After a couple of years the young Diderot, like other sons of Adam, had to think of earning his bread. The usual struggle followed between youthful genius and old prudence. His father, who was a man of substance, gave him his choice between medicine and law. Law he refused because he did not choose to spend his days in doing other people's business; and medicine, because he had no turn for killing. His father resolutely declined to let him have more money on these terms, and Diderot was thrown on his wits.
The man of letters shortly before the middle of the century was as much an outcast and a beggar in Paris as he was in London. Voltaire, Gray, and Richardson were perhaps the only three conspicuous writers of the time, who had never known what it was to want a meal or to go without a shirt. But then none of the three depended on his pen for his livelihood. Every other man of that day whose writings have delighted and instructed the world since, had begun his career, and more than one of them continued and ended it, as a drudge and a vagabond. Fielding and Collins, Goldsmith and Johnson, in England; Goldoni in Italy; Vauvenargues, Marmontel, Rousseau, in France; Winckelmann and Lessing in Germany, had all alike been doubtful of dinner, and trembled about a night's lodging. They all knew the life of mean hazard, sorry shift, and petty expedient again and again renewed. It is sorrowful to think how many of the compositions of that time that do most to soothe and elevate some of the best hours of our lives, were written by men with aching hearts, in the midst of haggard perplexities. The man of letters, as distinguished alike from the old-fashioned scholar and the systematic thinker, now first became a distinctly marked type. Macaulay has contrasted the misery of the Grub Street hack of Johnson's time, with the honours accorded to men like Prior and Addison at an earlier date, and the solid sums paid by booksellers to the authors of our own day. But these brilliant passages hardly go lower than the surface of the great change. Its significance lay quite apart from the prices paid for books. The all-important fact about the men of letters in France was that they constituted a new order, that their rise signified the transfer of the spiritual power from ecclesiastical hands, and that, while they were the organs of a new function, they associated it with a new substitute for doctrine. These men were not only the pupils of the Jesuits; they were also their immediate successors as the teachers, the guides, and the directors of society. For two hundred years the followers of Ignatius had taken the intellectual and moral control of Catholic communities out of the failing hands of the Popes and the secular clergy. Their own hour had now struck. The rationalistic historian has seldom done justice to the services which this great Order rendered to European civilisation. The immorality of many of their maxims, their too frequent connivance at political wrong for the sake of power, their inflexible malice against opponents, and the cupidity and obstructiveness of the years of their decrepitude, have blinded us to the many meritorious pages of the Jesuit chronicle. Even men like Diderot and Voltaire, whose lives were for years made bitter by Jesuit machinations, gave many signs that they recognised the aid which had been rendered by their old masters to the cultivation and enlightenment of Europe. It was from the Jesuit fathers that the men of letters whom they trained, acquired that practical and social habit of mind which made the world and its daily interests so real to them. It was perhaps also his Jesuit preceptors whom the man of letters had to blame for a certain want of rigour and exactitude on the side of morality.
What was this new order which thus struggled into existence, which so speedily made itself felt, and at length so completely succeeded in seizing the lapsed inheritance of the old spiritual organisation? Who is this man of letters? A satirist may easily describe him in epigrams of cheap irony; the pedant of the colleges may see in him a frivolous and shallow profaner of the mysteries of learning; the intellectual coxcomb who nurses his own dainty wits in critical sterility, despises him as Sir Piercie Shafton would have despised Lord Lindsay of the Byres. This notwithstanding, the man of letters has his work to do in the critical period of social transition. He is to be distinguished from the great systematic thinker, as well as from the great imaginative creator. He is borne on the wings neither of a broad philosophic conception nor of a lofty poetic conception. He is only the propagator of portions of such a conception, and of the minor ideas which they suggest. Unlike the Jesuit father whom he replaced, he has no organic doctrine, no historic tradition, no effective discipline, and no definite, comprehensive, far-reaching, concentrated aim. The characteristic of his activity is dispersiveness. Its distinction is to popularise such detached ideas as society is in a condition to assimilate; to interest men in these ideas by dressing them up in varied forms of the literary art; to guide men through them by judging, empirically and unconnectedly, each case of conduct, of policy, or of new opinion as it arises. We have no wish to exalt the office. On the contrary, I accept the maxim of that deep observer who warned us that "the mania for isolation is the plague of the human throng, and to be strong we must march together. You only obtain anything by developing the spirit of discipline among men."[5]
But there are ages of criticism when discipline is impossible, and the evils of isolation are less than the evils of rash and premature organisation. Fontenelle was the first and in some respects the greatest type of this important class. He was sceptical, learned, ingenious, eloquent. He stretched hands (1657-1757) from the famous quarrel between Ancients and Moderns down to the Encyclopædia, and from Bossuet and Corneille down to Jean Jacques and Diderot. When he was born, the man of letters did not exist. When he died, the man of letters was the most conspicuous personage in France. But when Diderot first began to roam about the streets of Paris, this enormous change was not yet complete.
