He drew them a map of Lihue showing the way to Hamura's Saimin. "Don't miss it!" They made their way back to the Moana and said goodbye. Mo dropped Joe off at Liholiho Street. Just before they parted, he thought he saw her hesitate. He went to bed and dreamed that she was naked, turning away from him in bed to another man. He touched the base of her back where it curved toward him and rubbed a few small farewell circles.

10

Morgan was right, of course. Sooner or later he was going to run out of money. Things weren't going well. He wasn't satisfied with the cat burglar story, and he was lonely. He decided to write a story about Alphonse and the cannery.

Alphonse was a slim, dark, middle aged Filipino with a thin straight mustache. He had watched Joe stack empty pallets with a yellow Hyster and then he'd motioned Joe out of the seat. The forklift engine roared; his hands blurred; pallets leaped into perfect piles, ten feet high. Alphonse cut the engine and climbed down, eyes bright. He was somewhere between ten and a hundred times faster than Joe. The cannery whistle blew. Coffee break. Alphonse smiled, nodded, and turned for the cafeteria. Joe followed.

Alphonse was Joe's trainer. Wherever they went in the cannery, people called to him. He lifted a hand, smiled, and kept going. He was universally popular, but he rarely spoke to anyone; he focused on the work—how to do it better, how to do it faster. Joe was in a welfare job training program. He hated the whistle that told them when they could stop and when they must start. He hated the gray industrial paint and the numbing future—less work for someone else's profit.

Alphonse had no future. Not only that, he was twenty years older than Joe. He worked Joe into the ground every day, and when he waved with a small smile and walked away at the end of the shift, his head was high and he seemed untouched. Alphonse had his own standards, his own integrity, and somehow he was stronger than the whole gray clanking cannery. Stronger than profit, stronger than loss, Joe wrote.

But the story wasn't any good. It was true, as far as it went, but it wasn't—a story. What is a story, anyway?

Joe realized that he didn't know.

When Maxie was about fifteen, Joe used to quiz him on "Joe's Maxims."

Joe: "Women?"