illustrate the strange peculiarity of its singular attractiveness.
To this man of ideas is due the thought of gathering together in one congress the representatives of all these types of horses and riders. And, as with Cody to resolve is to act, this interesting assemblage is ready for public contemplation at the World’s Fair.
It may not be inappropriate in this chapter to quote the words of the famous king of poets in eulogy of that noble animal, the horse.
SHAKESPEARE ON THE HORSE.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crushes ’tween his teeth,
Controlling what he was controlled with.
His ears up-pricked, his braided hanging mane
Upon his compassed crest now stands on end;
His nostrils drink the air, and forth again,
As from a furnace, vapors doth he send;
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometimes he trots, as if he told the steps
With gentle majesty and modest pride;
Anon he rears upright, curvets, and leaps,
As who should say, “Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.”