Cambridge, July 21, 1628.
To Charles Diodati,
making a stay in the country, who, having written to the author on the 13th of December, and asked him to excuse his verses, if they were less good than usual, on the ground that, in the midst of the festivities with which he had been received by his friends, he was unable to give a sufficiently prosperous attention to the Muses, had the following reply:
. . . You seem to be enjoying yourself rarely. How well you describe the feasts, and the merry December and preparations for Christmas, and the cups of French wine round the gay hearth! Why do you complain that poesy is absent from these festivities? Festivity and poetry are surely not
incompatible. . . . One sees the triple influence of Bacchus, Apollo, and Ceres, in the verses you have sent me. And, then, have you not music—the harp lightly touched by nimble hands, and the lute giving time to the fair ones as they dance in the old tapestried room? Believe me, where the ivory keys leap, and the accompanying dance goes round the perfumed hall, there will the Song-god be. But let me not go too far. Light Elegy is the care of many gods, and calls any one of them by turns to her assistance—Bacchus, Erato, Ceres, Venus, and little Cupid besides. To poets of this order, therefore, conviviality is allowable; and they may often indulge in draughts of good old wine. But the man who speaks of high matters—the heaven of the full-grown Jove, and pious heroes, and demigod leaders of men, the man who now sings the holy counsels of the gods above, and now the subterranean realms guarded by the fierce dog—let him live sparely, after the manner of the Samian master; let herbs afford him his innocent diet, let clear water in a beechen cup stand near him, and let him drink sober draughts from a pure fountain! To this be there added a youth chaste and free from guilt, and rigid morals, and hands without stain. Being such, thou shalt rise up, glittering in sacred raiment and purified by lustral waters, an augur about to go into the presence of the unoffended gods. So is wise Tiresias said to have lived, after he had been deprived of his sight; and Theban Linus; and Calchas the exile; and old Orpheus. So did the scantily-eating, water-drinking Homer carry his hero Ulysses through the monster-teeming hall of Circe, and the straits insidious with the voices of the Syrens, and through thy courts, too, O infernal King, where he is said to have held the troops of shades enthralled by libations of black blood. For the poet is sacred and the priest of the gods; and his breast and his mouth breathe the indwelling Jove.
And now, if you will know what I am myself doing (if indeed
you think it is of so much consequence to know if I am doing anything), here is the fact: we are engaged in singing the heavenly birth of the King of Peace, and the happy age promised by the holy books, and the infant cries and cradling in a manger under a poor roof of that God who rules, with his Father, the Kingdom of Heaven, and the sky with the new-sprung star in it, and the ethereal choirs of hymning angels, and the gods of the heathen suddenly fleeing to their endangered fanes. This is the gift which we have presented to Christ's natal day. On that very morning, at daybreak, it was first conceived. The verses, which are composed in the vernacular, await you in close keeping; you shall be the judge to whom I shall recite them.
Prolusiones quædam Oratoriæ
Some University Latin Oratorical Exercises, seven in number, first published in 1674, the year of Milton's death, along with his Familiar Letters (Epistolæ Familiares), 'as a make-weight to counterbalance the paucity of the Letters,' have an autobiographic value; but, with the exception of a small bit, space does not allow the admission of them here. 'They throw light,' says Masson, 'upon Milton's career at Cambridge. They illustrate the extent and nature of his reading, his habits and tastes as a student, the relation in which he stood to the University system of his time, and to the new intellectual tendencies which were gradually affecting that system. They also settle in the most conclusive manner the fact that Milton passed through two stages in his career at the University,—a stage of decided unpopularity, in his own College at least, which lasted till about 1628, and a final stage of triumph, when his powers were recognized.'
Masson characterizes the seventh oratorical exercise as