For some ten years (1734-1744) Diderot's history is the old tale of hardship and chance; of fine constancy and excellent faith, not wholly free from an occasional stroke of rascality. For a time he earned a little money by teaching. If the pupil happened to be quick and docile, he grudged no labour, and was content with any fee or none. If the pupil happened to be dull, Diderot never came again, and preferred going supperless to bed. His employers paid him as they chose, in shirts, in a chair or a table, in books, in money, and sometimes they never paid him at all. The prodigious exuberance of his nature inspired him with a sovereign indifference to material details. From the beginning he belonged to those to whom it comes by nature to count life more than meat, and the body than raiment. The outward things of existence were to him really outward. They never vexed or absorbed his days and nights, nor overcame his vigorous constitutional instinct for the true proportions of external circumstance. He was of the humour of the old philosopher who, when he heard that all his worldly goods had been lost in a shipwreck, only made for answer, Jubet me fortuna expeditius philosophari. Once he had the good hap to be appointed tutor to the sons of a man of wealth. He performed his duties zealously, he was well housed and well fed, and he gave the fullest satisfaction to his employer. At the end of three months the mechanical toil had grown unbearable to him. The father of his pupils offered him any terms if he would remain. "Look at me, sir," replied the tutor; "my face is as yellow as a lemon. I am making men of your children, but each day I am becoming a child with them. I am a thousand times too rich and too comfortable in your house; leave it I must. What I want is not to live better, but to avoid dying." Again he plunged from comfort into the life of the garret. If he met any old friend from Langres, he borrowed, and the honest father repaid the loan. His mother's savings were brought to him by a faithful creature who had long served in their house, and who now more than once trudged all the way from home on this errand, and added her own humble earnings to the little stock. Many a time the hours went very slowly for the necessitous man. One Shrove Tuesday he rose in the morning, and found his pockets empty even of so much as a halfpenny. His friends had not invited him to join their squalid Bohemian revels. Hunger and thoughts of old Shrovetide merriment and feasting in the far-off home made work impossible. He hastened out of doors and walked about all day visiting such public sights as were open to the penniless. When he returned to his garret at night, his landlady found him in a swoon, and with the compassion of a good soul she forced him to share her supper. "That day," Diderot used to tell his children in later years, "I promised myself that if ever happier times should come, and ever I should have anything, I would never refuse help to any living creature, nor ever condemn him to the misery of such a day as that."[6] And the real interest of the story lies in the fact that no oath was ever more faithfully kept. There is no greater test of the essential richness of a man's nature than that this squalid adversity, not of the sentimental introspective kind but hard and grinding, and not even kept in countenance by respectability, fails to make him a savage or a miser or a misanthrope.
Diderot had his bitter moments. He knew the gloom and despondency that have their inevitable hour in every solitary and unordered life. But the fits did not last. They left no sour sediment, and this is the sign of health in temperament, provided it be not due to mere callousness. From that horrible quality Diderot assuredly was the furthest removed of any one of his time. Now and always he walked with a certain large carelessness of spirit. He measured life with a roving and liberal eye. Circumstance and conventions, the words under which men hide things, the oracles of common acceptance, the infinitely diversified properties of human character, the many complexities of our conduct and destiny—all these he watched playing freely around him, and he felt no haste to compress his experience into maxims and system. He was absolutely uncramped by any of the formal mannerisms of the spirit. He was wholly uncorrupted by the affectation of culture with which the great Goethe infected part of the world a generation later. His own life was never made the centre of the world. Self-development and self-idealisation as ends in themselves would have struck Diderot as effeminate drolleries. The daily and hourly interrogation of experience for the sake of building up the fabric of his own character in this wise or that, would have been incomprehensible and a little odious to him in theory, and impossible as a matter of practice. In the midst of all the hardships of his younger time, as afterwards in the midst of crushing Herculean taskwork, he was saved from moral ruin by the inexhaustible geniality and expansiveness of his affections. Nor did he narrow their play by looking only to the external forms of human relation. To Diderot it came easily to act on a principle which most of us only accept in words: he looked not to what people said, nor even to what they did, but wholly to what they were.
