"No need, Gert. I mean—if you wanted me to paint the house or something, that would be different." He liked Gert, but he didn't want to be on call.
"Very well, Patrick. Perhaps you'll take a glass of lemonade." She often seemed amused by him.
"I will," he said.
He took a nap in the afternoon and walked into town refreshed and hungry. The Depresso was mostly empty. He ordered vegetarian chili, cornbread, and a Heineken. "Thanks, Eve." She smiled enigmatically, her mind elsewhere. She, too, was from Michigan, like Sue and Claude, an odd coincidence. Patrick had never been in Michigan, but he imagined deep woods. Eve swayed like a tall pine as she walked.
She was older than Willow. She had three children. Patrick had seen one in her arms and the others swarming up her legs, outside on the patio. She seemed to pace herself—energy for the kids, energy for the customers—somehow remaining beautiful and ready for more. Ready for a different life, maybe. Usually, Patrick couldn't take his eyes from her long strong body, but tonight he saw her more completely, a woman who had to work too hard.
Dylan came out of the kitchen and began to play a low and rolling melody. Patrick felt an equality between them. Dylan played the melody over and over with simple variations, searching for something. Hunting.
In the charged space between Dylan's music and Eve's beauty, Patrick thought about significant digits. Joe Burke was on to something. The rubber met the road at significant digits. Mathematics met reality. Accuracy, significant accuracy, was limited to the precision of the worst measurement involved. It didn't matter that you could calculate an equation to any number of decimal places. The answer couldn't be more accurate than the wobble, the plus or minus, in the coarsest measurement. To not understand this was to think that mathematics was reality. Mathematics was a tool. Physical relationships that were measurable could be expressed in equations, but the equations were models, not reality. You had to keep the distinction in mind or you would think you knew things more precisely than you did.
Dylan disappeared into the kitchen, and Patrick ordered another beer. Models. The word expanded in his mind. Models. Sue was a model. Amber was a model. Equations were models. Mrs. Van Slyke had been a model. Of what? Herself? Hendrik's lover? Women in general? It was really the painting that was the model. Mrs. Van Slyke had modeled for the model. Patrick's mind began to spin.
He continued his line of thought. Mathematics was a tool for making models. So was painting. Science and art had that in common. They made models—of physical reality and of a personal, or human, reality. It was all about model making. Got it! He looked around the room. Got it! No one seemed to notice that he had just figured out a biggie. Probably they all knew it already. He finished his beer and went home, leaving Eve a big tip.
The next morning he thought of Willow as he was closing the front door behind him. Chives were blooming by the shed. He picked a handful of purple blossoms and carried them to Ann's Deli. "Top o' the mornin'," he said to Willow who was behind the counter.