Base-ball

by John Montgomery Ward

It is true there are some curves which may be better acquired by holding the ball differently in the hand, but this fact is outweighed by the other considerations of which I have just spoken. Pitcher Shaw might still be a "wizard" had he not neglected this precaution; by noticing his manner of holding the ball the batter always knew just what was coming; and there are other pitchers yet in the field who would find their effectiveness greatly increased by a closer observance of this point.

As for the style of delivery, it should be remembered that the easiest movement is the best. A long, free sweep of the arm, aided by a swing of the body, will give more speed, be more deceiving to the batter, and allow of more work than any possible snap or jerky motion. Facing the striker before pitching, the arm should be swung well back and the body around so as almost to face second base in the act of delivery; this has an intimidating effect on weak-nerved batters; besides, not knowing from what point the ball will start, it seems somehow to get mixed up with the pitcher's arm and body so that it is not possible to get a fair view of it. It will be understood what motion is meant if there is an opportunity to observe Whitney, Clarkson or Keefe at work.

Next comes the knowledge of how to throw the different curves. I have yet to see an article written on this subject which is of the least value in instructing a complete novice. In the chapter on "Curve Pitching" will be found the theory of the curve, but as for describing intelligibly the snap of the wrist and arm by which the various twists are imparted to the ball, I am convinced it cannot be done, and will waste no effort in the attempt. To curve a ball is not a difficult feat, and a few practical lessons, which any schoolboy can give, will teach the movement. But, while not attempting myself to tell how this is done, to one already possessed of the knowledge, I may offer some valuable suggestions.

Not only must the ball always be held in the same way before pitching, but in the act of delivery the swing of the arm must be identical or so nearly so that the eye of the batter can detect no difference. All this means that the pitcher must not give the striker the slightest inkling of the kind of ball to expect, so that he will have the shortest possible time in which to prepare to hit. I advise against the use of too many different curves. The accomplished twirler can pitch any kind of curve, but there are some which he seldom employs. It is impossible to be accurate when too many deliveries are attempted, and accuracy is of far greater importance than eccentric curves. Almost all professional pitchers now use the overhand delivery and pitch only a fast, straight ball and a curve. The fast ball, on account of its being thrown overhand and the twist thereby given, "jumps" in the air, that is, it rises slightly, while the curve, pitched with the same motion, goes outward and downward. The curve will necessarily be slower than the straight ball, and this will give all the variation in speed needed to unsettle the batter's "eye" and confuse him in "timing" the ball. Some pitchers are able, keeping the same motions, to vary the speed even of the curve and straight balls, but, as before said, this is apt to be at the expense of accuracy, and should not be attempted by the young player. Occasionally, say once an inning, a pitcher may make a round arm or underhand motion simply to mislead the batsman, and if the game is safely won he may use an underhand delivery if he finds it rests his arm, but these are exceptional instances.

I have already spoken of the importance of accuracy, but it cannot be too strongly emphasized. The more marked the control of the ball the greater will be the success, for no matter how many wonderful curves he may be able to get, unless he has perfect command he will never be a winning pitcher; seasoned batsmen will only laugh at his curves and go to first on balls. To acquire thorough control requires long and patient practice. A pitcher should always pitch over something laid down to represent a plate, and if possible get a batter to stand and hit against him. Let him practice with some method, pitching nothing but a straight ball, and trying to put it directly over the plate every time. He should not be annoyed if the batter hits him, as he is only practicing. When a pitcher is able to cut the centre of the plate eight times out of ten he may begin with his curve and work it in the same way. Finally, when he can also control the curve, he should try to alternate it with a straight ball. He will find that he cannot do this at first and retain command of each, but he should keep at it, an hour or more regularly every day, till he can.

Up to this point he has been learning only the mechanical part of pitching, and if he has learned it well he is now ready to try his skill and mettle on the field of actual contest. And here comes in an element not before mentioned, which is called strategy, or "head-work." It means the attempt to deceive the batter, to outwit him so that he cannot hit safely. This may be accomplished in many ways, though the particular way best suited to each case can only be determined at the time by the pitcher himself. It depends, therefore, upon his own cleverness and wits, and it is not possible for any one else to supply these for him. An intelligent catcher may help him greatly, but there will still remain many points which he himself must decide. I may be able, however, to furnish some hints which will indicate the process of reasoning by which the pitcher may arrive at certain conclusions; I can point out some things he should notice, and describe what these generally mean.

SIGNALING.

But first as to the question of "signs." Every battery, by which is meant a pitcher and catcher, must have a perfectly understood private code of signals, so that they may make known their intentions and wishes to one another without at the same time apprising the opposing players. The first and, of course, most important of these is the signal by which the catcher is to know what kind of ball to expect.

There is no necessity of more than one "sign" for this, because all that any experienced catcher asks is to know when to expect a fast, straight ball; not having received the signal for this, he will understand that a curve is to be pitched, and the difference in curve or speed will not bother him after a few moments' practice. Until within a few years this sign was always given by the pitcher, but now it is almost the universal practice for the catcher to give it to the pitcher, and if the latter doesn't want to pitch the ball asked for he changes the sign by a shake of the head. I think the old method was the better, because it is certainly the business of the pitcher not only to do the pitching, but to use his own judgment in deceiving the batsman. He should not act as a mere automaton to throw the ball; moreover, the catcher has enough of his own to attend to without assuming any of the duties of the pitcher. Of course, if the pitcher is young and inexperienced, while the catcher is seasoned and better acquainted with the weak points of batters, the latter will be the better one to signal. It may be thought that the right of the pitcher to reverse the sign by a shake of the head practically gives him the same control as though he himself gave the signs, but this is not strictly true; it is impossible for the pitcher not to be more or less influenced by the catcher's sign, and he will often pitch against his own judgment. At least I found this to be true in my own experience, and therefore always preferred myself to do the "signing." If the pitcher gives this sign he must be careful to choose one that will not be discovered by the other side, for there are certain players always watching for such points. Some years ago the Chicago Club gave me the roughest kind of handling in several games, and Kelly told me this winter that they knew every ball I intended to pitch, and he even still remembered the sign and told me what it was. Chicago finished first that year and we were a close second. That point which they gained upon me may have cost Providence the championship, for they beat us badly in the individual series. When I suspected a club of knowing my sign I used a "combination," that is, I gave two signs; either one of them given separately was not to be understood as a signal at all, but both had to be given together. I found this to work admirably, and it was never discovered by any club, so far as I know. If it be agreed that the catcher is to give this sign, it is still not necessary that the pitcher be entirely influenced by him. The pitcher should rely upon his own discretion, and not hesitate to change the sign whenever his judgment differs from that of the catcher.

There are certain signs which the catcher gives to basemen when there are runners on the bases, and with these, too, the pitcher must be perfectly familiar, so that he may be able to pitch the ball in accordance with what is about to be done. For instance, if the catcher has signaled to the first baseman that he will throw there, he will probably ask the pitcher for an out curve. In order, then, to help him out with the play and give him plenty of room, the pitcher will not only pitch the out curve asked, but he will keep it well out and wide of the plate, so that it can't possibly be hit, and he will pitch it at the height where it may be best handled by the catcher. So, too, if there is a runner on first who is likely to attempt to steal second, he will "pitch for the catcher," and he should shorten his pitching motion so as to give the catcher as much time as possible to throw. When runners "steal" on a catcher it is oftener not so much his fault as the pitcher's. It is almost impossible to make a clean steal of second, even with a very ordinary thrower behind the bat, if the pitcher will not give the runner too much "start."