- *Embers; with The Failures, The Gargoyle, In His House, Madonna, The Man Masterful: One-Act Plays of Contemporary Life. 1911.
- Tradition, with On Bail, Their Wife, Waiting, The Cheat of Pity, and Mothers: One-Act Plays of Contemporary Life, 1913.
- Nowadays; a Contemporaneous Comedy. 1914.
- Criminals; a One-Act Play about Marriage. 1915.
- Back of the Ballot; a Woman Suffrage Farce in One Act. 1915.
- Possession, with The Groove, The Unborn, Circles, A Good Woman, The Black-Tie: One-Act Plays of Contemporary Life. 1915.
- The Road Together; a Contemporaneous Drama in Four Acts. 1916.
- Masks, Jim’s Beast, Tides, Among the Lions, The Reason, The House: One-Act Plays of Contemporary Life. 1920. (With Guy Bolton.)
For bibliography of unpublished work, see Who’s Who in America.
Studies and Reviews
- Bookm. 51 (’20): 472.
- Cur. Op. 56 (’14): 376 (portrait); 68 (’20): 783 (portrait).
- Freeman, 1 (’20): 449.
- Nation, 110 (’20): 693.
- New Repub. 24 (’20): 26.
- See also Book Review Digest, 1913-6, 1920.
Born at Columbia, Pennsylvania, 1846. Son of an artist. Educated at Washington Classical Institute and by tutors. Studied art with his father and in Germany and Italy. Began as a painter, but later turned to poetry. Is best known for his sonnets, the form in which most of his poetry is written. These may be studied in his Collected Sonnets, 1905 (revised edition, 1907), although several volumes have been published since then.
Studies and Reviews
- Cur. Lit. 39 (’05): 106 (portrait).
- Dial, 40 (’06): 125; 47 (’09): 100.
- Nation, 81 (’05): 17, 508.
- See also Book Review Digest, 1905.
Edna St. Vincent Millay—poet, dramatist.
Born at Rockland, Maine, 1892. A. B., Vassar, 1917. Connected with the Provincetown players both as dramatist and as actress.