Whenever an ailment is of a lingering character, especially if accompanied by increasing emaciation and not classifiable as one of the familiar maladies, it is attributed to magic causes. Certain individuals may have the reputation of being able to compound various noxious substances, the taking of which, it is believed, may superinduce lingering ailments. The pulverized bone from a corpse or the blood of a woman, dried in the sun and exposed to the light of the moon and then mixed with finely cut human hair, are example of such compounds. Other magic medicines exist such as aphrodisiacs, and bezoar stones. When it is decided that the ailment is due to any of these magic causes, neutralizing methods must be resorted to, the nature and application of which are very secret.
Epidemics are attributed to the malignancy of sea demons, and by way of propitiation, and inducement to these plague spirits to hurry off with their epidemic, offerings placed on raftlets are launched in the nearest rivers.
As soon as it is realized that the malady is beyond the power of natural or of magic resources, recourse is had to the deities or good spirits, as will be explained under the resume of religion. Upon the occurrence of a death, wild scenes frequently take place, the relatives being unable to restrain their grief. Signals, by bamboo horns, are often boomed out to neighboring settlements to warn them to be on their guard. War raids to settle old feuds are sometimes decided upon on these occasions, so all trails leading to the house are closed.
The corpse is washed and laid out on its back in its best apparel. The coffin is a hexagonal piece of wood made out of a log with a three-faced lid also hewn out of a log. The body is often wrapped in a grass mat before being laid in the coffin.
Before decomposition sets in, the coffin is borne away by men amidst great grief and loud shouts. A high piece of ground is selected in a remote part of the forest for the last resting place of the deceased. A shallow grave is dug, a roof of thatch is erected, a potful of boiled rice is placed over the grave as a last collation for the departed one, and the burial party hurry back in fear to the settlement. As soon as they can provide themselves with temporary huts they almost always abandon the settlement.
Social and Family enjoyments.--Music, instrumental and vocal, and dancing are the two great sources of domestic enjoyment. There are several kinds of instruments, which I will mention in the order of their importance and frequency of use. The drum, the gong, four varieties of flutes, four species of guitars, a violin, and a jew's-harp. With the exception of the first two, the instruments are made of bamboo and are, in every sense of the word, of the most primitive kind. The strings are of vine, bamboo, or abaká fiber.
The drum is the instrument of most frequent use. It is played during all dancing and at other times when a tribesman feels inclined. It is used as a signal to give alarm or to call an absent one. During the dance, religious or secular, it is nearly always accompanied by the gong. The use of the other instruments seems to depend upon the caprice of the individuals, though two of them appear to have a religious character.
With the exception of the gong and the Jew's-harp, all of these instruments can be made to produce varied and pleasing rhythms or music, according to the knowledge and skill of the performer. Each strain has its appropriate name, taken frequently from the name of the animal that it is supposed to imitate.
Instrumental music, in general, is of minor tonality, melancholy, weird, and suggestive in some ways of Chinese music.