The bridge behind us, we swung sharp to the right and went slanting up a steep rampart of rock, moving now away from the glacier, away from the mountain; in other words, we were heading straight for Longmire but climbing, climbing. At length the road, cut in the precipitous rock, narrowed to the width of but a single auto; and at this point we halted, for descending cars had the way.

The view here was a striking one indeed, down the Nisqually Valley and over its flanking, tumbled mountains, and the scene would probably have been even more striking than I found it had the spot not been one to make the head swim. I had the out side of the auto, and I could look right over the edge, over the edge and down the precipitous wall of rock to the bed of the Nisqually, half a thousand feet below.

The last car rolled by, and we got the signal to come on. This narrow part of the road passed, we swung in from the edge of the rampart, and I confess that I was not at all sorry that we did so.

Silver Forest, Frog Heaven, Narada Falls, Inspiration Point, then Paradise Valley, with its strange tree-forms, its beautiful flower-meadows, and, in the distance, the Inn on its commanding height, five thousand five hundred feet above the level of the sea; and, filling all the background, the great mountain itself, towering fourteen thousand four hundred feet aloft; the end of our journey in sight at last!

The end? Yes—until tomorrow. And then what? The beginning then—the beginning of what would, in all likelihood, prove an adventure as hazardous as it was strange, a most fearful quest.

Had I been a believer in the oneirocritical science, the things that I dreamed that night would have ended the enterprise (as far as I was concerned) then and there: in the morning I would have started for Seattle instanter. But I was not, and I am not now; and yet often I wonder why I dreamed some of those terrible things—those things which came true.

And, through all the horror, a cowled thing, a figure with bat wings, hovered or glided in the shadows of the background and at intervals, in tones cavernous and sepulchral, gave utterance to that dreaded name:

"Drome!"


Chapter 11