Let us take another illustration of the false exclusiveness of the definition, in which Pattison erected a peculiar constitutional idiosyncrasy into a complete and final law for the life literary. He used to contend that in many respects the most admirable literary figure of the eighteenth century was the poet Gray. Gray, he would say, never thought that devotion to letters meant the making of books. He gave himself up for the most part to ceaseless observation and acquisition. By travelling, reading, noting, with a patient industry that would not allow itself to be diverted or perturbed, he sought and gained the discerning spirit and the power of appreciation which make not a book but a man. He annotated the volumes that he read with judgment; he kept botanical calendars and thermometrical registers; he had a lively curiosity all round; and, in Gray's own words, he deemed it a sufficient object of his studies to know, wherever he was, what lay within reach that was worth seeing—whether building, ruin, park, garden, prospect, picture, or monument—to whom it had ever belonged, and what had been the characteristic and taste of different ages. 'Turn author,' said Gray, 'and straightway you expose yourself to pit, boxes, and gallery: any coxcomb in the world may come in and hiss if he pleases; ay, and what is almost as bad, clap too, and you cannot hinder him.'
Nobody will be inclined to quarrel with Gray's way of passing his life, and the poet who had produced so exquisite a masterpiece as the Elegy had a fair right to spend the rest of his days as he pleased. But the temptations to confound a finicking dilettantism with the 'art to live' are so strong, that it is worth while to correct the Rector's admiration for Gray by looking on another picture—one of Gray's most famous contemporaries, who in variety of interest and breadth of acquired knowledge was certainly not inferior to him, but enormously his superior. Lessing died when he was fifty-two (1729-1781); his life was two years shorter than Gray's (1716-1771), and nearly twenty years shorter than Pattison's (1813-1884). The Rector would have been the last man to deny that the author of Laoköon and the Wolfenbüttel Fragments abounded in the discerning spirit and the power of appreciation. Yet Lessing was one of the most incessantly productive minds of his age. In art, in religion, in literature, in the drama, in the whole field of criticism, he launched ideas of sovereign importance, both for his own and following times, and, in Nathan the Wise, the truest and best mind of the eighteenth century found its gravest and noblest voice. Well might George Eliot at the Berlin theatre feel her heart swelling and the tears coming into her eyes as she 'listened to the noble words of dear Lessing, whose great spirit lives immortally in this crowning work of his' (Life, i. 364). Yet so far were 'grasp and mastery' from being incompatible with the exigencies of a struggle, that the varied, supple, and splendid powers of Lessing were exercised from first to last in an atmosphere of controversy. Instead of delicately nursing the theoretic life in the luxury of the academic cloister, he was forced to work like a slave upon the most uncongenial tasks for a very modest share of daily bread. 'I only wished to have things like other men,' he said in a phrase of pathetic simplicity, at the end of his few short months of wedded happiness; 'I have had but sorry success.' Harassed by small persecutions, beset by paltry debts, passing months in loneliness and in indigence, he was yet so possessed, not indeed by the winged dæmon of poetic creation, but by the irrepressible impulse and energy of production, that the power of his intellect triumphed over every obstacle, and made him one of the greatest forces in the wide history of European literature. Our whole heart goes out to a man who thus, in spite alike of his own impetuous stumbles and the blind buffets of unrelenting fate, yet persevered to the last in laborious, honest, spontaneous, and almost artless fidelity to the use of his talent, and after each repulse only came on the more eagerly to 'live and act and serve the future hours.' It was Lessing and not Rousseau whom Carlyle ought to have taken for his type of the Hero as Man of Letters.
The present writer will not be suspected of the presumption of hinting or implying that Pattison himself was a dilettante, or anything like one. There never was a more impertinent blunder than when people professed to identify the shrewdest and most widely competent critic of his day with the Mr. Casaubon of the novel, and his absurd Key to all Mythologies. The Rector's standard of equipment was the highest of our time. 'A critic's education,' he said, 'is not complete till he has in his mind a conception of the successive phases of thought and feeling from the beginning of letters. Though he need not read every book, he must have surveyed literature in its totality. Partial knowledge of literature is no knowledge' (Fortnightly Review, Nov. 1877, p. 670). For a man to know his way about in the world of printed books, to find the key to knowledge, to learn the map of literature, 'requires a long apprenticeship. This is a point few men can hope to reach much before the age of forty' (Milton, 110).
