But after her American journey Miss Martineau felt a very easily intelligible desire to change the literary field. For many years she had been writing almost entirely about fact: and the constraint of the effort to be always correct, and to bear without solicitude the questioning of her correctness, had become burdensome. She felt the danger of losing nerve and becoming morbidly fearful of criticism on the one hand, and of growing narrow and mechanical about accuracy on the other. 'I longed inexpressibly,' she says, 'for the liberty of fiction, while occasionally doubting whether I had the power to use that freedom as I could have done ten years before.' The product of this new mental phase was Deerbrook, which was published in the spring of 1839. Deerbrook is a story of an English country village, its petty feuds, its gentilities, its chances and changes of fortune. The influence of Jane Austen's stories is seen in every chapter; but Harriet Martineau had none of the easy flow, the pleasant humour, the light-handed irony of her model, any more than she had the energetic and sustained imaginative power of Charlotte or Emily Brontë. There is playfulness enough in Deerbrook, but it is too deliberate to remind us of the crooning involuntary playfulness of Pride and Prejudice or Sense and Sensibility. Deerbrook is not in the least a story with a moral; it is truly and purely a piece of art; yet we are conscious of the serious spirit of the social reformer as haunting the background, and only surrendering the scene for reasons of its own. On the other hand, there is in Deerbrook a gravity of moral reflection that Jane Austen, whether wisely or unwisely, seldom or never attempts. In this respect Deerbrook is the distant forerunner of some of George Eliot's most characteristic work. Distant, because George Eliot's moralising is constantly suffused by the broad light of a highly poetic imagination, and this was in no degree among Miss Martineau's gifts. Still there is something above the flat touch of the common didactic in such a page as that in which (chapter xix.) she describes the case of 'the unamiable—the only order of evil ones who suffer hell without seeing and knowing that it is hell: nay, they are under a heavier curse than even this, they inflict torments second only to their own, with an unconsciousness worthy of spirits of light.' However, when all is said, we may agree that this is one of the books that give a rational person pleasure once, but which we hardly look forward to reading again.
Shortly after the publication of her first novel, Miss Martineau was seized by a serious internal malady, from which recovery seemed hopeless. According to her usual practice of taking her life deliberately in her hands, and settling its conditions for herself, instead of letting things drift as they might, she insisted on declining the hospitable shelter pressed upon her by a near relative, on the excellent ground that it is wrong for an invalid to impose restraints upon a healthy household. She proceeded to establish herself in lodgings at Tynemouth, on the coast of Northumberland. Here she lay on a couch for nearly five years, seeing as few persons as might be, and working at such literary matters as came into her head with steadfast industry and fortitude. The ordeal was hard, but the little book that came of it, Life in a Sickroom, remains to show the moods in which the ordeal was borne.
At length Miss Martineau was induced to try mesmerism as a possible cure for her disease, and what is certain is, that after trying mesmeric treatment, the invalid whom the doctors had declared incurable shortly recovered as perfect health as she had ever known. A virulent controversy arose upon the case, for, by some curious law, physicians are apt to import into professional disputes a heat and bitterness at least as marked as that of their old enemies, the theologians. It was said that Miss Martineau had begun to improve before she was mesmerised, and what was still more to the point, that she had been taking heavy doses of iodine. 'It is beyond all question or dispute,' as Voltaire said, 'that magic words and ceremonies are quite capable of most effectually destroying a whole flock of sheep, if the words be accompanied by a sufficient quantity of arsenic.'
Mesmerism was indirectly the means of bringing Miss Martineau into an intimate acquaintance with a gentleman, who soon began to exert a decisive influence upon the most important of her opinions. Mr. Atkinson is still alive, and we need not say much about him. He seems to have been a grave and sincere person, using his mind with courageous independence upon the great speculative problems which were not in 1844, as they are in 1877, the common topics of every-day intercourse among educated people. This is not the place for an examination of the philosophy in which Miss Martineau was finally landed by Mr. Atkinson's influence. That philosophy was given to the world in 1851, in a volume called Letters on the Laws of Man's Nature and Development. The greater part of it was written by Mr. Atkinson in reply to short letters, in which Miss Martineau stated objections and propounded questions. The book points in the direction of that explanation of the facts of the universe which is now so familiar under the name of Evolution. But it points in this way only, as the once famous Vestiges of Creation pointed towards the scientific hypotheses of Darwin and Wallace; or as Buckle's crude and superficial notions about the history of civilisation pointed towards a true and complete conception of sociology. That is to say, the Atkinson Letters state some of the difficulties in the way of the explanations of life and motion hitherto received as satisfactory; they insist upon approaching the facts exclusively by the positive, Baconian, or inductive method; and then they hurry to an explanation of their own, which may be as plausible as that which they intend it to replace, but which they leave equally without ordered proof and strict verification.
The only point to which we are called upon to refer is that this way of thinking about man and the rest of nature led to repudiation by Miss Martineau of the whole structure of dogmatic theology. For one thing, she ceased to hold the conception of a God with any human attributes whatever; also of any principle or practice of Design; 'of an administration of life according to human wishes, or of the affairs of the world by the principles of human morals.' All these became to her as mere visions; beliefs necessary in their day, but not philosophically nor permanently true. Miss Martineau was not an Atheist in the philosophic sense; she never denied a First Cause, but only that this Cause is within the sphere of human attributes, or can be defined in their terms.