Those whom he had once found reason to love and esteem might do him many an ill turn, without any fear of estranging him. Any one can measure character by conduct. It is a harder thing to be willing, in cases that touch our own interests, to interpret conduct by previous knowledge of character. His father, for instance, might easily have spared money enough to save him from the harassing privations of Bohemian life in Paris. A less full-blooded and generous person than Diderot would have resented the stoutness of the old man's persistency. Diderot on the contrary felt and delighted to feel, that this conflict of wills was a mere accident which left undisturbed the reality of old love. "The first few years of my life in Paris," he once told an acquaintance, "had been rather irregular; my behaviour was enough to irritate my father, without there being any need to make it worse by exaggeration. Still calumny was not wanting. People told him—well what did they not tell him? An opportunity for going to see him presented itself. I did not give it two thoughts. I set out full of confidence in his goodness. I thought that he would see me, that I should throw myself into his arms, that we should both of us shed tears, and that all would be forgotten. I thought rightly."[7] We may be sure of a stoutness of native stuff in any stock where so much tenacity united with such fine confidence on one side, and such generous love on the other. It is a commonplace how much waste would be avoided in human life if men would more freely allow their vision to pierce in this way through the distorting veils of egoism, to the reality of sentiment and motive and relationship.
Throughout his life Diderot was blessed with that divine gift of pity, which one that has it could hardly be willing to barter for the understanding of an Aristotle. Nor was it of the sentimental type proper for fine ladies. One of his friends had an aversion for women with child. "What monstrous sentiment!" Diderot wrote; "for my part, that condition has always touched me. I cannot see a woman of the common people so, without a tender commiseration."[8] And Diderot had delicacy and respect in his pity. He tells a story in one of his letters of a poor woman who had suffered some wrong from a priest; she had not money enough to resort to law, until a friend of Diderot took her part. The suit was gained; but when the moment came for execution, the priest had vanished with all his goods. The woman came to thank her protector, and to regret the loss he had suffered. "As she chatted, she pulled a shabby snuff-box out of her pocket, and gathered up with the tip of her finger what little snuff remained at the bottom: her benefactor says to her 'Ah, ah! you have no more snuff; give me your box, and I will fill it.' He took the box and put into it a couple of louis, which he covered up with snuff. Now there's an action thoroughly to my taste, and to yours too! Give, but, if you can, spare to the poor the shame of holding out a hand."[9] And the important thing, as we have said, is that Diderot was as good as his sentiment. Unlike most of the fine talkers of that day, to him these homely and considerate emotions were the most real part of life. Nobody in the world was ever more eager to give succour to others, nor more careless of his own ease.
One singular story of Diderot's heedlessness about himself has often been told before, but we shall be none the worse in an egoistic world for hearing it told again. There came to him one morning a young man, bringing a manuscript in his hand. He begged Diderot to do him the favour of reading it, and to make any remarks he might think useful on the margin. Diderot found it to be a bitter satire upon his own person and writings. On the young man's return, Diderot asked him his grounds for making such an attack. "I am without bread," the satirist answered, "and I hoped you might perhaps give me a few crowns not to print it." Diderot at once forgot everything in pity for the starving scribbler. "I will tell you a way of making more than that by it. The brother of the Duke of Orleans is one of the pious, and he hates me. Dedicate your satire to him, get it bound with his arms on the cover; take it to him some fine morning, and you will certainly get assistance from him." "But I don't know the prince, and the dedicatory epistle embarrasses me." "Sit down," said Diderot, "and I will write one for you." The dedication was written, the author carried it to the prince, and received a handsome fee.[10]
Marmontel assures us that never was Diderot seen to such advantage as when an author consulted him about a work. "You should have seen him," he says, "take hold of the subject, pierce to the bottom of it, and at a single glance discover of what riches and of what beauty it was susceptible. If he saw that the author missed the right track, instead of listening to the reading, he at once worked up in his head all that the author had left crude and imperfect. Was it a play, he threw new scenes into it, new incidents, new strokes of character; and thinking that he had actually heard all that he had dreamed, he extolled to the skies the work that had just been read to him, and in which, when it saw the light, we found hardly anything that he had quoted from it.... He who was one of the most enlightened men of the century, was also one of the most amiable; and in everything that touched moral goodness, when he spoke of it freely, I cannot express the charm of his eloquence. His whole soul was in his eyes and on his lips; never did a countenance better depict the goodness of the heart."[11] Morellet is equally loud in praise, not only of Diderot's conversation, its brilliance, its vivacity, its fertility, its suggestiveness, its sincerity, but also his facility and indulgence to all who sought him, and of the sympathetic readiness with which he gave the very best of himself to others.[12]