There was no dilettantism here. And one must say much more than that. Many of those in whom the love of knowledge is liveliest omit from their curiosity that part of knowledge which is, to say the least of it, as interesting as all the rest—insight, namely, into the motives, character, conduct, doctrines, fortunes of the individual man. It was not so with Pattison. He was essentially a bookman, but of that high type—the only type that is worthy of a spark of our admiration—which explores through books the voyages of the human reason, the shifting impulses of the human heart, the chequered fortunes of great human conceptions. Pattison knew that he is very poorly equipped for the art of criticism who has not trained himself in the observant analysis of character, and has not realised that the writer who seeks to give richness, body, and flavour to his work must not linger exclusively among texts or abstract ideas or general movements or literary effects, but must tell us something about the moral and intellectual configuration of those with whom he deals. I had transcribed, for an example, his account of Erasmus, but the article is growing long, and the reader may find it for himself in the Encyclopædia Britannica (viii. 515 a).
Though nobody was ever much less of a man of the world in one sense, yet Pattison's mind was always in the world. In company he often looked as if he were thinking of the futility of dinner-party dialectics, where all goes too fast for truth, where people miss one another's points and their own, where nobody convinces or is convinced, and where there is much surface excitement with little real stimulation. That so shrewd a man should have seen so obvious a fact as all this was certain. But he knew that the world is the real thing, that the proper study of mankind is man, and that if books must be counted more instructive and nourishing than affairs, as he thought them to be, it is still only because they are the most complete record of what is permanent, elevated, and eternal in the mind and act of man. Study with him did not mean the compilation of careful abstracts of books, nor did it even mean the historic filiation of thoughts and beliefs. It was the building up before the mind's eye of definite conceptions as to what manner of men had been bred by the diversified agencies of human history, and how given thoughts had shaped the progress of the race. This is what, among other things, led him to spend so much time (p. 116) on the circle of Pope and Addison and Swift.
We have let fall a phrase about the progress of the race, but it hardly had a place in Pattison's own vocabulary. 'While the advances,' he said, 'made by objective science and its industrial applications are palpable and undeniable everywhere around us, it is a matter of doubt and dispute if our social and moral advance towards happiness and virtue has been great or any.' The selfishness of mankind might seem to be a constant quantity, neither much abated nor much increased since history began. Italy and France are in most material points not more civilised than they were in the second century of our era. The reign of law and justice has no doubt extended into the reign of hyperborean ice and over Sarmatian plains: but then Spain, has relapsed into a double barbarism by engrafting Catholic superstition upon Iberian ferocity. If we look Eastward, we see a horde of barbarians in occupation of the garden of the Old World, not as settlers, but as destroyers (Age of Reason, in Fortnightly Review, March 1877, 357-361).
The same prepossessions led him to think that all the true things had been said, and one could do no better than hunt them up again for new uses. Our business was, like Old Mortality, to clear out and cut afresh inscriptions that had been made illegible by time and storm. At least this delivered him from the senseless vanity of originality and personal appropriation. We feel sure that if he found that a thought which he had believed to be new had been expressed in literature before, he would have been pleased and not mortified. No reflection of his own could give him half as much satisfaction as an apt citation from some one else. He once complained of the writer of the article on Comte in the Encyclopædia for speaking with too much deference as to Comte's personality. 'That overweening French vanity and egotism not only overshadows great gifts, but impoverishes the character which nourished such a sentiment. It is not one of the weaknesses which we overlook in great men, and which are to go for nothing.' Of overweening egotism Pattison himself at any rate had none. This was partly due to his theory of history, and partly, too, no doubt, to his inborn discouragement of spirit. He always professed to be greatly relieved when an editor assured him that his work was of the quality that might have been expected from him. 'Having lived to be sixty-three,' he wrote on one of these occasions, 'without finding out why the public embrace or reject what is written for their benefit, I presume I shall now never make the discovery.' And this was perfectly sincere.
