The entire phonograph is shown in our figure. [The figure is omitted from this e-text] It consists of a box, B, containing the silent electro-motor which drives the machine, and supporting the works for printing and reproducing the sounds. Apart from the motive power, which might, as in the graphophone, be supplied by foot, the apparatus is purely mechanical, the parts acting with smoothness and precision. These are, chiefly, the barrel or cylinder, C, on which the hollow wax is placed; the spindle, S, which revolves the cylinder and wax; and the two tympana, T, T', which receive the sounds and impress them on the soft surface of the wax. A governor, G, regulates the movement of the spindle; and there are other ingenious devices for starting and stopping the apparatus. The tympanum T is that which is used for recording the sounds, and M is a mouthpiece, which is fixed to it for speaking purposes. The other tympanum, T', reproduces the sounds; and E E is a branched ear-piece, conveying them to the two ears of the listener. The separate wax tube, P, is a phonogram with the spiral trace of the sounds already printed on its surface, and ready for posting.

The box below the table contains the voltaic battery which actuates the electro-motor. A machine which aims at recording and reproducing actual speech or music is, of course, capable of infinite refinement, and Edison is still at work improving the instrument, but even now it is substantially perfected.

Phonographs have arrived in London, and through the kindness of Mr. Edison and his English representative, Colonel G. E. Gouraud, we have had an opportunity of testing one. A number of phonograms, taken in Edison's laboratory, were sent over with the instruments, and several of them were caused to deliver in our hearing the sounds which were

'sealed in crystal silence there.'

The first was a piece which had been played on the piano, quick time, and the fidelity and loudness with which it was delivered by the hearing tube was fairly astonishing, especially when one considered the frail and hair-like trace upon the wax which had excited it. There seemed to be something magical in the effect, which issued, as it were, from the machine itself. Then followed a cornet solo, concert piece of cornet, violin, and piano, and a very beautiful duet of cornet and piano. The tones and cadences were admirably rendered, and the ear could also faintly distinguish the noises of the laboratory. Speaking was represented by a phonogram containing a dialogue between Mr. Edison and Colonel Gouraud which had been imprinted some three weeks before in America. With this we could hear the inventor addressing his old friend, and telling him to correspond entirely with the phonograph. Colonel Gouraud answers that he will be delighted to do so, and be spared the trouble of writing; while Edison rejoins that he also will be glad to escape the pains of reading the gallant colonel's letters. The sally is greeted with a laugh, which is also faithfully rendered.

One day a workman in Edison's laboratory caught up a crying child and held it over the phonograph. Here is the phonogram it made, and here in England we can listen to its wailing, for the phonograph reproduces every kind of sound, high or low, whistling, coughing, sneezing, or groaning. It gives the accent, the expression, and the modulation, so that one has to be careful how one speaks, and probably its use will help us to improve our utterance.

By speaking into the phonograph and reproducing the words, we are enabled for the first time to hear ourselves speak as others hear us; for the vibrations of the head are understood to mask the voice a little to our own ears. Moreover, by altering the speed of the barrel the voice can be altered, music can be executed in slow or quick time, however it is played, inaudible notes can be raised or lowered, as the case may be, to audibility. The phonograph will register notes as low as ten vibrations a second, whereas it is well known the lowest note audible to the human ear is sixteen vibrations a second. The instrument is equally capable of service and entertainment. It can be used as a stenograph, or shorthand-writer. A business man, for instance, can dictate his letters or instructions into it, and they can be copied out by his secretary. Callers can leave a verbal message in the phonograph instead of a note. An editor or journalist can dictate articles, which may be written out or composed by the printer, word by word, as they are spoken by the reproducer in his ears.

Correspondence can be carried on by phonograms, distant friends and lovers being able thus to hear each other's accents as though they were together, a result more conducive to harmony and good feeling than letter-writing. In matters of business and diplomacy the phonogram will teach its users to be brief, accurate, and honest in their speech; for the phonograph is a mechanical memory more faithful than the living one. Its evidence may even be taken in a court of law in place of documents, and it is conceivable that some important action might be settled by the voice of this DEUS EX MACHINA. Will it therefore add a new terror to modern life? Shall a visitor have to be careful what he says in a neighbour's house, in case his words are stored up in some concealed phonograph, just as his appearance may be registered by a detective camera? In ordinary life—no; for the phonograph has its limitations, like every other machine, and it is not sufficiently sensitive to record a conversation unless it is spoken close at hand. But there is here a chance for the sensational novelist to hang a tale upon.

The 'interviewer' may make use of it to supply him with 'copy,' but this remains to be seen. There are practical difficulties in the way which need not be told over. Perhaps in railway trains, steamers, and other unsteady vehicles, it will be-used for communications. The telephone may yet be adapted to work in conjunction with it, so that a phonogram can be telephoned, or a telephone message recorded in the phonograph. Such a 'telephonograph' is, however, a thing of the future. Wills and other private deeds may of course be executed by phonograph. Moreover, the loud-speaking instrument which Edison is engaged upon will probably be applied to advertising and communicating purposes. The hours of the day, for example, can be called out by a clock, the starting of a train announced, and the merits of a particular commodity descanted on. All these uses are possible; but it is in a literary sense that the phonograph is more interesting. Books can now be spoken by their authors, or a good elocutionist, and published in phonograms, which will appeal to the ear of the 'reader' instead of to his eye. 'On, four cylinders 8 inches long, with a diameter of 5,' says Edison, 'I can put the whole of NICHOLAS NICKLEBY.' To the invalid, especially, this use would come as a boon; and if the instrument were a loud speaker, a circle of listeners could be entertained. How interesting it would be to have NICHOLAS NICKLEBY read to us in the voice of Dickens, or TAM O' SHANTER in that of Burns! If the idea is developed, we may perhaps have circulating libraries which issue phonograms, and there is already some talk of a phonographic newspaper which will prattle politics and scandal at the breakfast-table. Addresses, sermons, and political speeches may be delivered by the phonograph; languages taught, and dialects preserved; while the study of words cannot fail to benefit by its performance.

Musicians will now be able to record their improvisations by a phonograph placed near the instrument they are playing. There need in fact be no more 'lost chords.' Lovers of music, like the inventor himself, will be able to purchase songs and pieces, sung and played by eminent performers, and reproduce them in their own homes. Music-sellers will perhaps let them out, like books, and customers can choose their piece in the shop by having it rehearsed to them.