He.—Everybody must pay his scot. After sacrificing the greater animals, then we immolate the others.
I.—Insulting science and virtue for a living, that is dearly-earned bread!
He.—I have already told you, we are without any consistency; we insult all the world, and afflict nobody. We have sometimes the heavy Abbé d’Olivet, the big Abbé Le Blanc, the hypocrite Batteux. The big abbé is only spiteful before he has had his dinner; his coffee taken, he throws himself into an arm-chair, his feet against the ledge of the fireplace, and sleeps like an old parrot on its perch. If the noise becomes violent he yawns, stretches his arms, rubs his eyes, and says: “Well, well, what is it?” “It is whether Piron has more wit than Voltaire.” “Let us understand; is it wit that you are talking about, or is it taste? For as to taste, your Piron has not a suspicion of it.” “Not a suspicion of it?” “No.” And there we are, embarked in a dissertation upon taste. Then the patron makes a sign with his hand for people to listen to him, for if he piques himself upon one thing more than another, it is taste. “Taste,” he says, “taste is a thing....” But, on my soul, I don’t know what thing he said that it was, nor does he.
Then sometimes we have friend Robbé. He regales us with his equivocal stories, with the miracles of the convulsionnaires which he has seen with his own eyes, and with some cantos of a poem on a subject that he knows thoroughly. His verses I detest, but I love to hear him recite them—he has the air of an energumen. They all cry out around him: “There is a poet worth calling a poet!...”
Then there comes to us also a certain noodle with a dull and stupid air, but who has the keenness of a demon, and is more mischievous than an old monkey. He is one of those figures that provoke pleasantries and sarcasms, and that God made for the chastisement of those who judge by appearances, and who ought to have learnt from the mirror that it is as easy to be a wit with the air of a fool as to hide a fool under the air of a wit. ’Tis a very common piece of cowardice to immolate a good man to the amusement of the others; people never fail to turn to this man; he is a snare that we set for the new-comers, and I have scarcely known one of them who was not caught ...
[I was sometimes amazed at the justice of my madman’s observations on men and characters, and I showed him my surprise.] That is, he answered, because one derives good out of bad company, as one does out of libertinism. You are recompensed for the loss of your innocence by that of your prejudices; in the society of the bad, where vice shows itself without a mask, you learn to understand them. And then I have read a little.
I.—What have you read?
He.—I have read, and I read, and I read over and over again Theophrastus and La Bruyère and Molière.
I.—Excellent works, all of them.
He.—They are far better than people suppose; but who is there who knows how to read them?