SAVOY.
The commonplace theory which the world takes for granted as to the relations of the sexes, makes the woman ever crave the power and guidance of her physically stronger mate. Even if this be a true account of the normal state, there is at any rate a kind of temperament among the many types of men, in which it seems as if the elements of character remain mere futile and dispersive particles, until compelled into unity and organisation by the creative shock of feminine influence. There are men, famous or obscure, whose lives might be divided into a number of epochs, each defined and presided over by the influence of a woman. For the inconstant such a calendar contains many divisions, for the constant it is brief and simple; for both alike it marks the great decisive phases through which character has moved.
Rousseau's temperament was deeply marked by this special sort of susceptibility in one of its least agreeable forms. His sentiment was neither robustly and courageously animal, nor was it an intellectual demand for the bright and vivacious sympathies in which women sometimes excel. It had neither bold virility, nor that sociable energy which makes close emotional companionship an essential condition of freedom of faculty and completeness of work. There is a certain close and sickly air round all his dealings with women and all his feeling for them. We seem to move not in the star-like radiance of love, nor even in the fiery flames of lust, but among the humid heats of some unknown abode of things not wholesome or manly. "I know a sentiment," he writes, "which is perhaps less impetuous than love, but a thousand times more delicious, which sometimes is joined to love, and which is very often apart from it. Nor is this sentiment friendship only; it is more voluptuous, more tender; I do not believe that any one of the same sex could be its object; at least I have been a friend, if ever man was, and I never felt this about any of my friends."[38] He admits that he can only describe this sentiment by its effects; but our lives are mostly ruled by elements that defy definition, and in Rousseau's case the sentiment which he could not describe was a paramount trait of his mental constitution. It was as a voluptuous garment; in it his imagination was cherished into activity, and protected against that outer air of reality which braces ordinary men, but benumbs and disintegrates the whole vital apparatus of such an organisation as Rousseau's. If he had been devoid of this feeling about women, his character might very possibly have remained sterile. That feeling was the complementary contribution, without which could be no fecundity.
When he returned from his squalid Italian expedition in search of bread and a new religion, his mind was clouded with the vague desire, the sensual moodiness, which in such natures stains the threshold of manhood. This unrest, with its mysterious torments and black delights, was banished, or at least soothed into a happier humour, by the influence of a person who is one of the most striking types to be found in the gallery of fair women.
I.
A French writer in the eighteenth century, in a story which deals with a rather repulsive theme of action in a tone that is graceful, simple, and pathetic, painted the portrait of a creature for whom no moralist with a reputation to lose can say a word; and we may, if we choose, fool ourselves by supposing her to be without a counterpart in the better-regulated world of real life, but, in spite of both these objections, she is an interesting and not untouching figure to those who like to know all the many-webbed stuff out of which their brothers and sisters are made. The Manon Lescaut of the unfortunate Abbé Prevost, kindly, bright, playful, tender, but devoid of the very germ of the idea of that virtue which is counted the sovereign recommendation of woman, helps us to understand Madame de Warens. There are differences enough between them, and we need not mistake them for one and the same type. Manon Lescaut is a prettier figure, because romance has fewer limitations than real life; but if we think of her in reading of Rousseau's benefactress, the vision of the imaginary woman tends to soften our judgment of the actual one, as well as to enlighten our conception of a character that eludes the instruments of a commonplace analysis.[39]
She was born at Vevai in 1700; she married early, and early disagreed with her husband, from whom she eventually went away, abandoning family, religion, country, and means of subsistence, with all gaiety of heart. The King of Sardinia happened to be keeping his court at a small town on the southern shores of the lake of Geneva, and the conversion of Madame de Warens to Catholicism by the preaching of the Bishop of Annecy,[40] gave a zest to the royal visit, as being a successful piece of sport in that great spiritual hunt which Savoy loved to pursue at the expense of the reformed church in Switzerland. The king, to mark his zeal for the faith of his house, conferred on the new convert a small pension for life; but as the tongues of the scandalous imputed a less pure motive for such generosity in a parsimonious prince, Madame de Warens removed from the court and settled at Annecy. Her conversion was hardly more serious than Rousseau's own, because seriousness was no condition of her intelligence