On that same New Year’s Day, Don Lopez, the Dictator, in his palace of Plaza Verde, in Santa Barbara city, gave a lunch to some of the great of the State, the Red ministers, his son Don José, his creatures Don Livio and Don Zarzas, some merchants and English speculators and the Archbishop of Santa Barbara. At this lunch he publicly accused the prelate of using the power of the Church against the Red party. “I have my eyes everywhere, like the Almighty,” he said. “Nor can there be two supreme authorities, here or in heaven.”

To this the Archbishop replied: “There is but one supreme authority: Lucifer has always found that.”

To this Don Lopez answered: “A greater than Lucifer prepares his wings.” Having said this, in tones of threat, he rose from the banquet, told Pluma Verde to call the prelate’s carriage, and invited his other guests to come within, to watch some dancers.

Roger Weycock, who was present at this lunch, has left an account of it in his history, The Last of the Dictators, where he says that, “It made him feel that some explosion within the State was about to occur.” He wrote that evening to the English newspapers that Don Lopez had received information of a White conspiracy against him: “No names were mentioned; but all the great White families, as well as the Church, are said to be involved. It is possible that Don Lopez will be forced to take extreme measures, to end for ever the menace of White reprisals. The Whites have never forgiven and never will forgive his part in ‘the Liberal struggle’ and in the remaking of the land. The Church hates him for his establishment of secular schools: the great landowners hate him for his establishment of a commercial class which out-manœuvres them in Senate and out-votes them in Congress. This must not seem to suggest that either Church or hidalgos would go so far as to employ an assassin; but both parties of the White side control large numbers of violent, ignorant, passionate fanatics, to whom the killing of Lopez would be an act pleasing to God. What Don Lopez seems to expect is a soulèvement générale of the Whites against his government at the time of the Easter celebrations.

“Undoubtedly, with such a ruler as Don Lopez, forewarned is forearmed: we need not doubt that he has the situation well in hand.”

As it happens, another Englishman, without any bias of party or interest, saw Don Lopez on this New Year’s Day, and described him thus: “I watched Don Lopez, while I was with him, very carefully, because of the strange tales I had heard of his extravagance in building, in cedarwood, ivory and silver, etc. I had thought that these were lies or exaggerations, but I am now convinced that they are true. He has built or begun to build such buildings, but not finished them: he never finishes: he begins, then begins something grander, and then begins something new.

“All the time that I was with him some unseen musicians made music upon some Indian instruments, seemingly of some kind of strings and a rattle. It was irritating at first, then perplexing, then troublesome and exciting. I was told that he has this music always in his palace. He listened to what I had to say with attention, and said that what I wished should be done. Then, to my surprise, he said, ‘They are seeking my life. One of them was behind the gateway this afternoon. See there, you see that man passing beyond the gates? He is a murderer, paid by those Whites to kill me. My mission here is not accomplished. It is but begun. What did Jove do in heaven? He forged thunderbolts. He crushed them. But Jove was all-seeing. I, too, am becoming all-seeing. This palace may seem stone to your eyes, but it is not stone. It is all eyes, and this city is all eyes, and I see into their hearts, into their councils, into the pretence of their God. But a little while longer and the world will see that a ruler can be godlike, as in Rome.’

“I was made a little uneasy by his words and by the restless, queer manner in which he uttered them. I had seen him some years before, when I had been much struck by his air of overbearing masterfulness. That air was still on him. He looked masterful and overbearing, but there was something about him now which did not look well. His hair seemed thin and somewhat staring, his skin seemed dry and his eyes both dry and bright. Then his mouth, which had always shown an expression between a snarl and a sneer, seemed permanently caught up at one side, so as to show the teeth. Possibly it was some malformation, possibly some play of muscle, which had become habitual or fixed, but it gave the effect of a state of nerves, never (as I should imagine) quite human, that had become those of a tiger about to bite. I was suddenly reminded of one of the late busts of Nero.

“Seeing me looking through the window at the marble tank surrounding the palace fountain, he said to me, ‘What colour is the water in the fountain?’

“ ‘It looks whiteish.’