Then, for another thing, she ceased to believe in the probability of there being a continuance of conscious individual life after the dissolution of the body. With this, of course, fell all expectation of a state of personal rewards and punishments. 'The real and justifiable and honourable subject of interest,' she said, 'to human beings, living and dying, is the welfare of their fellows surrounding them or surviving them.' About that she cared supremely, and about nothing else did she bring herself to care at all. It is painful to many people even to hear of a person holding such beliefs as these. Yet it would plainly be the worst kind of spiritual valetudinarianism to insist on the omission from even the shortest account of this remarkable woman, of what became the very basis and foundation of her life for those thirty years of it, which she herself always counted the happiest part of the whole.
Although it was Mr. Atkinson who finally provided her with a positive substitute for her older beliefs, yet a journey which Miss Martineau made in the East shortly after her restoration to health (1846) had done much to build up in her mind a historic conception of the origin and order of the great faiths of mankind—the Christian, the Hebrew, the Mahometan, the old Egyptian. We need not say more on this subject. The work in which she published the experiences of the journey which was always so memorable to her, deserves a word. There are few more delightful books of travel than Eastern Life, Past and Present. The descriptions are admirably graphic, and they have the attraction of making their effect by a few direct strokes, without any of the wordy elaboration of our modern picturesque. The writer shows a true feeling for nature, and she shows a vigorous sense, which is not merely pretty sentiment, like Chateaubriand's, for the vast historic associations of those old lands and dim cradles of the race. All is sterling and real; we are aware that the elevated reflection and the meditative stroke are not due to mere composition, but did actually pass through her mind as the suggestive wonders passed before her eyes. And hence there is no jar as we find a little homily on the advantage of being able to iron your own linen on a Nile boat, followed by a lofty page on the mighty pair of solemn figures that gaze as from eternity on time amid the sand at Thebes. The whole, one may say again, is sterling and real, both the elevation and the homeliness. The student of the history of opinion may find some interest in comparing Miss Martineau's work with the famous book, Ruins; or, Meditations on the Revolutions of Empires, in which Volney, between fifty and sixty years before, had drawn equally dissolvent conclusions with her own from the same panorama of the dead ages. Perhaps Miss Martineau's history is not much better than Volney's, but her brisk sense is preferable to Volney's high à priori declamation and artificial rhetoric.
Before starting for the East, Miss Martineau had settled a new plan of life for herself, and built a little house where she thought she could best carry her plan out. To this little house she returned, and it became her cherished home for the long remainder of her days. London, during the years of her first success, had not been without its usual attractions to the new-comer, but she had always been alive to the essential incompleteness, the dispersion, the want of steadfast self-collection, in a life much passed in London society. And we may believe that the five austere and lonely years at Tynemouth, with their evening outlook over the busy waters of the harbour-bar into the stern far-off sea, may have slowly bred in her an unwillingness to plunge again into the bustling triviality, the gossip, the distracting lightness of the world of splendid fireflies. To have discerned the Pale Horse so near and for so long a space awakens new moods, and strangely alters the old perspectives of our life. Yet it would imply a misunderstanding of Harriet Martineau's character to suppose that she turned her back upon London, and built her pretty hermitage at Ambleside, in anything like the temper of Jean Jacques Rousseau. She was far too positive a spirit for that, and far too full of vivid and concentrated interest in men and their doings. It would be unjust to think of Harriet Martineau as having no ear for the inner voices, yet her whole nature was objective; it turned to practice and not to reverie. She had her imaginative visions, as we know, and as all truly superior minds have them, even though their main superiority happens to be in the practical order. But her visions were limited as a landscape set in a rigid frame; they had not the wings that soar and poise in the vague unbounded empyrean. And she was much too sensible to think that these moods were strong, or constant, or absorbing enough in her case to furnish material and companionship for a life from day to day and year to year. Nor again was it for the sake of undisturbed acquisition of knowledge, nor cultivation of her finer faculties that she sought a hermitage. She was not moved by thought of the famous maxim which Goethe puts into the mouth of Leonore—
Es bildet ein Talent sich in der Stille,
Sich ein Charakter in dem Strom der Welt.
Though an intense egotist, in the good and respectable sense of insisting on her own way of doing things, of settling for herself what it was that she was living for, and of treading the path with a firm and self-reliant step, yet Harriet Martineau was as little of an egotist as ever lived, in the poor and stifling sense of thinking of the perfecting of her own culture as in the least degree worthy of ranking among Ends-in-themselves. She settled in the Lake district, because she thought that there she would be most favourably placed for satisfying the various conditions which she had fixed as necessary to her scheme of life. 'My own idea of an innocent and happy life,' she says, 'was a house of my own among poor improvable neighbours, with young servants whom I might train and attach to myself, with pure air, a garden, leisure, solitude at command, and freedom to work in peace and quietness.'