In hitting at a high ball the bat should be swung overhand, in an almost perpendicular plane, and so, also, for a low ball, the batter should stand erect and cut underhand. If the bat is swung in a horizontal plane the least miscalculation in the height of the ball will be fatal. If it strikes above or below the centre line of the bat, it will be driven either up into the air or down to the ground. Whereas, if the bat is swung perpendicularly, the same mistake will only cause it to strike a little farther up or down on the bat, but still on the centre line, and if it misses the centre line it will be thrown off toward first or third, instead of up or down.

There are two classes of good batters whose styles of hitting are so different that they may be said to be distinct. The one, comprising such hitters as Connor, Brouthers, Tiernan, Wise, Fogarty, Whitney, Ryan, Denny, and Fred Carroll, use the full length of the bat, and in addition to the push of the shoulders make a decided swing at the ball. In the other, in which are Anson, Kelly, Dunlap, and a few others, the motion is more of a push than a swing. Anson, who, if not the best batter in the country, is certainly the surest, seldom does anything but push the bat against the ball, only occasionally making what might be called a swing. Many of the latter class grasp the bat up short, and some of them keep the hands a few inches apart. If I were advising a novice which style to learn I should say the latter, because it is the surer, though such batters seldom hit as hard as the others.

Every ball player who pretends to play the game with his brain as well as with his body, should be able to hit in whatever direction he wishes. It may not be always possible to hit in the exact direction desired, and, of course, he cannot "place" the ball in any particular spot, but he can and should be able to hit either to left field or right, as the occasion demands. The advantage of this to the player himself and to his team cannot be overestimated. For example, there is a runner on first who signals to the batter that he will try to steal second on the second ball pitched. When he starts to run the second baseman goes for his base and the entire field between first and second is left open. Now, if the batter gets a ball anywhere within reach and taps it down toward right field, the chances are that it will be safe, and the runner from first will keep right on to third. Oftentimes, too, the batter himself will reach second on the throw from right field to third to catch the runner ahead of him. Here, now, by a little head-work, are runners on third and second, whereas, an attempt to smash the ball, trusting to luck as to where it should go, might have resulted in a double play or at least one man out and no advantage gained. Many a game is won by such scientific work, and the club that can do the most of it, day after day, will come in the winners in the finish.

When a batter is known as one who will attempt a play of this kind, it is usual for the second baseman to play well over into right field, allowing the second to be covered by the short-stop. When the batter discovers such a scheme to catch him he should continue to face toward right field, in order not to betray his intention, but when the ball is pitched, he should turn and hit toward left field. If the short-stop has gone to take the base, the space between second and third is left open just as the other side was.

A great fault with many batters is that they try to hit the ball too hard. This is especially true of the younger players, the "colts," as they are called. A young player with a reputation as a hitter in some minor league, goes into a big club and at once thinks he must hit the ball over the fence. The result is that he doesn't hit it at all, and unless he corrects his fault, he goes on "fanning the atmosphere" until he is handed his release. And yet the same player, if he would steady himself down and once get started hitting might do just as well as he did in his former club.

And this brings up the reflection that there is a great virtue in confidence. The player who goes timidly to the bat with his mind made up that he can't hit, anyhow, might just as well keep his seat. But the one who walks up, saying to himself, "Other men hit this ball, and I can, too," will be inspired by his own confidence, and for that very reason he will be more likely to hit. So it is that batting goes so much by streaks. A nine that has not made a hit for several innings will suddenly start in and bat out a victory. One player leads off with a good hit and is followed by another and another, each benefited by the confidence and enthusiasm the preceding batters have aroused.

It goes without saying that the player's eyesight must be perfect or he can never hope to be a good batter. It requires the keenest kind of an eye to keep track of the ball and tell when it is over the plate and at the proper height.

So, too, the nerves must be kept in good condition or the player will be unable to resist the temptation to hit at wide balls. A nervous batter is easily "worked," because he is so anxious to hit that he can't wait for a good ball.

But the most important attribute of all in the composition of a good batter is courage. In this term I include the self-control and the resolution by which a man will force himself to stand before the swiftest and wildest pitching without flinching, the fearlessness that can contemplate the probability of a blow from the ball without allowing the judgment to be affected. Out of ten poor batters nine are so because they are afraid of being hit. It is often asked, "Why are pitchers, as a rule, such poor batters?" and to this the answer in my own mind has always been that it is because they know so well the danger which the batter incurs. There is perhaps no such thing as absolute fearlessness; the batter who has once been hit hard--and all of them have--will never quite forget the occurrence, and he will forever after have the respect for the ball that a burned child has for the fire. But some men will not allow this feeling to overcome them.