[315] “Io”—the joyful cry with which Hymen was invoked by the ancients. Cf. Catullus:—
“Ite, concinite in modum:
Io Hymen Hymenæe io,
Io Hymen Hymenæe!”
[316] Old eds. “Ful.”
[317] A sort of waltz, described in Sir John Davies’ Orchestra, st. 70.—Cf. Chapman’s May Day (1611), iv. 1:—
“Fill red-cheek’d Bacchus, let the Burdeux grape
Skip like [sic] lavoltas in their swelling veins”
—lines made up from the present passage.
[318] “Measure”—a grave solemn dance.
[319] See Collier’s Hist. of Engl. Dram. Poetry, iii. 251-2 (ed. 2).
[320] So Marston uses “knurl’d” (p. 166) for “gnarl’d.”
[321] Cf. Richard II., i. 1:—“Sluiced out his innocent soul through streams of blood.”