YELLOW PINE AND LIBOCEDRUS
The two inside trees are Libocedrus, the two outside trees, Yellow Pine.
In its widest sweeps my tree-top described an arc of from twenty to thirty degrees, but I felt sure of its elastic temper, having seen others of the same species still more severely tried—bent almost to the ground indeed, in heavy snows—without breaking a fiber. I was therefore safe, and free to take the wind into my pulses and enjoy the excited forest from my superb outlook. The view from here must be extremely beautiful in any weather. Now my eye roved over the piny hills and dales as over fields of waving grain, and felt the light running in ripples and broad swelling undulations across the valleys from ridge to ridge, as the shining foliage was stirred by corresponding waves of air. Oftentimes these waves of reflected light would break up suddenly into a kind of beaten foam, and again, after chasing one another in regular order, they would seem to bend forward in concentric curves, and disappear on some hillside, like sea-waves on a shelving shore. The quantity of light reflected from the bent needles was so great as to make whole groves appear as if covered with snow, while the black shadows beneath the trees greatly enhanced the effect of the silvery splendor.
Excepting only the shadows there was nothing somber in all this wild sea of pines. On the contrary, notwithstanding this was the winter season, the colors were remarkably beautiful. The shafts of the pine and libocedrus were brown and purple, and most of the foliage was well tinged with yellow; the laurel groves, with the pale undersides of their leaves turned upward, made masses of gray; and then there was many a dash of chocolate color from clumps of manzanita, and jet of vivid crimson from the bark of the madroños, while the ground on the hillsides, appearing here and there through openings between the groves, displayed masses of pale purple and brown.
The sounds of the storm corresponded gloriously with this wild exuberance of light and motion. The profound bass of the naked branches and boles booming like waterfalls; the quick, tense vibrations of the pine-needles, now rising to a shrill, whistling hiss, now falling to a silky murmur; the rustling of laurel groves in the dells, and the keen metallic click of leaf on leaf—all this was heard in easy analysis when the attention was calmly bent.
The varied gestures of the multitude were seen to fine advantage, so that one could recognize the different species at a distance of several miles by this means alone, as well as by their forms and colors, and the way they reflected the light. All seemed strong and comfortable, as if really enjoying the storm, while responding to its most enthusiastic greetings. We hear much nowadays concerning the universal struggle for existence, but no struggle in the common meaning of the word was manifest here; no recognition of danger by any tree; no deprecation; but rather an invincible gladness as remote from exultation as from fear.
I kept my lofty perch for hours, frequently closing my eyes to enjoy the music by itself, or to feast quietly on the delicious fragrance that was streaming past. The fragrance of the woods was less marked than that produced during warm rain, when so many balsamic buds and leaves are steeped like tea; but, from the chafing of resiny branches against each other, and the incessant attrition of myriads of needles, the gale was spiced to a very tonic degree. And besides the fragrance from these local sources there were traces of scents brought from afar. For this wind came first from the sea, rubbing against its fresh, briny waves, then distilled through the redwoods, threading rich ferny gulches, and spreading itself in broad undulating currents over many a flower-enameled ridge of the coast mountains, then across the golden plains, up the purple foot-hills, and into these piny woods with the varied incense gathered by the way.
Winds are advertisements of all they touch, however much or little we may be able to read them; telling their wanderings even by their scents alone. Mariners detect the flowery perfume of land-winds far at sea, and sea-winds carry the fragrance of dulse and tangle far inland, where it is quickly recognized, though mingled with the scents of a thousand land-flowers. As an illustration of this, I may tell here that I breathed sea-air on the Firth of Forth, in Scotland, while a boy; then was taken to Wisconsin, where I remained nineteen years; then, without in all this time having breathed one breath of the sea, I walked quietly, alone, from the middle of the Mississippi Valley to the Gulf of Mexico, on a botanical excursion, and while in Florida, far from the coast, my attention wholly bent on the splendid tropical vegetation about me, I suddenly recognized a sea-breeze, as it came sifting through the palmettos and blooming vine-tangles, which at once awakened and set free a thousand dormant associations, and made me a boy again in Scotland, as if all the intervening years had been annihilated.
Most people like to look at mountain rivers, and bear them in mind; but few care to look at the winds, though far more beautiful and sublime, and though they become at times about as visible as flowing water. When the north winds in winter are making upward sweeps over the curving summits of the High Sierra, the fact is sometimes published with flying snow-banners a mile long. Those portions of the winds thus embodied can scarce be wholly invisible, even to the darkest imagination. And when we look around over an agitated forest, we may see something of the wind that stirs it, by its effects upon the trees. Yonder it descends in a rush of water-like ripples, and sweeps over the bending pines from hill to hill. Nearer, we see detached plumes and leaves, now speeding by on level currents, now whirling in eddies, or, escaping over the edges of the whirls, soaring aloft on grand, upswelling domes of air, or tossing on flame-like crests. Smooth, deep currents, cascades, falls, and swirling eddies, sing around every tree and leaf, and over all the varied topography of the region with telling changes of form, like mountain rivers conforming to the features of their channels.
After tracing the Sierra streams from their fountains to the plains, marking where they bloom white in falls, glide in crystal plumes, surge gray and foam-filled in boulder-choked gorges, and slip through the woods in long, tranquil reaches—after thus learning their language and forms in detail, we may at length hear them chanting all together in one grand anthem, and comprehend them all in clear inner vision, covering the range like lace. But even this spectacle is far less sublime and not a whit more substantial than what we may behold of these storm-streams of air in the mountain woods.