Written. (?)
Published. (?)
Source of the Plot. (?)
The Fable. Tamora, Queen of the Goths, whose firstborn son is sacrificed by Titus Andronicus, determines to be revenged. She succeeds in her determination. Titus and his daughter are mutilated. Two of the Andronici, his sons, are beheaded.
Titus determines to be revenged. He bakes the heads of two of Tamora's sons in a pasty, and serves them up for her to eat. He then stabs her, after stabbing his daughter. He is himself stabbed on the instant; but his surviving son stabs his murderer. Tamora's paramour is then sentenced to be buried alive, and the survivors (about half the original cast) move off (as they say) "to order well the State."
This play shows an instinct for the stage and a knowledge of the theatre. It seems to have been a popular piece. A knowledge of the theatre will often make something foolish theatrically effective. So here.
The piece is nearly worthless. The turning of the tide of revenge, from Tamora against Andronicus, and then from Andronicus against Tamora, is the theme. It is a simple theme. Man cannot have simplicity without hard thought, and hard thought is never worthless, though it may be applied unworthily.
There can be no doubt that Shakespeare wrote a little of this tragedy; it is not known when; nor why. Poets do not sin against their art unless they are in desperate want. Shakespeare certainly never touched this job for love. There is only one brief trace of his great, rejoicing triumphant manner. It is possible that the play was brought to him by his theatre-manager, with some such words as these: "This piece is very bad, but it will succeed, and I mean to produce it, if I can start rehearsals at once. Will you revise it for me? Please do what you can with it, and write in lines and passages where you think it is wanting. And whatever happens please let me have it by Monday."
The only poetry in the play comes in the three lines—