on any of its sides or in any of its relations. She was extremely charitable to the poor, full of pity for all in misfortune, easily moved to forgiveness of wrong or ingratitude; careless, gay, open-hearted; having, in a word, all the good qualities which spring in certain generous soils from human impulse, and hardly any of those which spring from reflection, or are implanted by the ordering of society. Her reason had been warped in her youth by an instructor of the devil's stamp;"[41] finding her attached to her husband and to her duties, always cold, argumentative, and impregnable on the side of the senses, he attacked her by sophisms, and at last persuaded her that the union of the sexes is in itself a matter of the most perfect indifference, provided only that decorum of appearance be preserved, and the peace of mind of persons concerned be not disturbed.[42] This execrable lesson, which greater and more unselfish men held and propagated in grave books before the end of the century, took root in her mind. If we accept Rousseau's explanation, it did so the more easily as her temperament was cold, and thus corroborated the idea of the indifference of what public opinion and private passion usually concur in investing with such enormous weightiness. "I will even dare to say," Rousseau declares, "that she only knew one true pleasure in the world, and that was to give pleasure to those whom she loved."[43] He is at great pains to protest how compatible this coolness of temperament is with excessive sensibility of character; and neither ethological theory nor practical observation of men and women is at all hostile to what he is so anxious to prove. The cardinal element of character is the speed at which its energies move; its rapidity or its steadiness, concentration or volatility; whether the thought and feeling travel as quickly as light or as slowly as sound. A rapid and volatile constitution like that of Madame de Warens is inconsistent with ardent and glowing warmth, which belongs to the other sort, but it is essentially bound up with sensibility, or readiness of sympathetic answer to every cry from another soul. It is the slow, brooding, smouldering nature, like Rousseau's own, in which we may expect to find the tropics.
To bring the heavy artillery of moral reprobation to bear upon a poor soul like Madame de Warens is as if one should denounce flagrant want of moral purpose in the busy movements of ephemera. Her activity was incessant, but it ended in nothing better than debt, embarrassment, and confusion. She inherited from her father a taste for alchemy, and spent much time in search after secret elixirs and the like. "Quacks, taking advantage of her weakness, made themselves her master, constantly infested her, ruined her, and wasted, in the midst of furnaces and chemicals, intelligence, talents, and charms which would have made her the delight of the best societies."[44] Perhaps, however, the too notorious vagrancy of her amours had at least as much to do with her failure to delight the best societies as her indiscreet passion for alchemy. Her person was attractive enough. "She had those points of beauty," says Rousseau, "which are desirable, because they reside rather in expression than in feature. She had a tender and caressing air, a soft eye, a divine smile, light hair of uncommon beauty. You could not see a finer head or bosom, finer arms or hands."[45] She was full of tricks and whimsies. She could not endure the first smell of the soup and meats at dinner; when they were placed on the table she nearly swooned, and her disgust lasted some time, until at the end of half an hour or so she took her first morsel.[46] On the whole, if we accept the current standard of sanity, Madame de Warens must be pronounced ever so little flighty; but a monotonous world can afford to be lenient to people with a slight craziness, if it only has hearty benevolence and cheerfulness in its company, and is free from egoism or rapacious vanity.
This was the person within the sphere of whose attraction Rousseau was decisively brought in the autumn of 1729, and he remained, with certain breaks of vagabondage, linked by a close attachment to her until 1738. It was in many respects the truly formative portion of his life. He acquired during this time much of his knowledge of books, such as it was, and his principles of judging them. He saw much of the lives of the poor and of the world's ways with them. Above all his ideal was revolutionised, and the recent dreams of Plutarchian heroism, of grandeur, of palaces, princesses, and a glorious career full in the world's eye, were replaced by a new conception of blessedness of life, which never afterwards faded from his vision, and which has held a front place in the imagination of literary Europe ever since. The notions or aspirations which he had picked up from a few books gave way to notions and aspirations which were shaped and fostered by the scenes of actual life into which he was thrown, and which found his character soft for their impression. In one way the new pictures of a future were as dissociated from the conditions of reality as the old had been, and the sensuous life of the happy valley in Savoy as little fitted a man to compose ideals for our gnarled and knotted world as the mental life among the heroics of sentimental fiction had done.