STORY OF THE PLAY.
Andrugio, Duke of Genoa, being utterly defeated in a sea-fight by Piero Sforza, Duke of Venice, and banished by the Genoways, conceals himself, with Lucio (an old courtier) and a page, among the marshes round Venice. Piero proclaims throughout Italy that whoever brings the head of Andrugio or of Andrugio’s son, Antonio (who is in love with Piero’s daughter, Mellida), shall receive a reward of twenty thousand pistolets. Antonio disguises himself as an Amazon, and, obtaining an interview with Mellida, announces that her lover has been drowned at sea. The pretended Amazon is received as a guest in Piero’s palace, and there quickly discovers himself to Mellida. Arrangements are made by the lovers to escape to England; but Piero gaining intelligence (through a letter that Mellida has dropped) of the intended flight, the plot is frustrated and Mellida escapes to the marshes in the disguise of a page. While Piero is giving orders for Antonio’s arrest, a sailor rushes forward, pretending to be in hot pursuit of Antonio towards the marshes. The pursuer is Antonio himself, who had assumed the disguise of a sailor at the instance of Feliche, a high-minded gentleman of the Venetian court. Piero gives the pretended sailor his signet-ring that he may pass the watch and not be hindered in the pursuit. Arrived at the marshes, Antonio, distracted with grief for the fall of his father and for the loss of Mellida, flings himself prostrate on the ground. Presently Andrugio approaches with Lucio and the page, and a joyful meeting ensues between father and son. Andrugio and Lucio retire to a cave which they had fitted up as a dwelling, and Antonio, promising to quickly rejoin them, stays to hear a song from Andrugio’s page. Meanwhile Mellida, disguised as a page, approaches
unobserved, and hearing her name passionately pronounced, recognises the sailor as Antonio. She discovers herself to her lover, and after a brief colloquy despatches him across the marsh to observe whether any pursuers are in sight. Hardly has Antonio departed when Piero and his followers come up, and Mellida is drawn from a thicket where she had concealed herself. Piero hastens back to the court with his daughter, whom he resolves to marry out of hand to Galeatzo, son of the Duke of Florence. Antonio, returning in company with Andrugio and Lucio to the spot where he had left Mellida, learns from Andrugio’s page that she has been carried away. Andrugio now separates himself from Antonio and Lucio; proceeds, clad in a complete suit of armour, to the court of Piero, and announces that he has come to claim the reward offered for Andrugio’s head. Piero declares his willingness to pay the reward; and then Andrugio, raising his beaver, discovers himself to Piero and the assembled courtiers. Piero affects to be struck with admiration for his adversary’s magnanimity, and professes friendship for the future. A funeral procession now enters, followed by Lucio, who announces that he has brought the body of Antonio. Andrugio mourns for the death of his son and Piero affects to share his grief, protesting that he would give his own life or his daughter’s hand to purchase breath for the dead man. Thereupon Antonio, who had died only in conceit, rises from the bier and claims the hand of Mellida. Piero assents, and the First Part of Antonio and Mellida closes joyfully.
To the only rewarder and most just poiser of virtuous merits, the most honourably renowned Nobody,[32] bounteous Mecænas of poetry and Lord Protector of oppressed innocence, do dedicoque.
Since it hath flowed with the current of my humorous blood to affect (a little too much) to be seriously fantastical, here take (most respected Patron) the worthless present of my slighter idleness. If you vouchsafe not his protection, then, O thou sweetest perfection (Female Beauty), shield me from the stopping of vinegar bottles. Which most wished favour if it fail me, then Si nequeo flectere superos, Acheronta movebo. But yet, honour’s redeemer, virtue’s advancer, religion’s shelter, and piety’s fosterer, yet, yet, I faint not in despair of thy gracious affection and protection; to which I only shall ever rest most servingman-like, obsequiously making legs and standing (after our free-born English garb) bareheaded. Thy only affied slave and admirer,
J. M.
[32] So Day dedicates his Humour out of Breath to “Signior Nobody.”
DRAMATIS PERSONÆ.[33]
Piero Sforza, Duke of Venice.
Andrugio, Duke of Genoa.
Antonio, son to Andrugio, in love with Mellida.
Feliche, a high-minded courtier.
Alberto, a Venetian gentleman, in love with Rossaline.
Balurdo, a rich gull.
Matzagente, a modern braggadoch, son to the Duke of Milan.
Galeatzo, son to the Duke of Florence, a suitor to Mellida.
Forobosco, a Parasite.
Castilio Balthazar, a spruce courtier.
Lucio,[34] an old nobleman, friend to Andrugio.
Catzo, page to Castilio.
Dildo, page to Balurdo.
Painter, Andrugio’s page, &c.
Mellida, daughter to Piero, in love with Antonio.
Rossaline, niece to Piero.
Flavia, a waiting-woman.