If you had presented to me a gift of gold, or of preciously embossed vases, or whatever of that sort mortals admire, it were certainly to my shame not to have some time or other made you a remuneration in return, as far as my faculties might serve. Your gift of the day before yesterday, however, having been such a sprightly and elegant set of Hendecasyllabics, you have, just in proportion to the superiority of that gift to anything in the form of gold, made us the more anxious to find some dainty means by which to repay the kindness of so pleasant a favour. We had, indeed, at hand some things of our own of this same kind, but such as I could nowise deem fit to be sent in contest of equality of gift with yours. I send, therefore, what is not exactly mine, but belongs also to the truly divine poet, this ode of whom, only last week, with no deliberate

intention certainly, but from I know not what sudden impulse before daybreak, I adapted, almost in bed, to the rule of Greek heroic verse: with the effect, it seems, that, relying on this coadjutor, who surpasses you no less in his subject than you surpass me in art, I should have something that might have a resemblance of approach to a balancing of accounts. Should anything meet you in it not coming up to your usual opinion of our productions, understand that, since I left your school, this is the first and only thing I have composed in Greek,—employing myself, as you know, more willingly in Latin and English matters; inasmuch as whoever spends study and pains in this age on Greek composition runs a risk of singing mostly to the deaf. . . .

From our suburban residence (E nostro suburbano), December 4, 1634.

To Charles Diodati. (Familiar Letters, No. VI.)

Now at length I see plainly that what you are driving at is to vanquish me sometimes in the art of obstinate silence; and, if it is so, bravo! have that little glory over us, for behold! we write first. All the same, if ever the question should come into contention why neither has written to the other for so long, do not think but that I shall stand by many degrees the more excused of the two,—manifestly so indeed, as being one by nature slow and lazy to write, as you well know; while you, on the other hand, whether by nature or by habit, are wont without difficulty to be drawn into epistolary correspondence of this sort. It makes also for my favour that I know your method of studying to be so arranged that you frequently take breath in the middle, visit your friends, write much, sometimes make a journey, whereas my genius is such that no delay, no rest, no care or thought almost of anything, holds me aside

until I reach the end I am making for, and round off, as it were, some great period of my studies. . . .

London, September 2, 1637.

To Charles Diodati. (Familiar Letters, No. VII.)

. . . What besides God has resolved concerning me I know not, but this at least: He has instilled into me, if into any one, a vehement love of the beautiful. Not with so much labour, as the fables have it, is Ceres said to have sought her daughter Proserpina as it is my habit day and night to seek for this idea of the beautiful, as for a certain image of supreme beauty, through all the forms and faces of things (for many are the shapes of things divine), and to follow it as it leads me on by some sure traces which I seem to recognize. Hence it is that, when any one scorns what the vulgar opine in their depraved estimation of things, and dares to feel and speak and be that which the highest wisdom throughout all ages has taught to be best, to that man I attach myself forthwith by a kind of real necessity, wherever I find him. If, whether by nature or by my fate, I am so circumstanced that by no effort or labour of mine can I myself rise to such an honour and elevation, yet that I should always worship and look up to those who have attained that glory, or happily aspire to it, neither gods nor men, I reckon, have bidden nay.

But now I know you wish to have your curiosity satisfied. You make many anxious inquiries, even as to what I am at present thinking of. Hearken, Theodotus, but let it be in your private ear, lest I blush; and allow me for a little to use big language with you. You ask what I am thinking of? So may the good Deity help me, of immortality! And what am I doing? Growing my wings and meditating flight; but as