[Festivals.]—
The most important festivals are apparently semireligious in character and partake strongly of the nature of dramatic representations. At these festivals they make use of many articles of dress and adornment, not worn on other occasions, and even some “properties” and mechanical contrivances to add to the dramatic effect. All festivals are accompanied by singing, drumming, and dancing.
At the formal festivals, in the early winter, the performers are dressed in new deerskin clothing, with the snow-white flesh side outward, and in certain parts of the performance wear on their heads tall conical caps covered with rows of mountain sheep teeth which rattle as the wearer dances.
We brought home one of these dancing caps (kă´brû, käluka´) (No. 89820 [863] Fig. 365), made of deerskin with the hair inward and clipped close. The outside is painted all over with red ocher. The front is nearly all in one piece, but the back is irregularly pieced and gored. It is surmounted by a thick tuft of brown and white wolverine fur about 5 inches long, sewed into the apex. To the middle of one side at the edge is sewed a narrow strip of deerskin with the hair clipped close, which is long enough to go under the wearer’s chin and be knotted into a slit close to the edge of the other side of the cap. On the front edge is sewed a row of thirty-five incisor teeth of the mountain sheep by a thread running through a hole drilled through the root of each.
The series is regularly graduated, having the largest teeth in the middle and the smallest on the ends. Above this is a narrow strip of brown deerskin running two-thirds round the cap and sewed on flesh side out so that the hair projects as a fringe below. Above this are three ornamental bands about 2 inches apart running two-thirds round the cap, each fringed on the lower edge with sheep teeth strung as on the edge of the cap. The lower row contains 54 teeth, the middle 29, and the upper 31. The lowest band is made of 2 strips of mountain sheepskin with a narrow strip of black sealskin between them, and a narrow strip of brown deerskin with the hair out; the next is of coarse gray deerskin with the hair out; and the uppermost of brown deerskin with the flesh side out. The cap is old and dirty, and has been long in use.
Fig. 366.—Wooden mask.
The custom of wearing this style of cap appears to be peculiar to the northwestern Eskimo, as I find no mention for it elsewhere. It is perhaps derived indirectly from the northern Indians, some of whom are represented as wearing a similar headdress.
In certain parts of the same ceremony as witnessed by Lieut. Ray the dancers also wore rattle mittens, which were shaken in time to the music. A pair of these were offered for sale once, but Lieut. Ray did not consider them sufficiently of pure Eskimo manufacture to be worth the price asked for them. They were made of sealskin and covered all over the back with empty Winchester cartridge shells loosely attached by a string through a hole in the bottom, so as to strike against each other when the mitten was shaken. The five men who wore these mittens wore on their heads the stuffed skins of various animals, the wolf, bear, fox, lynx, and dog, which they were supposed to represent. These articles were never offered for sale, as they were probably too highly valued.