Rousseau (Volume 1 and 2)

by John Morley

It was not yet, however, destined to be a centre for him. His plan of musical notation was examined by a learned committee of the Academy, no member of whom was instructed in the musical art. Rousseau, dumb, inarticulate, and unready as usual, was amazed at the ease with which his critics by the free use of sounding phrases demolished arguments and objections which he perceived that they did not at all understand. His experience on this occasion suggested to him the most just reflection, how even without breadth of intelligence, the profound knowledge of any one thing is preferable in forming a judgment about it, to all possible enlightenment conferred by the cultivation of the sciences, without study of the special matter in question. It astonished him that all these learned men, who knew so many things, could yet be so ignorant that a man should only pretend to be a judge in his own craft.[107]

His musical path to glory and riches thus blocked up, he surrendered himself not to despair but to complete idleness and peace of mind. He had a few coins left, and these prevented him from thinking of a future. He was presented to one or two great ladies, and with the blundering gallantry habitual to him he wrote a letter to one of the greatest of them, declaring his passion for her. Madame Dupin was the daughter of one, and the wife of another, of the richest men in France, and the attentions of a man whose acquaintance Madame Beuzenval had begun by inviting him to dine in the servants' hall, were not pleasing to her.[108] She forgave the impertinence eventually, and her stepson, M. Francueil, was Rousseau's patron for some years.[109] On the whole, however, in spite of his own account of his social ineptitude, there cannot have been anything so repulsive in his manners as this account would lead us to think. There is no grave anachronism in introducing here the impression which he made on two fine ladies not many years after this. "He pays compliments, yet he is not polite, or at least he is without the air of politeness. He seems to be ignorant of the usages of society, but it is easily seen that he is infinitely intelligent. He has a brown complexion, while eyes that overflow with fire give animation to his expression. When he has spoken and you look at him, he appears comely; but when you try to recall him, his image is always extremely plain. They say that he has bad health, and endures agony which from some motive of vanity he most carefully conceals. It is this, I fancy, which gives him from time to time an air of sullenness."[110] The other lady, who saw him at the same time, speaks of "the poor devil of an author, who's as poor as Job for you, but with wit and vanity enough for four.... They say his history is as queer as his person, and that is saying a good deal.... Madame Maupeou and I tried to guess what it was. 'In spite of his face,' said she (for it is certain he is uncommonly plain), 'his eyes tell that love plays a great part in his romance.' 'No,' said I, 'his nose tells me that it is vanity.' 'Well then, 'tis both one and the other.'"[111]

One of his patronesses took some trouble to procure him the post of secretary to the French ambassador at Venice, and in the spring of 1743 our much-wandering man started once more in quest of meat and raiment in the famous city of the Adriatic. This was one of those steps of which there are not a few in a man's life, that seem at the moment to rank foremost in the short line of decisive acts, and then are presently seen not to have been decisive at all, but mere interruptions conducting nowhither. In truth the critical moments with us are mostly as points in slumber. Even if the ancient oracles of the gods were to regain their speech once more on the earth, men would usually go to consult them on days when the answer would have least significance, and could guide them least far. That one of the most heedless vagrants in Europe, and as it happened one of the men of most extraordinary genius also, should have got a footing in the train of the ambassador of a great government, would naturally seem to him and others as chance's one critical stroke in his life. In reality it was nothing. The Count of Montaigu, his master, was one of the worst characters with whom Rousseau could for his own profit have been brought into contact. In his professional quality he was not far from imbecile. The folly and weakness of the government at Versailles during the reign of Lewis XV., and its indifference to competence in every department except perhaps partially in the fisc, was fairly illustrated in its absurd representative at Venice. The secretary, whose renown has preserved his master's name, has recorded more amply than enough the grounds of quarrel between them. Rousseau is for once eager to assert his own efficiency, and declares that he rendered many important services for which he was repaid with ingratitude and persecution.[112] One would be glad to know what the Count of Montaigu's version of matters was, for in truth Rousseau's conduct in previous posts makes us wonder how it was that he who had hitherto always been unfaithful over few things, suddenly touched perfection when he became lord over many.

There is other testimony, however, to the ambassador's morbid quality, of which, after that general imbecility which was too common a thing among men in office to be remarkable, avarice was the most striking trait. For instance, careful observation had persuaded him that three shoes are equivalent to two pairs, because there is always one of a pair which is more worn than its fellow; and hence he habitually ordered his shoes in threes.[113] It was natural enough that such a master and such a secretary should quarrel over perquisites. That slightly cringing quality which we have noticed on one or two occasions in Rousseau's hungry youthful time, had been hardened out of him by circumstance or the strengthening of inborn fibre. He would now neither dine in a servants' hall because a fine lady forgot what was due to a musician, nor share his fees with a great ambassador who forgot what was due to himself. These sordid disputes are of no interest now to anybody, and we need only say that after a period of eighteen months passed in uncongenial company, Rousseau parted from his count in extreme dudgeon, and the diplomatic career which he had promised to himself came to the same close as various other careers had already done.

