On the north wall of the cañon, a little below the Diamond Cascade, a glittering side stream makes its appearance, seeming to leap directly out of the sky. It first resembles a crinkled ribbon of silver hanging loosely down the wall, but grows wider as it descends, and dashes the dull rock with foam. A long rough talus curves up against this part of the cliff, overgrown with snow-pressed willows, in which the fall disappears with many an eager surge and swirl and plashing leap, finally beating its way down to its confluence with the main cañon stream.
Below this point the climate is no longer arctic. Butterflies become larger and more abundant, grasses with imposing spread of panicle wave above your shoulders, and the summery drone of the bumblebee thickens the air. The Dwarf Pine, the tree-mountaineer that climbs highest and braves the coldest blasts, is found scattered in storm-beaten clumps from the summit of the pass about half-way down the cañon. Here it is succeeded by the hardy Two-leaved Pine, which is speedily joined by the taller Yellow and Mountain Pines. These, with the burly juniper, and shimmering aspen, rapidly grow larger as the sunshine becomes richer, forming groves that block the view; or they stand more apart here and there in picturesque groups, that make beautiful and obvious harmony with the rocks and with one another. Blooming underbrush becomes abundant,—azalea, spiraea, and the brier-rose weaving fringes for the streams, and shaggy rugs to relieve the stern, unflinching rock-bosses.
RANCHERIA FALLS, HETCH-HETCHY VALLEY
Through this delightful wilderness, Cañon Creek roves without any constraining channel, throbbing and wavering; now in sunshine, now in thoughtful shade; falling, swirling, flashing from side to side in weariless exuberance of energy. A glorious milky way of cascades is thus developed, of which Bower Cascade, though one of the smallest, is perhaps the most beautiful of them all. It is situated in the lower region of the pass, just where the sunshine begins to mellow between the cold and warm climates. Here the glad creek, grown strong with tribute gathered from many a snowy fountain on the heights, sings richer strains, and becomes more human and lovable at every step. Now you may by its side find the rose and homely yarrow, and small meadows full of bees and clover. At the head of a low-browed rock, luxuriant dogwood bushes and willows arch over from bank to bank, embowering the stream with their leafy branches; and drooping plumes, kept in motion by the current, fringe the brow of the cascade in front. From this leafy covert the stream leaps out into the light in a fluted curve thick sown with sparkling crystals, and falls into a pool filled with brown boulders, out of which it creeps gray with foam-bells and disappears in a tangle of verdure like that from which it came.
Hence, to the foot of the cañon, the metamorphic slates give place to granite, whose nobler sculpture calls forth expressions of corresponding beauty from the stream in passing over it,—bright trills of rapids, booming notes of falls, solemn hushes of smooth-gliding sheets, all chanting and blending in glorious harmony. When, at length, its impetuous alpine life is done, it slips through a meadow with scarce an audible whisper, and falls asleep in Moraine Lake.
This water-bed is one of the finest I ever saw. Evergreens wave soothingly about it, and the breath of flowers floats over it like incense. Here our blessed stream rests from its rocky wanderings, all its mountaineering done,—no more foaming rock-leaping, no more wild, exulting song. It falls into a smooth, glassy sleep, stirred only by the night-wind, which, coming down the cañon, makes it croon and mutter in ripples along its broidered shores.
Leaving the lake, it glides quietly through the rushes, destined never more to touch the living rock. Henceforth its path lies through ancient moraines and reaches of ashy sage-plain, which nowhere afford rocks suitable for the development of cascades or sheer falls. Yet this beauty of maturity, though less striking, is of a still higher order, enticing us lovingly on through gentian meadows and groves of rustling aspen to Lake Mono, where, spirit-like, our happy stream vanishes in vapor, and floats free again in the sky.
Bloody Cañon, like every other in the Sierra, was recently occupied by a glacier, which derived its fountain snows from the adjacent summits, and descended into Mono Lake, at a time when its waters stood at a much higher level than now. The principal characters in which the history of the ancient glaciers is preserved are displayed here in marvelous freshness and simplicity, furnishing the student with extraordinary advantages for the acquisition of knowledge of this sort. The most striking passages are polished and striated surfaces, which in many places reflect the rays of the sun like smooth water. The dam of Red Lake is an elegantly modeled rib of metamorphic slate, brought into relief because of its superior strength, and because of the greater intensity of the glacial erosion of the rock immediately above it, caused by a steeply inclined tributary glacier, which entered the main trunk with a heavy down-thrust at the head of the lake.