The first draft of his Life of Milton was found to exceed the utmost limits of what was possible by some thirty or forty pages. Without a single movement of importunity or complaint he cut off the excess, though it amounted to a considerable fraction of what he had done. 'In any case,' he said, 'it is all on Milton; there is no digression on public affairs, and much which might have gone in with advantage to the completeness of the story has been entirely passed over, e.g. history of his posthumous fame, Bentley's emendations, et cetera.' It almost seemed as if he had a private satisfaction in a literary mishap of this kind: it was an unexpected corroboration of his standing conclusion that this is the most stupid and perverse of all possible worlds.
'My one scheme,' he wrote to a friend in 1877, 'that of a history of the eighteenth century, having been forestalled by Leslie Stephen, and the collections, of years having been rendered useless, I am entirely out of gear, and cannot settle to anything.' His correspondent urged the Rector to consider and reconsider. It would be one of the most deplorable misfortunes in literature if he were thus to waste the mature fruit of the study of a lifetime. It was as unreasonable as if Raphael or Titian had refused to paint a Madonna simply because other people had painted Madonnas before them. Some subjects, no doubt, were treated once for all; if Southey had written his history of the Peninsular war after Napier, he would have done a silly thing, and his book would have been damned unread. But what reason was there why we should not have half a dozen books on English thought in the eighteenth century? Would not Grote have inflicted a heavy loss upon us if he had been frightened out of his plan by Thirlwall? And so forth, and so forth. But all such importunities were of no avail. 'I have pondered over your letter,' Pattison replied, 'but without being able to arrive at any resolution of any kind.' Of course one knew that in effect temperament had already cast the resolution for him in letters of iron before our eyes.
We are not aware whether any considerable work has been left behind. His first great scheme, as he tells us here (p. 319), was a history of learning from the Renaissance. Then he contracted his views to a history of the French school of Philology, beginning with Budæus and the Delphin classics. Finally, his ambition was narrowed to fragments. The book on Isaac Casaubon, published ten years ago, is a definite and valuable literary product. But the great work would have been the vindication of Scaliger, for which he had been getting materials together for thirty years. Many portions, he says, were already written out in their definite form, and twelve months would have completed it. Alas, a man should not go on trusting until his seventieth year that there is still plenty of daylight. He contributed five biographies to the new edition of the Encyclopædia Britannica. The articles on Bentley, Erasmus, Grotius, More, and Macaulay are from his pen. They are all terse, luminous, and finished, and the only complaint that one can make against them is that our instructor parts company from us too soon. It is a stroke of literary humour after Pattison's own heart that Bentley, the mightiest of English scholars, should fill no more space in the Encyclopædic pantheon than Alford, who was hardly even the mightiest of English deans. But the fault was more probably with the rector's parsimony of words than with the editor. In 1877 he delivered a lecture, afterwards reprinted in one of the reviews, on Books and Critics. It is not without the usual piquancy and the usual cynicism, but he had nothing particular to say, except to tell his audience that a small house is no excuse for absence of books, inasmuch as a set of shelves, thirteen feet by ten, and six inches deep, will accommodate nearly a thousand octavos; and to hint that a man making a thousand a year, who spends less than a pound a week on books, ought to be ashamed of himself. There are some other fugitive pieces scattered in the periodicals of the day. In 1871 and 1872 he published editions of the Essay on Man and The Satires and Epistles of Pope. Ten years before that he had been at last elected to the headship of his college, but the old enthusiasm for influencing young minds was dead. We have spoken of the Rector's timidity and impotence in practical things. Yet it is fair to remember the persevering courage with which he pleaded one unpopular cause. As Mr. Morison said not long ago, his writings on university organisation, the most important of which appeared in 1868, are a noble monument of patient zeal in the cause for which he cared most. 'Pattison never lost heart, never ceased holding up his ideal of what a university should be, viz. a metropolis of learning in which would be collected and grouped into their various faculties the best scholars and savants the country could produce, all working with generous emulation to increase the merit and renown of their chairs. If England ever does obtain such a university, it will be in no small measure to Pattison that she will owe it.'