He returned to Paris towards the end of 1744, burning with indignation at the unjust treatment which he believed himself to have suffered, and laying memorial after memorial before the minister at home. He assures us that it was the justice and the futility of his complaints, that left in his soul the germ of exasperation against preposterous civil institutions, "in which the true common weal and real justice are always sacrificed to some seeming order or other, which is in fact destructive of all order, and only adds the sanction of public authority to the oppression of the weak and the iniquity of the strong."[114]

One or two pictures connected with the Venetian episode remain in the memory of the reader of the Confessions, and among them perhaps with most people is that of the quarantine at Genoa in Rousseau's voyage to his new post. The travellers had the choice of remaining on board the felucca, or passing the time in an unfurnished lazaretto. This, we may notice in passing, was his first view of the sea; he makes no mention of the fact, nor does the sight or thought of the sea appear to have left the least mark in any line of his writings. He always disliked it, and thought of it with melancholy. Rousseau, as we may suppose, found the want of space and air in the boat the most intolerable of evils, and preferred to go alone to the lazaretto, though it had neither window-sashes nor tables nor chairs nor bed, nor even a truss of straw to lie down upon. He was locked up and had the whole barrack to himself. "I manufactured," he says, "a good bed out of my coats and shirts, sheets out of towels which I stitched together, a pillow out of my old cloak rolled up. I made myself a seat of one trunk placed flat, and a table of the other. I got out some paper and my writing-desk, and arranged some dozen books that I had by way of library. In short I made myself so comfortable, that, with the exception of curtains and windows, I was nearly as well off in this absolutely naked lazaretto as in my lodgings in Paris. My meals were served with much pomp; two grenadiers, with bayonets at their musket-ends, escorted them; the staircase was my dining-room, the landing did for table and the lower step for a seat, and when my dinner was served, they rang a little bell as they withdrew, to warn me to seat myself at table. Between my meals, when I was neither writing nor reading, nor busy with my furnishing, I went for a walk in the Protestant graveyard, or mounted into a lantern which looked out on to the port, and whence I could see the ships sailing in and out. I passed a fortnight in this way, and I could have spent the whole three weeks of the quarantine without feeling an instant's weariness."[115]

These are the occasions when we catch glimpses of the true Rousseau; but his residence in Venice was on the whole one of his few really sociable periods. He made friends and kept them, and there was even a certain gaiety in his life. He used to tell people their fortunes in a way that an earlier century would have counted unholy.[116] He rarely sought pleasure in those of her haunts for which the Queen of the Adriatic had a guilty renown, but he has left one singular anecdote, showing the degree to which profound sensibility is capable of doing the moralist's work in a man, and how a stroke of sympathetic imagination may keep one from sin more effectually than an ethical precept.[117] It is pleasanter to think of him as working at the formation of that musical taste which ten years afterwards led him to amaze the Parisians by proving that French melody was a hollow idea born of national self-delusion. A Venetian experiment, whose evidence in the special controversy is less weighty perhaps than Rousseau supposed, was among the facts which persuaded him that Italian is the language of music. An Armenian who had never heard any music was invited to listen first of all to a French monologue, and then to an air of Galuppi's. Rousseau observed in the Armenian more surprise than pleasure during the performance of the French piece. The first notes of the Italian were no sooner struck, than his eyes and whole expression softened; he was enchanted, surrendered his whole soul to the ravishing impressions of the music, and could never again be induced to listen to the performance of any French air.[118]

More important than this was the circumstance that the sight of the defects of the government of the Venetian Republic first drew his mind to political speculation, and suggested to him the composition of a book that was to be called Institutions Politiques.[119] The work, as thus designed and named, was never written, but the idea of it, after many years of meditation, ripened first in the Discourse on Inequality, and then in the Social Contract.

If Rousseau's departure for Venice was a wholly insignificant element in his life, his return from it was almost immediately followed by an event which counted for nothing at the moment, which his friends by and by came to regard as the fatal and irretrievable disaster of his life, but which he persistently described as the only real consolation that heaven permitted him to taste in his misery, and the only one that enabled him to bear his many sore burdens.[120]

He took up his quarters at a small and dirty hotel not far from the Sorbonne, where he had alighted on the occasion of his second arrival in Paris.[121] Here was a kitchen-maid, some two-and-twenty years old, who used to sit at table with her mistress and the guests of the house. The company was rough, being mainly composed of Irish and Gascon abbés, and other people to whom graces of mien and refinement of speech had come neither by nature nor cultivation. The hostess herself pitched the conversation in merry Rabelaisian key, and the apparent modesty of her serving-woman gave a zest to her own licence. Rousseau was moved with pity for a maid defenceless against a ribald storm, and from pity he advanced to some warmer sentiment, and he and Theresa Le Vasseur took each other for better for worse, in a way informal but sufficiently effective. This was the beginning of a union which lasted for the length of a generation and more, down to the day of Rousseau's most tragical ending.[122] She thought she saw in him a worthy soul; and he was convinced that he saw in her a woman of sensibility, simple and free from trick, and neither of the two, he says, was deceived in respect of the other. Her intellectual quality was unique. She could never be taught to read with any approach to success. She could never follow the order of the twelve months of the year, nor master a single arithmetical figure, nor count a sum of money, nor reckon the price of a thing. A month's instruction was not enough to give knowledge of the hours of the day on the dial-plate. The words she used were often the direct opposites of the words that she meant to use.[123]