"Our repentance is not so much regret for the ill we have done, as fear of the ill that may come to us in consequence."
And everybody here knows the saying that "In the adversity of our best friends we often find something that is not exactly displeasing."
We cannot wonder that in spite of their piquancy of form, such sentences as these have aroused in many minds an invincible repugnance for what would be so tremendous a calumny on human nature, if the book were meant to be a picture of human nature as a whole. "I count Rochefoucauld's Maxims," says one critic, "a bad book. As I am reading it, I feel discomfort; I have a sense of suffering which I cannot define. Such thoughts tarnish the brightness of the soul; they degrade the heart." Yet as a faithful presentation of human selfishness, and of you and me in so far as we happen to be mainly selfish, the odious mirror has its uses by showing us what manner of man we are or may become. Let us not forget either that not quite all is selfishness in La Rochefoucauld. Everybody knows his saying that hypocrisy is the homage that vice pays to virtue. There is a subtle truth in this, too,—that to be in too great a hurry to discharge an obligation is itself a kind of ingratitude. Nor is there any harm in the reflection that no fool is so troublesome as the clever fool; nor in this, that only great men have any business with great defects; nor, finally, in the consolatory saying, that we are never either so happy or so unhappy as we imagine.
No more important name is associated with the literature of aphorism than that of Pascal; but the Thoughts of Pascal concern the deeper things of speculative philosophy and religion, rather than the wisdom of daily life, and, besides, though aphoristic in form, they are in substance systematic. "I blame equally," he said, "those who take sides for praising man, those who are for blaming him, and those who amuse themselves with him: the only wise part is search for truth—search with many sighs." On man, as he exists in society, he said little; and what he said does not make us hopeful. He saw the darker side. "If everybody knew what one says of the other, there would not be four friends left in the world." "Would you have men think well of you, then do not speak well of yourself." And so forth. If you wish to know Pascal's theory you may find it set out in brilliant verse in the opening lines of the second book of Pope's Essay on Man. "What a chimera is Man!" said Pascal. "What a confused chaos! What a subject of contradiction! A professed judge of all things, and yet a feeble worm of the earth; the great depository and guardian of truth, and yet a mere huddle of uncertainty; the glory and the scandal of the universe." Shakespeare was wiser and deeper when, under this quintessence of dust, he discerned what a piece of work is man, how noble in reason, how infinite in faculty, in form and moving how express and admirable. That serene and radiant faith is the secret, added to matchless gifts of imagination and music, why Shakespeare is the greatest of men.
There is a smart, spurious wisdom of the world which has the bitterness not of the salutary tonic but of mortal poison; and of this kind the master is Chamfort, who died during the French Revolution (and for that matter died of it), and whose little volume of thoughts is often extremely witty, always pointed, but not seldom cynical and false. "If you live among men," he said, "the heart must either break or turn to brass." "The public, the public," he cried; "how many fools does it take to make a public!" "What is celebrity? The advantage of being known to people who don't know you."
All literatures might be ransacked in vain for a more repulsive saying than this, that "A man must swallow a toad every morning if he wishes to be quite sure of finding nothing still more disgusting before the day is over." We cannot be surprised to hear of the lady who said that a conversation with Chamfort in the morning made her melancholy until bedtime. Yet Chamfort is the author of the not unwholesome saying that "The most wasted of all days is that on which one has not laughed." One of his maxims lets us into the secret of his misanthropy. "Whoever," he said, "is not a misanthropist at forty can never have loved mankind." It is easy to know what this means. Of course if a man is so superfine that he will not love mankind any longer than he can believe them to be demigods and angels, it is true that at forty he may have discovered that they are neither. Beginning by looking for men to be more perfect than they can be, he ends by thinking them worse than they are, and then he secretly plumes himself on his superior cleverness in having found humanity out. For the deadliest of all wet blankets give me a middle-aged man who has been most of a visionary in his youth.
To correct all this, let us recall Helvétius's saying that I have already quoted, which made so deep an impression on Jeremy Bentham: "In order to love mankind, we must not expect too much from them." And let us remember that Fénelon, one of the most saintly men that ever lived, and whose very countenance bore such a mark of goodness that when he was in a room men found they could not desist from looking at him, wrote to a friend the year before he died, "I ask little from most men; I try to render them much, and to expect nothing in return, and I get very well out of the bargain."
Chamfort I will leave, with his sensible distinction between Pride and Vanity. "A man," he says, "has advanced far in the study of morals who has mastered the difference between pride and vanity. The first is lofty, calm, immovable; the second is uncertain, capricious, unquiet. The one adds to a man's stature; the other only puffs him out. The one is the source of a thousand virtues; the other is that of nearly all vices and all perversities. There is a kind of pride in which are included all the commandments of God; and a kind of vanity which contains the seven mortal sins."
I will say little of La Bruyère, by far the greatest, broadest, strongest, of French character-writers, because his is not one of the houses of which you can judge by a brick or two taken at random. For those in whom the excitements of modern literature have not burnt up the faculty of sober meditation on social man, La Bruyère must always be one of the foremost names. Macaulay somewhere calls him thin. But Macaulay has less ethical depth, and less perception of ethical depth, than any writer that ever lived with equally brilliant gifts in other ways; and thin is the very last word that describes this admirable master. If one seeks to measure how far removed the great classic moralists are from thinness, let him turn from La Bruyère to the inane subtleties and meaningless conundrums, not worth answering, that do duty for analysis of character in some modern American literature. We feel that La Bruyère, though retiring, studious, meditative, and self-contained, has complied with the essential condition of looking at life and men themselves, and with his own eyes. His aphoristic sayings are the least important part of him, but here are one or two examples:—
"Eminent posts make great men greater, and little
men less."