If in his first book Burke showed how alive he was to the profound movement of the time, in the second he dealt with one of the most serious of its more superficial interests. The essay on the Sublime and Beautiful fell in with a set of topics on which the curiosity of the better minds of the age, alike in France, England, and Germany, was fully stirred. In England the essay has been ordinarily slighted; it has perhaps been overshadowed by its author's fame in weightier matters. The nearest approach to a full and serious treatment of its main positions is to be found in Dugald Stewart's lectures. The great rhetorical art-critic of our own day refers to it in words of disparagement, and in truth it has none of the flummery of modern criticism. It is a piece of hard thinking, and it has the distinction of having interested and stimulated Lessing, the author of Laoköon (1766), by far the most definitely valuable of all the contributions to aesthetic thought in an age which was not poor in them. Lessing was so struck with the Inquiry that he set about a translation of it, and the correspondence between him and Moses Mendelssohn on the questions which Burke had raised contains the germs of the doctrine as to poetry and painting which Laoköon afterwards made so famous. Its influence on Lessing and on Kant was such as to justify the German historian of the literature of the century in bestowing on it the coveted epithet of epoch-making.
The book is full of crudities. We feel the worse side of the eighteenth century when Burke tells us that a thirst for Variety in architecture is sure to leave very little true taste; or that an air of robustness and strength is very prejudicial to beauty; or that sad fuscous colours are indispensable for sublimity. Many of the sections, again, are little more than expanded definitions from the dictionary. Any tyro may now be shocked at such a proposition as that beauty acts by relaxing the solids of the whole system. But at least one signal merit remains to the Inquiry. It was a vigorous enlargement of the principle, which Addison had not long before timidly illustrated, that critics of art seek its principles in the wrong place, so long as they limit their search to poems, pictures, engravings, statues, and buildings, instead of first arranging the sentiments and faculties in man to which art makes its appeal. Addison's treatment was slight and merely literary; Burke dealt boldly with his subject on the base of the most scientific psychology that was then within his reach. To approach it on the psychological side at all was to make a distinct and remarkable advance in the method of the inquiry which he had taken in hand.
CHAPTER II
IN IRELAND—PARLIAMENT—BEACONSFIELD
Burke was thirty years old before he approached even the threshold of the arena in which he was destined to be so great a figure. He had made a mark in literature, and it was to literature rather than to public affairs that his ambition turned. He had naturally become acquainted with the brother-authors who haunted the coffee-houses in Fleet Street; and Burke, along with his father-in-law, Dr. Nugent, was one of the first members of the immortal club where Johnson did conversational battle with all comers. We shall, in a later chapter, have something to say on Burke's friendships with the followers of his first profession, and on the active sympathy with which he helped those who were struggling into authorship. Meanwhile, the fragments that remain of his own attempts in this direction are no considerable contributions. His Hints for an Essay on the Drama are jejune and infertile, when compared with the vigorous and original thought of Diderot and Lessing at about the same period. He wrote an Account of the European Settlements in America. His Abridgment of the History of England comes down no further than to the reign of John. A much more important undertaking than his history of the past was his design for a yearly chronicle of the present. The Annual Register began to appear in 1759. Dodsley, the bookseller of Pall Mall, provided the sinews of war, and he gave Burke a hundred pounds a year for his survey of the great events which were then passing in the world. The scheme was probably born of the circumstances of the hour, for this was the climax of the Seven Years' War. The clang of arms was heard in every quarter of the globe, and in East and West new lands were being brought under the dominion of Great Britain.
In this exciting crisis of national affairs, Burke began to be acquainted with public men. In 1759 he was introduced, probably by Lord Charlemont, to William Gerard Hamilton, who only survives in our memories by his nickname of Single-speech. As a matter of fact, he made many speeches in Parliament, and some good ones, but none so good as the first, delivered in a debate in 1755, in which Pitt, Fox, Grenville, and Murray all took part, and were all outshone by the new luminary. But the new luminary never shone again with its first brilliance. He sought Burke out on the strength of the success of the Vindication of Natural Society, and he seems to have had a taste for good company. Horace Walpole describes a dinner at his house in the summer of 1761. "There were Garrick," he says, "and a young Mr. Burke, who wrote a book in the style of Lord Bolingbroke, that is much admired. He is a sensible man, but has not worn off his authorism yet, and thinks there is nothing so charming as writers, and to be one. He will know better one of these days." The prophecy came true in time, but it was Burke's passion for authorism that eventually led to a rupture with his first patron. Hamilton was a man of ability, but selfish and unreasonable. Dr. Leland afterwards described him compendiously as a sullen, vain, proud, selfish, canker-hearted, envious reptile.
In 1761 Hamilton went to Ireland as secretary to Lord Halifax, and Burke accompanied him in some indefinite capacity. "The absenteeism of her men of genius," an eminent historian has said, "was a worse wrong to Ireland than the absenteeism of her landlords. If Edmund Burke had remained in the country where Providence had placed him, he might have changed the current of its history." [1] It is at least to be said that Burke was never so absorbed in other affairs as to forget the peculiar interests of his native land. We have his own word, and his career does not belie it, that in the elation with which he was filled on being elected a member of Parliament, what was first and uppermost in his thoughts was the hope of being somewhat useful to the place of his birth and education; and to the last he had in it "a dearness of instinct more than he could justify to reason." In fact the affairs of Ireland had a most important part in Burke's life at one or two critical moments, and this is as convenient a place as we are likely to find for describing in a few words what were the issues. The brief space can hardly be grudged in an account of a great political writer, for Ireland had furnished the chief ordeal, test, and standard of English statesmen.
[Footnote 1: Fronde's Ireland, ii. 214.]
Ireland in the middle of the eighteenth century was to England just what the American colonies would have been, if they had contained, besides the European settlers, more than twice their number of unenslaved negroes. After the suppression of the great rebellion of Tyrconnel by William of Orange, nearly the whole of the land was confiscated, the peasants were made beggars and outlaws, the Penal Laws against the Catholics were enacted and enforced, and the grand reign of Protestant Ascendancy began in all its vileness and completeness. The Protestants and landlords were supreme; the peasants and the Catholics were prostrate in despair. The Revolution brought about in Ireland just the reverse of what it effected in England. Here it delivered the body of the nation from the attempted supremacy of a small sect. There it made a small sect supreme over the body of the nation. "It was, to say the truth," Burke wrote, "not a revolution but a conquest," and the policy of conquest was treated as the just and normal system of government. The last conquest of England was in the eleventh century. The last conquest of Ireland was at the very end of the seventeenth.
Sixty years after the event, when Burke revisited Ireland, some important changes had taken place. The English settlers of the beginning of the century had formed an Irish interest. They had become Anglo-Irish, just as the colonists still further west had formed a colonial interest and become Anglo-American. The same conduct on the part of the mother country promoted the growth of these hostile interests in both cases. The commercial policy pursued by England towards America was identical with that pursued towards Ireland. The industry of the Anglo-Irish traders was restricted, their commerce and even their production fettered, their prosperity checked, for the benefit of the merchants of Manchester and Bristol. Crescit Roma Albae ruinis. "The bulk of the people," said Stone, the Primate, "are not regularly either lodged, clothed, or fed; and those things which in England are called necessaries of life, are to us only accidents, and we can, and in many places do, subsist without them." On the other hand, the peasantry had gradually taken heart to resent their spoliation and attempted extirpation, and in 1761 their misery under the exactions of landlords and a church which tried to spread Christianity by the brotherly agency of the tithe-proctor, gave birth to Whiteboyism—a terrible spectre, which, under various names and with various modifications, has ridden Ireland down to our own time.