DRAMATIS PERSONÆ.

A LADY.

A GENTLEMAN.

A RAILWAY GUARD.

[The action is supposed to take place in a first-class railway-carriage, travelling on a certain line between a certain place and another certain place.]

SCENE.—A plain interior, supposed to represent a compartment in a first-class railway-carriage; door in flat at C.—the entrance—four easy-chairs placed two and two opposite the others, representing the seats—on the second chair at L. H. an open newspaper.

The actor playing the part of the gentleman enters at door C. in light overcoat, with travelling-bag, hat-box, and railway-rug over his arm; he places the bag, hat-box, and rug on first chair, L. H., and advances, cap in hand, and, after sundry bows, proceeds to explain the scene to the audience. Ladies and gentlemen: The little piece we are about to present to you is supposed to take place in a first-class compartment of a railway-carriage, travelling express from—from—Plymouth to London; shall we say Plymouth to London?—very well—Plymouth to London. You will also be good enough to see in the humble individual who is now addressing you, a deputy-assistant-deputy-inspector of Government prisons, returning from an official visit to that well-known and, judging from the constant stream of applications for admission, highly popular convict establishment at—at—Dartmouth; shall we say Dartmouth?—be it so, we’ll say Dartmouth! Our first idea, in order to impart a greater reality to the situation, was to place before you a regular train with locomotive, etc., etc., all complete, and for this purpose we applied to a certain railway company for the loan of one; but the secretary, in reply, said that the only materials he could offer us were cattle-trucks and coal-wagons, all the passenger rolling-stock being in requisition, owing to the unusual number they had smashed up during the year. He certainly offered us the use of an engine, but at the same time candidly gave us to understand that it was a little bit rusty, and wouldn’t stand the slightest pressure; he further added that if the knob of the steam-whistle should happen to knock out the front teeth of any of the audience, we were not to blame him if we had a few compensation actions to sustain!—and so on! Altogether the alternative was so dismal that we decided on sacrificing a flaming line in our play-bill about “flashing express,” “real steam,” “genuine foot-warmers,” which we had composed for the occasion, and to fall back upon the best scene that our stage-carpenter and property-man could prepare for us.

We must, therefore, ask you to bring your imaginations to our aid, and to fancy you see in that door and in these four easy-chairs the interior of a first-class compartment of a railway-carriage, and to imagine further that I have passed the night in one of them, and am at the present moment still enjoying a profound sleep.

And now, ladies and gentlemen, permit me to enter into my part, to seat myself in the snuggest corner I can find, and to resume my interrupted nap! (makes a profound bow to audience, goes up stage, and seats himself on the first chair, L. H.; puts on his travelling-cap, wraps himself up in the railway-rug, after having placed on the second chair, L., his travelling-bag, a railway guide, and a paper-knife; he then yawns once or twice, then falls asleep, and after a time snores gently. Loud noise of train arriving, with steam-engine, railway-bell, and whistle, as the train is supposed to arrive and gradually to stop).

GUARD (heard without). Reading! Change here for Guildford, Dorking, Reigate, Redhill!